London Review Bookshop Podcast

Throughout its history feminism has had a troubled relationship with policing, torn between seeking its protection and attacking its ingrained sexist bias. In Why Would Feminists Trust the Police? (Verso) Leah Cowan cuts a trenchant path through the debate, reminding us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren't feminist, and the law does not keep women safe. She discusses the issue with feminist writer and scholar Lola Olufemi.

In her debut novel Scaffolding (Chatto) Lauren Elkin – ‘The Susan Sontag of her generation’, according to Deborah Levy – presents two couples occupying the same Paris apartment, five decades apart. Lauren Elkin’s previous works include Art Monsters, a landmark study of women artists, Flâneuse and a translation of Simone de Beauvoir’s The Inseparables. She was joined in conversation by writer and broadcaster Octavia Bright.Find more events at the Bookshop: https://lrb.me/eventspodGet the book: https://lrb.me/scaffoldingpod

The Federal Theatre Project, established as part of the New Deal in 1935 to provide employment opportunities for theatre professionals affected by the Great Depression, became the cornerstone of American radical drama, both on stage and on radio, throughout the late 1930s. Its staunchly political stance on labour and race relations and housing and health inequality proved popular with audiences, but less so with Congress which, in an atmosphere of growing anti-communist paranoia, withdrew the Project’s funding in 1939. In The Playbook (Faber) theatre historian and Shakespeare scholar James Shapiro tells the absorbing and disturbing tale, at the same time uncovering the deep roots of today’s culture wars. He's in conversation with historian and author Sarah Churchwell.

Anne Serre’s latest novel to appear in English, brilliantly translated from the French by Mark Hutchinson, was written in the aftermath of the death of the author’s younger sister, and recounts the tortured relationship between an unnamed narrator and his close childhood friend Fanny, a young woman suffering from profound psychological distress. Hailed in Le Point as a 'masterpiece of simplicity, emotion and elegance’, A Leopard-Skin Hat (Lolli Editions) is a bewildering rollercoaster of hope and despair, calling into question the form of the novel itself.Serre, Bordeaux-born author of 14 previous novels, was joined in conversation about her work with novelist and LRB contributor Lucie Elven.Find more events at the Bookshop: https://lrb.me/eventspod

In her debut novel Experienced (4th Estate) writer and cook Kate Young delves into the world of queer dating following, reluctant Bette on an odyssey of sexual encounters as she tries to catch up on the decade of fun she missed out on before coming out, always intending to return after the adventure to her true love Mei. ‘A fizzing rollercoaster of a romcom,’ writes Caroline O'Donoghue. ‘The sexiest book you'll read all year, and the most heartening’. Young read from her novel, and talked about it with Nicola Dinan, author of Bellies.

Born in Belgium in 1954 to conservative, Catholic parents, Lucy Sante migrated to New York in the 1960s, where she became associated with the Bohemian artistic milieu of the city. After producing several highly acclaimed works of history such as Low Life and The Other Paris and translating Félix Fénéon’s feuilletons for NYRB as Novels in Three Lines, she announced in 2021 that she was transitioning: ‘Yes, I’ve known since at least age 11 but probably earlier and yes, I suppressed and denied it for decades’, she wrote at the time. In I Heard Her Call My Name (Hutchinson Heinemann), ‘a generous, fearlessly revealing book’ (Samantha Hunt), she describes with great grace, wit and humility her decision to begin living the life she knew was truly hers.Sante is in conversation about her memoir with writer and filmmaker Juliet Jacques.

Born in the pandemic lockdown of 2020, when Britain’s restaurants had closed their doors, Jonathan Nunn founded the online newsletter Vittles, which rapidly established itself as the premier platform for exploring food cultures in Britain and around the world. Out of Vittles was born London Feeds Itself, a fascinating collection of essays written at the intersections of food, architecture, history, and demography. First published by Open City in 2022, London Feeds Itself now appears in a new edition in association with Fitzcarraldo.In this episode, Jonathan Nunn speaks about the project with architectural historian Owen Hatherley, whose essay ‘The Housing Estate’ from the book serves as a springboard for the discussion.Get the book: https://londonreviewbookshop.co.uk/stock/london-feeds-itself-jonathan-nunnFind more events at the Bookshop: https://lrb.me/eventspod

During the Covid lockdown Iain Sinclair took delivery of two large yellow boxes containing fresh prints of photographs by the master-chronicler of Soho John Deakin who died, obscure and penniless, in a Brighton hotel room in 1972. Sinclair, another master-chronicler of London’s hidden past, uses those and other images and memories – (‘an invaluable catalogue of artists and divas, actors, film producers, criminals and derelicts’) – to bring back to life the unique artistic milieu of Bohemian London in the 50s and 60s. Iain Sinclair read from and talked about Pariah Genius (Cheerio), in conversation with memoirist, novelist and filmmaker Xiaolu Guo.

CAConrad is one of the most productive and inventive poets of their generation. Writing in the New York Times, Tracey K. Smith described how Conrad’s poetry ‘invites the reader to become an agent in a joint act of recovery, to step outside of passivity and propriety and to become susceptible to the illogical and the mysterious’ – a susceptibility fully evidenced in Conrad’s latest Penguin collection, Listen to the Golden Boomerang Return.Conrad is joined by Luke Roberts, Senior Lecturer in Modern Poetry at King’s College London.