Face2Face with David Peck
Privacy, Data & Digital Ethics
Brett Gaylor and Face2Face host David Peck talk about his new film Discriminator, serendipitous creativity, privacy laws, facial recognition, digital ethics and human rights, data sets, remix culture, surveillance technology and automated decision making.TrailerWATCH the film here.Find out more about Brett and his work here.Synopsis:Discriminator, Brett Gaylor’s latest cautionary tale about life online, looks at the sea of faces we’ve willingly uploaded to social media and the consequences of our oversharing.As the Internet has evolved, so has documentarian Brett Gaylor’s attitude towards it. The filmmaker, who imagined a utopian future of shared creativity in 2008’s hit documentary feature RIP: A Remix Manifesto, began to sound the alarm in 2015 with his Peabody award winning series on digital privacy Do Not Track. Last year’s CBC documentary The Internet of Everything explored the implications of the Internet moving off of our screens and into the world around us with the Internet of Things.And in his latest film, the interactive documentary Discriminator, he looks at the vast global database of faces – captured without consent on social media and other platforms – and how it’s being used to hone facial recognition and other advances in artificial intelligence.Discriminator traces the almost accidental amassing of photos on digital sites through the beginning of this century, and follows through to the realization in 2015 by Yahoo/Flickr that this archive had limitless possibilities no one could have imagined. The subsequent cloning of these databases has been used to build technology used by US defence contractors, the Chinese military and the largest corporations on earth.In this interactive documentary, viewers can see how this technology works by activating their own webcams. While this may sound creepy, the film manages to stay away from fear-mongering territory with AI-assisted animation, interactive AR filters, a glitchy original score and Gaylor’s familiar voiceover. It’s the most fun you will have exploring surveillance capitalism.“We need to move beyond narratives around AI that are scary and grant the technology it’s own human agency,” says Gaylor, whose own wedding images play a role in his digital supply chain analysis. “What we need to understand is that these are technologies that we can shape, and that we are alive during a moment where we can set the course“People’s faces are being used for purposes over which they have no control. We need to have consent over our digital bodies - we need to make permission normal again.”About Brett:Brett’s documentaries The Internet of Everything, Do Not Track, OK Google, and Rip! A Remix Manifesto chronicled the Internet’s peril and promise. His AR documentary Fortune premiered at the 2021 Sundance Film Festival.Brett has received the International Documentary Association award, a Peabody Award, the Prix Gemaux and three Webbys.Image Copyright and Credit:Brett Gaylor and Imposter media.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Street Gang & Sesame Street
Trevor and Ellen Scherer Crafts and Face2Face host David Peck talk about Street Gang, revolutionary ideas, the definition of genius, lightening in a bottle, TV as a wasteland and Kermit the Frog.TrailerFind out more about Street Gang here.Synopsis:Street Gang: How We Got To Sesame Streettakes us inside the minds and hearts of theSesame Streetcreators, artists, writers, and educators who, together established one of the most influential programs in television history.In late 1960s, Joan Ganz Cooney, a socially conscious female television executive was working in the fledgling world of public television. She was asked by friend Lloyd Morrisett, who worked for the Carnegie Corporation of New York and who specialized in the psychological studies of pre-school children, to take on revolutionary experiment. Could Joan create a children’s show that would "master the addictive qualities of television and do something good with them?"Inspired by the civil rights movement, Joan and Lloyd took this experiment one step further and began to envision using the new medium of television to educate all children, and specifically reach America’s "inner city" children to help close the educational gap that systemic racism and poverty had created. It was the right project, at the right time, and she needed the right group of people to make it happen.To harness the burgeoning power of television and create an educational, impactful, and entertaining show that could reach children nationwide. Cooney recruited visionary Muppets creator Jim Henson and acclaimed children’s television writer and director Jon Stone to craft the iconic and uplifting world of what becameSesame Street.Street Gang: How We Got To Sesame Streetfocuses on the first two experimental and groundbreaking decades ofSesame Street, highlighting this visionary "gang."With interviews with the original surviving creators, and their families, we hear and see how “the gang” came together. They share stories of the challenges and stumbling blocks involved to create the show and its iconic characters, and also speak to confronting boundaries that came their way with unflinching purpose. All with a wicked sense of humor, and pure joy. The gang knew that they were part of something that was special, critically important, and bigger than themselves.Street Gang: How We Got To Sesame Streetreintroduces the world to Joan’s gang. With exclusive behind-the-scenes footage, and original cast and creator interviews, audiences will meet the people that audaciously interpreted radical changes in society and engaged children in ways that entertained and educated them like never before.Now is the perfect time to tell the story of the show’s origins and inspire people to use purpose, and the power of creativity, to make a positive impact in our world.About Trevor and Ellen:Known for creativity, flexibility, and a sense of humor, Trevor Crafts is a Producer/Director whose work has won an Emmy®, the LATV Festival, and 13 additional industry awards.With a visionary creative drive, strong leadership abilities, and a true understanding and passion for the cinematic arts, Trevor has spent his career creating dynamic stories with striking visuals featuring strong characters.His proven track record of leading studio teams to produce innovative story-driven content has helped film projects like the recently completed Sundance 2021 PremiereStreet Gang: How We got to Sesame Street(2021) a feature length documentary on the origins ofSesame Streetdistributed by Screen Media and HBO, based on the book of the same name. Other Films include7 Splinters in Time(2018)12 Feet Deep(2016),Experimenterwith Peter Sarsgaard and Winona Ryder (2015) which premiered at Sundance,Manson Family Vacationfrom the Duplass Brothers (2015),Deep in the Heart(2013) andSmokewood, Nevada(2013).In publishing, Trevor is currently working onThe Unseen Photos of Street Ganga photo book of behind-the-scenes pictures from renown photographer David Attie. Also he recently releasedThe Not-So Secret SocietyGraphic Novel for middle readers, published by BOOM! Studios, under their KaBoom imprint. BOOM! Studios also published his original IP seriesLantern Cityin 2015.Ellen Scherer Crafts started her career in entertainment producing special events to include headline entertainment for Cesar’s Entertainment and live boxing co-productions with HBO and Telemundo. She went on to prominent roles in promotion and marketing in the corporate arena executing large scale meetings and product launches for Fortune 500 companies all over the world.Ellen partnered with her husband and producer Trevor Crafts to build Macrocosm Entertainment, helping to market their original transmedia propertyLantern Cityand co-create the original children’s propertyThe Not-So Secret Society. Ellen is a producer on the anticipated documentaryStreet Gang: How We Got To Sesame Streetpremiering in 2021.Image Copyright and Credit:Macrocosm and levelFilm.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Beans, Bridges & Oka
Tracey Deer and Face2Face host David Peck talk about her new film Beans, bridges under construction, storytelling and changing the world, persistence, forgiveness, how anger can guide us for good, listening well and why trauma doesn’t need to define us.TrailerFind out more about the film here and Tracey here.Synopsis:Beans is a coming-of-age story, inspired by co-writer/director Tracey Deer’s own experience as a 12-year-old Mohawk girl who had to grow up fast during the 1990 Oka Crisis, a 78-day armed stand-off between the Quebec/Canadian governments and the Mohawk who were peacefully protesting a golf course expansion that would desecrate their burial ground.Since debuting at TIFF 2020, the film has reaped many accolades – among them, Berlin’s Generation Kplus Crystal Bear for best film, two CSAs (Best Motion Picture and Best First Feature), TIFF Emerging Talent Award (Deer), TIFF Rising Stars (actor Rainbow Dickerson), TIFF’s Canada Top Ten, VIFF’s Best Canadian Film, VFCC’s One to Watch (actor Kiawentiio), DGC Discovery Award, and WGC Screenwriting Award for feature film.Beans (Kiawentiio) lives with her caring parents (Rainbow Dickerson and Joel Montgrand) and her little sister (Violah Beauvais) on the Mohawk reserve of Kahnawà:ke, Quebec, where the two girls happily play in the woods. Unprepared for the racism and violence that the Oka Crisis brings, Beans decides to transform into her own kind of warrior.“I was Beans,” says Deer. Using 200 local extras and partially shot in Kahnawà:ke (where Deer grew up) and nearby Kanesatake (where the protest began), the film is a Canadian production.Its female crew includes Deer, producer Anne-Marie Gélinas, executive producers Justine Whyte and Meredith Vuchnich (also co-writer), cinematographer Marie Davignon and editor Sophie Farkas-Bolla.Note: At age 13, Kiawentiio composed and performed the song for the end credits.About Tracey:Filmmaker Tracey Deer is a Mohawk filmmaker with multiple credits to her name, as a producer, writer and director. She currently resides in Kahnawake, her home reserve in Quebec.Deer began her professional career with CanWest Broadcasting in Montreal, and later joined Rezolution Pictures to co-direct One More River: The Deal that Split the Cree, with Neil Diamond (Cree), which won the Best Documentary Award at the 2005 Rendez-vous du cinema québécois in Montreal and was nominated for Best Social/Political Documentary at the Geminis.Deer formed Mohawk Princess Pictures in 2006, which produced her first short fiction called Escape Hatch, a dramedy about the romantic misadventures of a Mohawk woman on her quest for love. She also wrote, directed and filmed Mohawk Girls, about the lives of three teenagers, and herself as a teen, growing up in Kahnawake, which won the Alanis Obomsawin Best Documentary Award at the 2005 imagineNATIVE Film & Media Arts Festival.Currently, she has multiple projects in development, including a 3D feature documentary and a fiction feature screenplay.Tracey received a B.A. in film studies from Dartmouth College in 2000, graduating with two awards for excellence. In 2009, she shared the Don Haig Award with colleague Brett Gaylor for overall career achievement as an emerging filmmaker. In 2008, Playback Magazine declared her one of the 25 rising stars in the Canadian entertainment industry. She is also a member of The Writer’s Guild of Canada."Tracey represents the next wave of native filmmaking," says Adam Symansky, NFB producer of Mohawk Girl and Club Native. "It isn't based on the past so much ason native communities taking responsibility and control of their future. That is the challenge she is putting out in her films."Image Copyright and Credit:Tracey Deer and EMA Films.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Resistance, Race & Capitalism
Saul Williams, Motion and Face2Face host David Peck talk about their new film Akilla’s Escape, extended family, lived experience, existence as resistance, racialized capitalism, poetry, art and pushing boundaries and why it may not be a great idea to dabble in hope or cynicism.TrailerFind out more about the film here.Synopsis:Akilla’s Escape weaves the present and past in a crime-noir about the urban child-soldier. Set in Toronto and New York where over 450,000 Jamaicans reside, the story speaks to the historical criminalization of black boys that modern society overlooks.Akilla Brown is forty years old and for the first time in his life, the clandestine cannabis grow operation he runs is legit. Only one year into government approvedlegalization, the pendulum of hypocrisy takes a toll and Akilla decides to cash out. While making a routine delivery on a cool, summer night, destiny takes anunexpected turn when Akilla confronts a firestorm of masked youths in an armed robbery.In the aftermath of the heist, Akilla captures one of the thieves, a mute fifteen-year-old boy named Sheppard. Upon learning thebandits are affiliated with the Garrison Army, a Jamaican crime syndicate his grandfather founded. Akilla is forced to reckon with a cycle of violence he thought he escaped.About Saul Williams:Saul Williams came to public attention after the release of the internationally acclaimed film Slam, which he co-wrote and starred in. Slam introduced the world to the Slam poetry movement and won Sundance’s Grand Jury Prize and the Cannes Camera D’Or in 1998.Saul holds a B.A. in Philosophy and Drama from Morehouse College and an M.F.A. in acting from NYU’s Tisch School of the Arts. He has performed in over 30 countries with invitations that have spanned from the White House, the Sydney Opera House, Lincoln Center, The Louvre, The Getty Center, Queen Elizabeth Hall, to villages, townships, community centers, and prisons across the world.Saul has published five books of poetry and 7 musical albums. On stage, he was chosen for the lead role in Holler If Ya Hear Me, a Broadway musical featuring music by Tupac Shakur and he has appeared in numerous films and television shows. He is currently working on his directorial debut Neptune Frost.Wendy "Motion" BraithwaiteWendy Motion Brathwaite is a Canadian musician, writer and activist from Toronto, Ontario. She is most noted as cowriter with Charles Officer of the screenplay for the 2020 film Akilla's Escape, for which they won the Canadian Screen Award for Best Original Screenplay at the 9th Canadian Screen Awards in 2021.She also wrote the short films A Man's Story (2016) and Theodore (2020) and has worked as a story editor on the television series Coroner.She has performed as a hip hop artist and spoken word poet under the stage name Motion, and released the CD Motion in Poetry: The Audio Xperience and has also published the poetry collections Motion in Poetry and 40 Dayz, and has written theatrical plays including Oraltorio: A Theatrical Mixtape, 4our Woman, Aneemah’s Spot, Loveleigh’s Logue, Nightmare Dream and Rebirth of the Afronauts: A Black Space Odyssey.Image Copyright and Credit:Cane Sugar FilmWorks.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Identity, Uncertainty & Ego
Nicole Dorsey and Face2Face host David Peck talk about her new film Black Conflux, identity and uncertainty, empathy, attitude and ego, staying present, humility in asking good questions and why what you do next really matters.Watch the film now online.TrailerFind out more about Nicole and the film here.Synopsis:“The lives of an anxious teenage girl and a troubled man converge fatefully, in Nicole Dorsey’s vivid debut exploring womanhood and toxic masculinity.“Black Conflux is a constant visual delight.” –Stephen Dalton,The Hollywood ReporterSet in suburban Newfoundland in 1987, Nicole Dorsey’s debut feature is a dreamy account of two converging lives.Fifteen-year-old Jackie (Ella Ballentine) is navigating the tricky transition between vulnerable adolescence and impending adulthood. The film opens with Jackie auditioning for her school choir with a gorgeous rendition of “Hey, Who Really Cares?”, by obscure early-’70s psychedelic folk singer Linda Perhacs. It’s a symbolic overture for a promising young woman from a broken home. Raised by her aunt and living under the cloud of all the disappointments endured by the women in her family, Jackie finds herself giving in to internal and external pressures — partying, skipping school, and hitchhiking — in search of her own identity. Her choices leave her speeding inevitably towards Dennis (Ryan McDonald), a socially inept loner with a volatile dark streak and delusional fantasies of adoring women at his beck and call.Black Confluxis a vibrant and stunning debut, one that shies away from conventions common to small-town coming-of-age stories. Dorsey exhibits an inspiring cinematic style — both assured and mature — as she reflects on the past and her own experience. Exploring womanhood, isolation, and toxic masculinity,Black Confluxis a bracingly relevant narrative for today.”With thanks to Ravi Srinivasan and TIFFAbout Nicole:Nicole Dorsey is a Canadian film director and screenwriter, whose debut feature film, Black Conflux, premiered at the 2019 Toronto International Film Festival.The film was subsequently named to TIFF's annual year-end Canada's Top Ten list for 2019, and received a nomination for the John Dunning Best First Feature Award at the 8th Canadian Screen Awards in 2020.A native of Burlington, Ontario, she is a graduate of the film studies program at Ryerson University. She directed a number of short films prior to Black Conflux, including Ivadelle (2009), Pop the Grapes (2013), Dennis (2015), Star Princess (2015) and Arlo Alone (2018).Image Copyright and Credit: Nicole Dorsey and Band With Productions.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Propaganda, History & Racial Justice
CJ Hunt and Face2Face host David Peck talk about his film The Neutral Ground, memory and racial justice, rewriting history, propaganda, troubling stories we tell and why it’s time to be honest, out loud and in public.TrailerFind out more about CJ and the film here and you can watch the film here on PBS and through WNED in Canada.Synopsis:An official selection of the 2021 Tribeca Film Festival, The Neutral Groundbegins in 2015 as Hunt documents a raucous New Orleans City Council meeting about the removal of four Confederate monuments. It quickly becomes apparent just how divided white and Black residents are on the meaning of the city's statues. This tension between what to Hunt seems obvious – that the statues should be removed – and the fervor with which so many people oppose this view opens an opportunity for him to try and understand the mythology of the Confederacy and why Americans are willing to put so much on the line to guard its stone remnants.When death threats halt the removals in New Orleans, Hunt hits the road, travelling across the South to try and understand why a losing army from 1865 still holds so much political and imaginative power in contemporary America.Executive producer Roy Wood Jr. notes, “This film tells the story of people courageously dragging this nation into a promising and progressive conversation about racial reckoning. It’s also the story of those who refuse to admit that this reckoning has arrived." Raised in Birmingham, Alabama, a correspondent onThe Daily Show with Trevor Noahand known as one of the country's most incisive comedians on issues of race, Wood continues, "CJ’s approach to this topic ties into a much larger question facing America: How do we heal this nation’s deepest wounds when there are still so many people who won’t acknowledge those wounds exist?”About CJ:A comedian and filmmaker living in NYC, CJ is currently a field producer on The Daily Show with Trevor Noah. He has also served as a staff writer for A&E's Black and White, and a field producer for BET's The Rundown with Robin Thede.Before working in late night, CJ spent nine years living in New Orleans where - in 2015 - he began filming what he thought would be a quick and easy confederate monument removal.CJ is an alumnus of Firelight Media's Doc Lab and New Orleans Film Festival's Emerging Voices program. He is also a 2020 New America Fellow and a regular host of The Moth.A graduate from Brown University's Africana Studies department, CJ is endlessly fascinated by race and comedy's ability to say what we can't.Image Copyright and Credit:CJ HuntF2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Guns, Fact & Fake News
Marc Silver and Face2Face host David Peck talk about his film 3.5 minutes, cities designed to separate, bridge building, racism, gun violence, fact versus fake news, vertical learning curves and justice through storytelling.TrailerFind out more about Marc here and stream the film here.Synopsis:Black Friday 2012: four boys in a red SUV pull into a gas station after spending time at the mall buying sneakers and talking to girls. With music blaring, one boy exits the car and enters the store, a quick stop for a soda and a pack of gum.A man and a woman pull up next to the boys in the station, making a stop for a bottle of wine. The woman enters the store, and an argument breaks out when the driver of the second car asks the boys to turn the music down.3½minutesand ten bullets later, one of the boys is dead.About Marc:Marc Silver is an award-winning filmmaker and director of the Oscar shortlisted and Emmy nominated feature doc, 3 ½ Minutes, Ten Bullets. It premiered at the Sundance Festival 2015 winning the U.S. Documentary Special Jury Award for Social Impact.His first feature length film Who is Dayani Cristal? premiered at the Sundance Festival 2013, where it won the Cinematography Award: World Cinema Documentary and the Amnesty International Best Documentary Award 2014.In 2017 his third feature length film To End A War about the peace process with theFARCwas released in Colombia.From 2018-20 Marc has been embedded inside Amnesty International researching ideas related to future technologies and their impact on human rights. The work has led to a short film about the profound gene editing toolCRIPSR, as well as a series of ideas with Shoshana Zuboff, author of The Age Of Surveillance Capitalism, and Christopher Wylie who whistle blew the Cambridge Analytica/Facebook story.He is completing his latest feature length documentary The World Is Forest in spring 2021.Image Copyright and Credit:Motto Pictures and Candescent Films.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Leonardo, Mystery & Humility
Aidan Turner and Face2Face host David Peck talk about his new TV series Leonardo, mystery and wonder, curiosity, nature versus nurture, solving puzzles, ego, painting the details and why humility is underrated.TrailerSynopsis:A compelling look at one of the most restlessly brilliant men of all time,Leonardogets inside the mind of the genius, showing the drama behind his art, and exploring a tantalizing mystery left unexplained by biographers – the nature of his relationship with the model Caterina da Cremona.Caterina’s apparent murder – and the painting’s disappearance – make for a mystery full of twists and turns that takes us through the key years ofLeonardo’s artistic life, leading to a thrilling climax nearly as ingenious as one ofLeonardo’s own creations.About Aidan:Aidan Turner was born in Dublin, Ireland in 1983. After graduating from the Gaiety School of Acting in 2004, Aidan appeared in a number of stage productions, many with Ireland's national theatre, The Abbey. Such productions included The Plough & The Stars, Romeo & Juliet and A Cry from Heaven. In 2008, Turner made the transition to movies and television with a lead role in the film Alarm and a co-starring role in the popular Irish TV drama The Clinic.In 2009, Turner moved to the UK to take on a starring role in BBC's acclaimed Being Human. Aidan played the spellbinding Mitchell for 3 seasons during which time he also starred in BBC's Desperate Romantics and BBC's top rated TV movie Hattie. In 2011, famed director Peter Jackson cast Turner in the role of Kili in JRR Tolkien's The Hobbit. The highly successful movie trilogy filmed for approximately two years in New Zealand during which time Aidan also starred in Cassandra Clare's The Mortal Instruments.In 2014 Turner was cast as Poldark in the BBC remake. Poldark premiered to excellent rating in the UK in March 2015 and also in the USA in June 2015. The BBC series also aired across Europe and Australia and returned for a second series, aired during 2016.In 2015 Aidan took on a small role in The Secret Scripture so he could work with one of his favorite directors, Jim Sheridan. He also voiced a role in the first painted animation movie, Loving Vincent, co-starred in the dark comedy, Look Away and starred in the BBC mini-series, And Then There Were None.With thanks to IMDBImage Copyright and Credit:Sony Pictures Entertainment.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.
Wuhan, Heroes & Hope
Yung Chang and Face2Face host David Peck talk about his new, memorable and hopeful film Wuhan Wuhan, empathy, universals, hatred and division, humanizing statistics and tragedy, everyday heroes and the poetic history of a city.Find out more about the film here.Synopsis:Wuhan Wuhan is an observational documentary unfolding during February and March, 2020 at the height of the pandemic in Wuhan city, where the coronavirus began. With unprecedented access at the peak of the pandemic lockdown, Wuhan Wuhan goes beyond the statistics and salacious headlines and puts a human experience into the early days of the mysterious virus as Chinese citizens and frontline healthcare workers grappled with an invisible, deadly killer.The film focuses on five heart-wrenching and endearing stories: a soft-hearted ER doctor and an unflappable ICU nurse from the COVID-19 hospital; a compassionate volunteer psychologist at a temporary hospital; a tenacious mother and son who are COVID-19 patients navigating the byzantine PRC healthcare system; and a volunteer driver for medical workers and his 9-month pregnant wife whose heartfelt story forms the backbone of this film. In a time when the world needs greater cross-cultural understanding, Wuhan Wuhan is an invaluable depiction of a metropolis joining together to overcome a crisis.About Yung:Yung Chang is the director ofUp the Yangtze,China Heavyweight andThe Fruit Hunters. He is currently completing a screenplay for his first dramatic feature,Eggplant, which was selected in 2015 to participate in the prestigious Sundance Labs.Chang’s films have premiered at international film festivals including Sundance, Berlin, Toronto, and IDFA and have played theatrically in cinemas around the world. Up the Yangtze was one of the top-grossing documentary releases in 2008. In 2013,China Heavyweightbecame the most widely screened social-issue documentary in Chinese history with an official release in 200 Mainland Chinese cinemas.His films have been critically acclaimed, receiving awards in Paris, Milan, Vancouver, San Francisco, the Canadian Genie, Taiwan Golden Horse, Cinema Eye Honors, among others and have been nominated at Sundance, the Independent Spirit Awards and the Emmys. Chang's films have been shown on international broadcasters including PBS, National Geographic, ARTE, ZDF, Channel 4, HBO, TMN, NHK, CBC, TV2, SBS and EBS. Chang is the recipient of the Don Haig Award, the Yolande and Pierre Perrault Award, and the Guggenheim Emerging Artist Award.He is a member of the Directors Guild of Canada. In 2013, he was invited to become a member of the Academy of Motion Picture Arts and Sciences.Image Copyright and Credit:Yung Chang and Kartemquin Films.F2F Music and Image Copyright:David PeckandFace2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visithis site here.With thanks to Josh Snethlage andMixed Media Sound.