London Review Bookshop Podcast

Published to coincide with the poet’s 85th birthday, Ash Keys (Jonathan Cape) presents a new selection of Longley’s finest works. Born in Belfast in 1939, his verse inhabits the landscapes Ireland’s west, at the same time occupying a space within a distinctly European tradition, ranging freely across the continent's histories, tragedies and triumphs. ’One of the most perfect poets alive,’ writes Sebastian Barry. ‘There is something in his work both ancient and modern. I read him as I might check the sky for stars.’Michael Longley was joined for this reading and discussion by fellow poet Declan Ryan, whose most recent collection Crisis Actor is published by Faber.Get the book: https://lrb.me/ashkeyspodFind more events at the Bookshop: https://lrb.m/eventspod

Strange Relations (Sceptre) explores the crisis in mid-century masculinity through the lives and works of four bisexual writers who fought to express and embody alternate possibilities. The nonfiction debut of Forward Prize-shortlisted poet Ralf Webb, it considers the ways in which Tennessee Williams, Carson McCullers, John Cheever and James Baldwin, resisted damaging contemporary expectations around gender and sexuality. Will Tosh has described it as ‘wise, humane, hopeful and exquisitely written’. Webb was in conversation with Philippa Snow, author of Which As You Know Means Violence: On Self-Injury as Art and Entertainment (Repeater) and, most recently, Trophy Lives: On the Celebrity as an Art Object (MACK).

Juliet Jacques is one of the most electrifying short fiction writers working in the UK today; The Woman in the Portrait (Cipher) collects her published and unpublished fiction, work which Agata Pyzik has described as a ‘large canvas on which the pattern for a utopian socialist queer life might be inscribed’.Jacques was joined in conversation by the writer and art critic Orit Gat.Get the book: https://lrb.me/jacquesportaitpodFind more events at the Bookshop: https://lrb.me/eventspod

Aimé Césaire’s masterpiece of exile and homecoming, Return to my Native Land – beautifully translated by John Berger – is now a Penguin Classic. To celebrate, Jason Allen-Paisant (who has written the introduction for the new edition) and Colin Grant discuss the poem. Allen-Paisant’s most recent poetry collection, Self-Portrait as Othello (Carcanet), won both the T.S. Eliot Prize and the Forward Prize for Best First Collection; Colin Grant is director of WritersMosaic, a division of the Royal Literary Fund, his most recent book is a memoir, I’m Black So You Don’t Have to Be (Jonathan Cape).

In her first novel The Last Sane Woman (Verso) poet Hannah Regel investigates the pains and pleasures of artistic practice carried out against the odds. While researching in a small archive dedicated to women’s art young graduate Nicola Long happens upon one half of a correspondence, conducted half a century before, written by a recently graduated ceramicist to a friend. As Nicola reads on she becomes obsessed with the parallels between her own life and that of the woman she encounters in the letters.Regel was joined in conversation by LRB contributor and art critic Emily LaBarge.Find more events at the Bookshop: https://lrb.me/eventspodGet the book: https://www.londonreviewbookshop.co.uk/stock/the-last-sane-woman-hannah-regel

Poets Ella Frears and Will Burns were at the shop to read from and talk about their new collections. Ella’s Goodlord, from Rough Trade Books, takes the form of a long, lyrical email to an estate agent, interrogating our obsession with ‘property’ with Frears’ characteristic humour and sharpness, while Will’s Natural Burial Ground (Corsair) is the second collection from a writer Max Porter has described as ‘a soulful English poet of the kind we don’t make enough of’.