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Face2Face with David Peck

Casual Conversation. Intelligent Inspiration.

Face2Face is hosted by change maker David Peck and is rooted in casual conversation and intelligent inspiration. David interviews film makers, actors, writers and artists of various kinds and he does it in a fun, thought
Latest Episode10/14/2021

Headlines, Perspective & Loneliness

Ep. 575
Wi Ding HO and Face2Face host David Peck talk about his poetic, compelling and intimate new film Terrorizers, challenging the status quo, fragmented headlines, choice and responsibility, perspective, sympathy and loneliness and why we’re all just looking to be loved.Synopsis:“A slashing incident connects a group of disillusioned youths, in director Wi Ding HO’s powerful look at the truth beyond the headlines. A splendid, tragic fresco of the lost life of youths in pre-COVID Taipei,Terrorizersis his latest film. Ho returns to directing with a complex, multiple-narrative work that defies genre definitions and classic film structure. Reality can be captured through cinema, but there is a gap between what an image shows and what really is — between representation and the real world. What lies behind the headlines, what happens around tragedy, forms the prism of events at the core of Ho’s story of passion, love, and vengeance — illuminated fragments of scattered lives.Terrorizersis a powerful story that investigates the origins of violence and finds poetry within aesthetics, while giving voice to a remarkable ensemble cast.”With thanks to TIFF and Giovanna FulviAbout Wi Ding Ho:A graduate of NYU Tisch School of the Arts, born and raised in Malaysia and currently based in Taipei, Wi Ding HO is truly a versatile international filmmaker. Wi Ding’s audacity is not only reflected in the choice of his subjects but also in his stylistic approach. His audacious style was first noticed at Cannes’s Critics Week with his short film Respire, where it won two awards and later Best Fantasy Short Film at Sitges Fantasy International Award. Back in 2005, the film depicted a distant future where people were required to wear masks by law because of the air born virus.Wi Ding’s debut feature Pinoy Sunday was a comedy of manners, devoid of strong visuals, but rather focusing on performance and story. Wi Ding tackles the challenge of shooting a culture and a language both utterly foreign to him. He also continued to push the envelope as he defied the definition of Taiwanese Cinema with a film featuring 90% of non-Mandarin language and two non- Taiwanese leads. The film landed Wi Ding a much-coveted Chinese- Oscar Golden Horse Award for Best New Director.His last feature film Cities of Last Things, in the form of a triptych, pinpoints three extraordinary nights in the life of a common man, as told with reverse chronology.Each vignette examines his relationships with women, which result in life-changing events. It won the Platform Award at the Toronto International Film Festival andGrand Jury Prize in Beuane Film Festival of France, both voted unanimous by juries.Terrorizers is his latest feature film and is making its world premiere at the Toronto International Film Festival.Image Copyright and Credit:Changehe Films Ltd and Wing Di HoF2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
10/14/2021

Headlines, Perspective & Loneliness

Ep. 575
Wi Ding HO and Face2Face host David Peck talk about his poetic, compelling and intimate new film Terrorizers, challenging the status quo, fragmented headlines, choice and responsibility, perspective, sympathy and loneliness and why we’re all just looking to be loved.Synopsis:“A slashing incident connects a group of disillusioned youths, in director Wi Ding HO’s powerful look at the truth beyond the headlines. A splendid, tragic fresco of the lost life of youths in pre-COVID Taipei,Terrorizersis his latest film. Ho returns to directing with a complex, multiple-narrative work that defies genre definitions and classic film structure. Reality can be captured through cinema, but there is a gap between what an image shows and what really is — between representation and the real world. What lies behind the headlines, what happens around tragedy, forms the prism of events at the core of Ho’s story of passion, love, and vengeance — illuminated fragments of scattered lives.Terrorizersis a powerful story that investigates the origins of violence and finds poetry within aesthetics, while giving voice to a remarkable ensemble cast.”With thanks to TIFF and Giovanna FulviAbout Wi Ding Ho:A graduate of NYU Tisch School of the Arts, born and raised in Malaysia and currently based in Taipei, Wi Ding HO is truly a versatile international filmmaker. Wi Ding’s audacity is not only reflected in the choice of his subjects but also in his stylistic approach. His audacious style was first noticed at Cannes’s Critics Week with his short film Respire, where it won two awards and later Best Fantasy Short Film at Sitges Fantasy International Award. Back in 2005, the film depicted a distant future where people were required to wear masks by law because of the air born virus.Wi Ding’s debut feature Pinoy Sunday was a comedy of manners, devoid of strong visuals, but rather focusing on performance and story. Wi Ding tackles the challenge of shooting a culture and a language both utterly foreign to him. He also continued to push the envelope as he defied the definition of Taiwanese Cinema with a film featuring 90% of non-Mandarin language and two non- Taiwanese leads. The film landed Wi Ding a much-coveted Chinese- Oscar Golden Horse Award for Best New Director.His last feature film Cities of Last Things, in the form of a triptych, pinpoints three extraordinary nights in the life of a common man, as told with reverse chronology.Each vignette examines his relationships with women, which result in life-changing events. It won the Platform Award at the Toronto International Film Festival andGrand Jury Prize in Beuane Film Festival of France, both voted unanimous by juries.Terrorizers is his latest feature film and is making its world premiere at the Toronto International Film Festival.Image Copyright and Credit:Changehe Films Ltd and Wing Di HoF2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
10/9/2021

Memory, Film & Faces

Ep. 574
Bianca Stigter and Face2Face host David Peck talk about her new film Three Minutes - A Lengthening, Kodak memories, human stories and faces as traces, film as a record, family and history and why everyone wants to be seen.Synopsis:Three Minutes - A Lengthening presents a home movie shot by David Kurtz in 1938 in a Jewish town in Poland and tries to postpone its ending. As long as we are watching, history is not over yet.The three minutes of footage, mostly in colour, are the only moving images left of the Jewish inhabitants of Nasielsk before the Holocaust. The existing three minutes are examined to unravel the human stories hidden in the celluloid.The footage is imaginatively edited to create a film that lasts more than an hour. Different voices enhance the images. Glenn Kurtz, grandson of David Kurtz, provides his knowledge of the footage. Maurice Chandler, who appears in the film as a boy, shares his memories.Actress Helena Bonham Carter narrates the film essay.About Bianca:Bianca Stigter is an historian and cultural critic. She made the short film essays Three Minutes -Thirteen Minutes – Thirty Minutes (2014) and I Kiss This Letter - Farewell Letters from Amsterdammers (2018). She is associate producer of Steve McQueen’s feature films 12 Years a Slave and Widows. In 2019 she published the book Atlas of an Occupied City: Amsterdam 1940-1945.Image Copyright and Credit:Family Affair Films and Bianca StigterF2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
10/2/2021

Parables, Respect & Truth

Ep. 573
Mourad Zaoui and Face2Face host David Peck talk about his new film The Forgiven, idealism and access, the truth found in parables, the magic of newfoundland, walking the journey little by little and acknowledging and respecting others.Synopsis:Jessica Chastain, Ralph Fiennes, Caleb Landry Jones, Christopher Abbott, Saïd Taghmaoui, and Marie-Josée Croze lead a stellar ensemble cast in this wild foray into opulence, sin, and reckoning set deep in the Moroccan desert.On the verge of divorce, wealthy couple David (Fiennes) and Jo (Chastain, also appearing at the Festival inThe Eyes of Tammy Faye) are on their way to a lavish weekend party, and accidentally run over and kill a young Moroccan man trying to sell fossils by the roadside. They put his body in their car and arrive at the party at a mansion hosted by a worldly gay couple. Once the body is tucked away in the bowels of the villa, the partygoers return to the circus of dancing, drugs, and debauchery. The next morning, David’s buzz becomes a hangover as he’s forced to reckon with the boy’s father and meet his own fate. For the others, the party must go on.Making his TIFF debut, John Michael McDonagh (The Guard) applies a Felliniesque lens towards the bourgeoisie, showing how their vapid pursuits prey on (or ignore) the livelihoods of others, sometimes with deadly results. The shimmer of these events, contrasted with the bleakness of the working class and Moroccan help who observe from the periphery, allows McDonagh to explore fatalistic themes of hedonism, neocolonialism, and the negligence of privilege.A weekend of fun reveals a world of oppression in this bold and sly critique driven by star-studded performances.With thanks to TIFFAbout Mourad:After earning his bachelor's degree in business communication at the Lycée Elbilia in Casablanca in 1999, he moved toNew York Cityto study English atQueens College. It was there that he discovered his passion for theatre and cinema.In 2005, at the age of 25, Mourad was cast as the lead role in his first feature film, Wake Up Morocco. His first film role proved to be a difficult experience, as Mourad suffered from injuries from a motorcycle accident right before filming, as well as an appendicitis attack during filming. Despite these initial hurdles, Mourad persevered in his acting career, moving on to being cast in more than 60 film and television projects in Morocco and around the world.When he is not acting, Mourad enjoys surfing, fashion, motor sports, and martial arts.Image Copyright and Credit:Mourad Zaoui.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
9/24/2021

Activist, Author & Athlete

Ep. 572
Kathryn Bertine and Face2Face host David Peck talk about her new book Stand, activism, social change, the gender gap, beacons of hope, mental health and why things are not always as they seem.Buy the book here and learn more about Kathryn here.STAND: A memoir on Activism. A manual for progress. What really happens when we stand on the front lines of change.“I don’t have time for a blurb, but congratulations on your book!”Malcolm Gladwell.“When confronted with injustice, Kathryn Bertine didn't quit, and she didn't back down: she poured her heart and soul into confronting this injustice, and she emerged victorious. Kathryn's story is one of hope and perseverance despite the odds being stacked against her. Every girl and woman who's been told they can't play or keep up with the boys will take heart from this inspirational, life-affirming story.”Gabby Giffords, U.S. Congresswoman, Survivor & Activist.“On and off the bicycle, Kathryn Bertine has always chosen the challenging road. Whether it was her tenacious battle for equal road at the Tour de France, or her soul searching comeback from a traumatic crash, Bertine's career as an athlete and advocate has been marked by courage, determinedness and an unshakeable sense of humor. As a slowpoke on two wheels, I hate that a talented cyclist can also be a great writer, but STAND is an inspiring testament to the power of choosing the challenging road, and it demonstrates how lucky all of sports – not just cycling – is to have Kathryn Bertine.”Jason Gay, The Wall Street Journal. Author of Little Victories.“No one takes a stand like Kathryn Bertine. Rider, writer and above all activist she has fought long and hard for everyone to share the road. As a collaborator and interviewee she’s warm, witty and above all wise, as a writer she has the rare talent of infusing activism with humour and it’s her intelligence and humanity that makes STAND such a compelling, honest and kick ass (could substitute inspiring but you’re a kick ass) read.”Suze Clemitson, The GuardianAbout Kathryn: Kathryn Bertine is an author, athlete, activist and documentary filmmaker. During her pro career in cycling, she was a three-time Caribbean Champion, six-time national champion of St. Kitts and Nevis (SKN) and raced five years on pro circuitwith four UCI domestic and World Tour teams Colavita, Wiggle-Honda, BMW and Cylance Pro Cycling. She retired from racing in 2017 but remains active in advancing equity for women’s pro cycling.Off the bike, Bertine is a filmmaker, activist, journalist and author of three nonfiction books, All the Sundays Yet to Come, As Good As Gold, and The Road Less Taken. From 2006 through 2012, Bertine was a columnist, author and senior editor for ESPN. When she pitched a documentary film on women’s pro cycling to ESPN in 2012, they rejected the proposal. So Bertine decided she would make it herself. After a two-year labor of love and crowdsourcing adventures, in 2014, HALF THE ROAD: The passion, pitfalls and power of women’s professional cycling was released. It won five film festivals, debuted in 16 nations, scored international distribution and successfully brought the hammer down on the corruption and sexism in sports. Half the Road is now available on iTunes, Vimeo, Amazon Prime and DVD. Five years later, she continues to receive royalties on a film ESPN said no one would watch.As an advocate for equality in women’s sports, Bertine then started the social activism movement Le Tour Entier in an effort to bring parity to women’s professional road cycling, starting with the Tour de France. She and her team succeeded, and women’s field was included in 2014 with the addition of La Course by Tour de France. In 2017, she founded (and currently serves as CEO for) Homestretch Foundation, which provides free housing to female professional athletes struggling with the gender pay gap. Bertine was featured on the cover of Bicycling Magazine and profiled in Outside Magazine for her platforms of implementing change in the world.As an activist, Bertine continues to serve as a public speaker/lecturer on equality and advocacy. She shares her journey and her message—that through passion, disruption, opportunity and focus, anything is possible and we’re all capable of effecting change—with corporations, universities and other professional outlets. She is currently at work on her fourth book.A native of Bronxville, NY she lives in Tucson, AZ. She holds a BA from Colgate University and an MFA from the University of Arizona and a PhD from The School of Hard Knocks. Image Copyright and Credit:Kathryn Bertine.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
9/2/2021

Privacy, Data & Digital Ethics

Ep. 571
Brett Gaylor and Face2Face host David Peck talk about his new film Discriminator, serendipitous creativity, privacy laws, facial recognition, digital ethics and human rights, data sets, remix culture, surveillance technology and automated decision making.TrailerWATCH the film here.Find out more about Brett and his work here.Synopsis:Discriminator, Brett Gaylor’s latest cautionary tale about life online, looks at the sea of faces we’ve willingly uploaded to social media and the consequences of our oversharing.As the Internet has evolved, so has documentarian Brett Gaylor’s attitude towards it. The filmmaker, who imagined a utopian future of shared creativity in 2008’s hit documentary feature RIP: A Remix Manifesto, began to sound the alarm in 2015 with his Peabody award winning series on digital privacy Do Not Track. Last year’s CBC documentary The Internet of Everything explored the implications of the Internet moving off of our screens and into the world around us with the Internet of Things.And in his latest film, the interactive documentary Discriminator, he looks at the vast global database of faces – captured without consent on social media and other platforms – and how it’s being used to hone facial recognition and other advances in artificial intelligence.Discriminator traces the almost accidental amassing of photos on digital sites through the beginning of this century, and follows through to the realization in 2015 by Yahoo/Flickr that this archive had limitless possibilities no one could have imagined. The subsequent cloning of these databases has been used to build technology used by US defence contractors, the Chinese military and the largest corporations on earth.In this interactive documentary, viewers can see how this technology works by activating their own webcams. While this may sound creepy, the film manages to stay away from fear-mongering territory with AI-assisted animation, interactive AR filters, a glitchy original score and Gaylor’s familiar voiceover. It’s the most fun you will have exploring surveillance capitalism.“We need to move beyond narratives around AI that are scary and grant the technology it’s own human agency,” says Gaylor, whose own wedding images play a role in his digital supply chain analysis. “What we need to understand is that these are technologies that we can shape, and that we are alive during a moment where we can set the course“People’s faces are being used for purposes over which they have no control. We need to have consent over our digital bodies - we need to make permission normal again.”About Brett:Brett’s documentaries The Internet of Everything, Do Not Track, OK Google, and Rip! A Remix Manifesto chronicled the Internet’s peril and promise. His AR documentary Fortune premiered at the 2021 Sundance Film Festival.Brett has received the International Documentary Association award, a Peabody Award, the Prix Gemaux and three Webbys.Image Copyright and Credit:Brett Gaylor and Imposter media.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
8/20/2021

Street Gang & Sesame Street

Ep. 570
Trevor and Ellen Scherer Crafts and Face2Face host David Peck talk about Street Gang, revolutionary ideas, the definition of genius, lightening in a bottle, TV as a wasteland and Kermit the Frog.TrailerFind out more about Street Gang here.Synopsis:Street Gang: How We Got To Sesame Streettakes us inside the minds and hearts of theSesame Streetcreators, artists, writers, and educators who, together established one of the most influential programs in television history.In late 1960s, Joan Ganz Cooney, a socially conscious female television executive was working in the fledgling world of public television. She was asked by friend Lloyd Morrisett, who worked for the Carnegie Corporation of New York and who specialized in the psychological studies of pre-school children, to take on revolutionary experiment. Could Joan create a children’s show that would "master the addictive qualities of television and do something good with them?"Inspired by the civil rights movement, Joan and Lloyd took this experiment one step further and began to envision using the new medium of television to educate all children, and specifically reach America’s "inner city" children to help close the educational gap that systemic racism and poverty had created. It was the right project, at the right time, and she needed the right group of people to make it happen.To harness the burgeoning power of television and create an educational, impactful, and entertaining show that could reach children nationwide. Cooney recruited visionary Muppets creator Jim Henson and acclaimed children’s television writer and director Jon Stone to craft the iconic and uplifting world of what becameSesame Street.Street Gang: How We Got To Sesame Streetfocuses on the first two experimental and groundbreaking decades ofSesame Street, highlighting this visionary "gang."With interviews with the original surviving creators, and their families, we hear and see how “the gang” came together. They share stories of the challenges and stumbling blocks involved to create the show and its iconic characters, and also speak to confronting boundaries that came their way with unflinching purpose. All with a wicked sense of humor, and pure joy. The gang knew that they were part of something that was special, critically important, and bigger than themselves.Street Gang: How We Got To Sesame Streetreintroduces the world to Joan’s gang. With exclusive behind-the-scenes footage, and original cast and creator interviews, audiences will meet the people that audaciously interpreted radical changes in society and engaged children in ways that entertained and educated them like never before.Now is the perfect time to tell the story of the show’s origins and inspire people to use purpose, and the power of creativity, to make a positive impact in our world.About Trevor and Ellen:Known for creativity, flexibility, and a sense of humor, Trevor Crafts is a Producer/Director whose work has won an Emmy®, the LATV Festival, and 13 additional industry awards.With a visionary creative drive, strong leadership abilities, and a true understanding and passion for the cinematic arts, Trevor has spent his career creating dynamic stories with striking visuals featuring strong characters.His proven track record of leading studio teams to produce innovative story-driven content has helped film projects like the recently completed Sundance 2021 PremiereStreet Gang: How We got to Sesame Street(2021) a feature length documentary on the origins ofSesame Streetdistributed by Screen Media and HBO, based on the book of the same name. Other Films include7 Splinters in Time(2018)12 Feet Deep(2016),Experimenterwith Peter Sarsgaard and Winona Ryder (2015) which premiered at Sundance,Manson Family Vacationfrom the Duplass Brothers (2015),Deep in the Heart(2013) andSmokewood, Nevada(2013).In publishing, Trevor is currently working onThe Unseen Photos of Street Ganga photo book of behind-the-scenes pictures from renown photographer David Attie. Also he recently releasedThe Not-So Secret SocietyGraphic Novel for middle readers, published by BOOM! Studios, under their KaBoom imprint. BOOM! Studios also published his original IP seriesLantern Cityin 2015.Ellen Scherer Crafts started her career in entertainment producing special events to include headline entertainment for Cesar’s Entertainment and live boxing co-productions with HBO and Telemundo. She went on to prominent roles in promotion and marketing in the corporate arena executing large scale meetings and product launches for Fortune 500 companies all over the world.Ellen partnered with her husband and producer Trevor Crafts to build Macrocosm Entertainment, helping to market their original transmedia propertyLantern Cityand co-create the original children’s propertyThe Not-So Secret Society. Ellen is a producer on the anticipated documentaryStreet Gang: How We Got To Sesame Streetpremiering in 2021.Image Copyright and Credit:Macrocosm and levelFilm.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
7/30/2021

Beans, Bridges & Oka

Ep. 569
Tracey Deer and Face2Face host David Peck talk about her new film Beans, bridges under construction, storytelling and changing the world, persistence, forgiveness, how anger can guide us for good, listening well and why trauma doesn’t need to define us.TrailerFind out more about the film here and Tracey here.Synopsis:Beans is a coming-of-age story, inspired by co-writer/director Tracey Deer’s own experience as a 12-year-old Mohawk girl who had to grow up fast during the 1990 Oka Crisis, a 78-day armed stand-off between the Quebec/Canadian governments and the Mohawk who were peacefully protesting a golf course expansion that would desecrate their burial ground.Since debuting at TIFF 2020, the film has reaped many accolades – among them, Berlin’s Generation Kplus Crystal Bear for best film, two CSAs (Best Motion Picture and Best First Feature), TIFF Emerging Talent Award (Deer), TIFF Rising Stars (actor Rainbow Dickerson), TIFF’s Canada Top Ten, VIFF’s Best Canadian Film, VFCC’s One to Watch (actor Kiawentiio), DGC Discovery Award, and WGC Screenwriting Award for feature film.Beans (Kiawentiio) lives with her caring parents (Rainbow Dickerson and Joel Montgrand) and her little sister (Violah Beauvais) on the Mohawk reserve of Kahnawà:ke, Quebec, where the two girls happily play in the woods. Unprepared for the racism and violence that the Oka Crisis brings, Beans decides to transform into her own kind of warrior.“I was Beans,” says Deer. Using 200 local extras and partially shot in Kahnawà:ke (where Deer grew up) and nearby Kanesatake (where the protest began), the film is a Canadian production.Its female crew includes Deer, producer Anne-Marie Gélinas, executive producers Justine Whyte and Meredith Vuchnich (also co-writer), cinematographer Marie Davignon and editor Sophie Farkas-Bolla.Note: At age 13, Kiawentiio composed and performed the song for the end credits.About Tracey:Filmmaker Tracey Deer is a Mohawk filmmaker with multiple credits to her name, as a producer, writer and director. She currently resides in Kahnawake, her home reserve in Quebec.Deer began her professional career with CanWest Broadcasting in Montreal, and later joined Rezolution Pictures to co-direct One More River: The Deal that Split the Cree, with Neil Diamond (Cree), which won the Best Documentary Award at the 2005 Rendez-vous du cinema québécois in Montreal and was nominated for Best Social/Political Documentary at the Geminis.Deer formed Mohawk Princess Pictures in 2006, which produced her first short fiction called Escape Hatch, a dramedy about the romantic misadventures of a Mohawk woman on her quest for love. She also wrote, directed and filmed Mohawk Girls, about the lives of three teenagers, and herself as a teen, growing up in Kahnawake, which won the Alanis Obomsawin Best Documentary Award at the 2005 imagineNATIVE Film & Media Arts Festival.Currently, she has multiple projects in development, including a 3D feature documentary and a fiction feature screenplay.Tracey received a B.A. in film studies from Dartmouth College in 2000, graduating with two awards for excellence. In 2009, she shared the Don Haig Award with colleague Brett Gaylor for overall career achievement as an emerging filmmaker. In 2008, Playback Magazine declared her one of the 25 rising stars in the Canadian entertainment industry. She is also a member of The Writer’s Guild of Canada."Tracey represents the next wave of native filmmaking," says Adam Symansky, NFB producer of Mohawk Girl and Club Native. "It isn't based on the past so much ason native communities taking responsibility and control of their future. That is the challenge she is putting out in her films."Image Copyright and Credit:Tracey Deer and EMA Films.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.