Word In Your Ear

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World’. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan’s early shows and the humour of the Beatles’ early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive   … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in ’66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon’s I Want You was a direct response to Dylan’s song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob’s touching low-key visit to Lennon’s childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World’ here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Mark Lewisohn began his Beatles’ trilogy in 2003, the first volume appearing ten years later. He’s hoping the second, Turn On, which covers 1963 to 1966 and every recording session, might be ready by 2031 and working “nine days a week to achieve it, assembling a framework and then sliding it together”. Further good news – his lecture about their life in 1962, Evolver62, is now available on film! “No matter how deep you dig, there’s gold there”. He talks to us here about … … how you research such an infinite subject and know when to stop … the one-in-a-million coincidence in the story of I Saw Her Standing There … the attractive world of telegrams, postage and showbills from the days “when the Beatles were still like us” ... how AI has muddied the waters and misinformation (like “Woodbine’s Boys”) becomes established fact … “people are reshaping the Beatles’ story as what they want to believe” … those perilous moments when their career seemed in the balance … the Beatles v Shakespeare and which has the greater agency … the Lewisohn work schedule - “6am til bedtime, nine days a week” … the “rank amateurs” Decca signed the year they turned down the Beatles … James Brown’s invented spat with Beatles and the struggle to separate fact from fiction … Paul’s private battle with Nik Cohn … and the US merchandise disaster, “a book in itself” https://www.marklewisohn.net/ Order Evolver:62 on these links:UKhttps://amzn.to/4bP7bGSUS and Canadahttps://apple.co/46m6L7xhttps://bit.ly/4qsUXHyhttps://bit.ly/45SSvTuhttps://amzn.to/4pXf4gLDVDhttps://bit.ly/3Zap37FAnd copies of the Tune In book here:https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=asc_df_1408705753?mcid=3bbe6ad2416f31d59786d0f169b18876&th=1&psc=1&tag=googshopuk-21&linkCode=df0&hvadid=697210774528&hvpos=&hvnetw=g&hvrand=7934131385361801281&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9072502&hvtargid=pla-525100023999&psc=1&hvocijid=7934131385361801281-1408705753-&hvexpln=0&gad_source=1 Tune In (trade edition):https://www.amazon.co.uk/Beatles-All-These-Years-Tune/dp/1408705753/ref=sr_1_1?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-1&ufe=app_do%3Aamzn1.fos.95fd378e-6299-4723-b1f1-3952ffba15af Tune In (Extended special edition):https://www.amazon.co.uk/Beatles-These-Years-Extended-Special/dp/1408704781/ref=sr_1_2?crid=Z5U3TCUCHL4Y&dib=eyJ2IjoiMSJ9.iARC_o0NanHFRSyWD51V1iwunMv6f4RVXwczxRVhEfk.HhdP2t3MG4xUMoVQHwdVFQUL7a9gWFWI-jjw6pvwhNw&dib_tag=se&keywords=lewisohn+tune+in&qid=1771317358&sprefix=lewisohn+tune+in%2Caps%2C99&sr=8-2&ufe=app_do%3Aamzn1.fos.0fa28f01-6fca-4422-af4e-d52d5ad71bfeHelp us to keep the conversation going: https://www.patreon.com/wordinyourear

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema   ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Glenn Tilbrook wrote an album with Chris Difford about a futuristic nightclub when they were teenagers and, 52 years later, they’ve recorded it and are performing it on the upcoming tour. He looks back here at the partnership that once wrote 200 songs in three years, the first gigs he saw, his recent decision to take control of the group and what’s changed the way they sound. Among the highlights … … what he learnt from watching Radiohead and Doechii … when you walk into a teashop and Tír na nÓg are playing … T. Rex and screaming girls at the Lewisham Odeon – “comfortable, confident, thrilling” … Terry Reid, Traffic, Bowie and darker memories of Glastonbury 1971 … “that age when Pickettywitch are as engaging as the Rolling Stones” … the song that came to him in a dream … constructing “a knockout set that’ll slay any audience” … winning a talent contest at Butlins in Clacton, aged 12 – “a week’s free holiday!” … “the breadth and depth of what we can do now outstrips the way we were”. Order the ‘Trixies’ album here: https://squeeze.lnk.to/trixies And Squeeze tickets here: https://www.squeezeofficial.com/Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Stuart Adamson co-founded the Skids and Big Country but was profoundly ill-suited to the spoils of his success. Author Scott Rowley unpacks his passage from Dunfermline to Nashville and Hawaii to get a sense of his demons and what drove and inspired him. He talks to us here about his compelling new memoir ‘Stay Alive: the Life and Death of Stuart Adamson’ and touches on … … hints of troubled family life in his early lyrics and the shadows of his father and grandfather … that famous three-word review: “More crusading porridge!” … the guilt of his success when he returned to his Dunfermline roots … why learning to sing is unwise! … how Big Country were saved by Steve Lillywhite and the resentment about their being sold as a pop group … Nick Drake, Sinead O’Connor … “people who should never have been given a record contract” … insurmountable friction with Richard Jobson … how Nevermind made the old rock landscape look outmoded … “guitars that sounded like bagpipes!” and other hoary old clichés … “empty, breast-beating, bombastic!”: the rigours of the rock press consensus … and how Big Country nearly played Live Aid. Order ‘Stay Alive: the Life and Death of Stuart Adamson’ here: https://www.simonandschuster.co.uk/books/Stay-Alive-The-Life-and-Death-of-Stuart-Adamson/Scott-Rowley/9781917923538Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Our ‘big air’ manoeuvres on the rock and roll ski jump this week land the following tricks … … why don’t we re-use old protest songs instead of writing new ones? … “a temple of music and gothic lust:” would YOU buy Jim Steinman’s unsellable home? … when Madness played on the Buck House roof … Ptolomaic Terrascope? Aquarium Drunkard? Real and made-up music magazines … “too complicated, not catchy, like a high-minded think-piece”: U2’s Days Of Ash EP … when the Ramones invaded the London library … Rod, Elton, Adele, Noel, Ed … do they cut it as National Treasures? … “the best sport still works with the sound off” … what links Steely Dan to American College Football? … plus the Bishop of Ramsbury, Robyn’s “dream doner” and birthday guest Keith Adsley with a quiz about American college football walk-out music.Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Some shared stages. Some made records and films together. Some had love affairs. Matt Thorne is fascinated by stars’ collaborations and what they reveal about them. He talks here about 14 musicians who collided and the discoveries he made in the six years spent writing ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip’, with all this high in the mix … … Frank Sinatra’s ‘Welcome Home Elvis’ TV Special and how threatened he felt by rock’n’roll … “Chuck Berry thrived on tension in exactly the way Mark E Smith controlled the Fall” … what you’ll find in Lou Reed’s archive at New York’s Library for the Performing Arts … McCartney at “the showbiz event of the year”, January 1968, at a rare low ebb in the Beatles’ fortunes … the mystifying One Trick Pony where Paul Simon inexplicably chose to play a failure, and his comic turn on Saturday Night Live … Bowie’s and Tina Turner’s TV ad and love affair … what Chuck Berry tried to hide about his studio trickery and the “psychological terrorism” of what played on his TV sets … “all musicians are obsessed with the idea that they’re on the way out” … why a book like this would have been impossible 30 years ago … and Dave Stewart’s vision of Lou Reed as a piece of pasta on a motorcycle. Order copies of ‘Famous: Ego, Envy and Ambition in Pop, Rock and Hip-Hip’ here: https://www.waterstones.com/book/famous/matt-thorne/9781474616386Help us to keep the conversation going: https://www.patreon.com/wordinyourear

Paul Rees fell in love with AOR when it began with Boston in 1976, the polished, ramped-up hits that were briefly the music of the American heartland. His book ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986’ remembers the age when records were launched via car stereos, their eternally appealing sound and the preposterous lives of the people who wrote and played them – Bon Jovi, Pat Benatar, Asia, REO Speedwagon, Don Henley and Toto among them. “It’s happy music,” he points out. “Music that makes you raise a quizzical eyebrow.” In the mix … … the original AOR sound: “Led Zeppelin hard rock with Eagles harmonies and a stratospheric high-tenor voca|” … the absolute power of producers like Mutt Lange (a man raised on radio jingles) … Pat Benatar, the former married bank clerk who wanted to be Robert Plant in a leotard … “AOR stars were all salesmen who talked in quotes” ... the many reasons Don Henley fired people on a whim  … Def Leppard’s vision of America built on AOR and cowboy movies … “Chicago and the Tubes never played on their records” … “he ended up butterball-naked in a cocaine threesome sting with two disguised police women” … the producer who had his trout pond realigned as he couldn’t work looking at a garden that wasn’t symmetrical … the story of Toto’s Africa: “tape loops strung round chair-backs and a quick flick through a geography book” … “if this record’s a hit I’ll run naked down Sunset Boulevard”. Order a copy of ‘Raised On Radio: Power Ballads, Cocaine & Payola – the AOR Glory Years 1976-1986’ here: https://www.amazon.co.uk/Raised-Radio-Paul-Rees/dp/1408721112 Help us to keep the conversation going: https://www.patreon.com/wordinyourear

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock’n’roll rainbow this week you’ll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I’d draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al’ Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don’t know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that’s the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett  … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourear