The ClearOut

In this episode, Dara considers the power of defying expectations. Partly prompted by a conversation with his dementia-affected father, his thoughts are also informed by a New York psychologist who worked with first responders to World Trade Center attacks. Role-reversal can be both destabilising and disarming, but it rarely goes unnoticed, and it often provokes both consternation and resentment.To explore it further, Dara looks at a handful of female-centred films where the protagonists fail to behave as expected, or in a couple of cases, the lead actresses don't conform to their previous character types. One such film is Jane Campion's In the Cut (2003), in which Meg Ryan gave a performance that obliterated her image as America's sweetheart that she had so firmly established in the romantic comedies of her earlier career. Films like Olivia Wilde's Booksmart (2019) and Emma Seligman's Bottoms (2023) present female characters who had historically been on the fringes of the story, not at its heart.Also - the right to keep a flame alive, affirming unseen victories, men's need to speak, and decorating your internal house exactly as you see fit!My 2023 Christmas story, which touches on the right to self-identify and defy expectations: https://theclearout.com/short-story/mrs-hennessey-and-the-womens-christmas/Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout

In this episode, Dara confesses to having had a very teary twenty-four hours. But what could have caused him to weep like a baby?It wasn't Troy Parrott's match-winning goal (and raw and emotional post-match interview) that means Ireland still have a chance of going to next year's world cup, was it?It wasn't Chase Infiniti's exquisitely vulnerable performance in Paul Thomas Anderson's One Battle After Another, was it?It wasn't a Bosnian-born, New York-based milliner sharing her heart-rending story of bereavement, sickness, and recovery, was it?It wasn't a written account of a historic football match between the two unrecognised states of Palestine and the Basque Country, was it?Yes! Yes, it was all those things! Football and acting and hats (and babies) and more football!But really it was about hope and pride and the unexpected.It was about innocence and fear and defiance and love.It was about friendship and tragedy and resilience and rebirth.It was about solidarity and sovereignty and identity and visibility.Dara tries to explain what it all meant and what it all means. It's an episode about sport and storytelling and small kindnesses.Sid Lowe on an unforgettable night in Bilbao: https://www.theguardian.com/football/2025/nov/17/it-touched-us-from-the-start-palestine-savour-historic-night-in-bilbaoBehida Dolic Millinery: https://behidadolic.com/Behida Dolic Instagram: https://www.instagram.com/behidadolic/Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout

After watching Guillermo del Toro's Frankenstein, Dara finds himself wondering about the director's world view, and specifically his perspective on beautiful, sincere women and their superficially unattractive love interests. The Mexican director has an established sympathy with those considered ugly and monstrous by society - could a Freudian reading be applicable?Following this idea of male directors and their presentation or objectification of women in their work, Dara considers female characters as featured in the films of Alfred Hitchcock and Quentin Tarantino - two very unstraightforward male auteurs. What do their heroines say about them? And does it have anything to do with how they have been treated or perceived by the opposite sex off-camera?Finishing up, Dara considers how he has presented female characters in his short stories. Has he unintentionally revealed something about his own hidden desires? Or is he just painfully sincere himself?Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout

A week under the weather had Dara running for the comfort of old Hollywood classics. In this episode, he reports his findings.Influenced by the spooky season, he reached for a couple of Hitchcock staples of the older variety - 1940's Rebecca and 1941's Suspicion. Two very different but no less complicated love stories, one featuring espionage and seduction, the other - gulp! - murder!He followed those with something altogether frothier - George Stevens's Woman of the Year (1942), the film that saw the first pairing of Spencer Tracy and Katherine Hepburn. On screen sparring partners and off-screen lovers, the sparks fly as they first made movie magic.Dara reflects on the gender roles permitted to female stars of the day and what would happen to them if they didn't conform to type.Two Netflix productions are also reviewed - Black Rabbit starring Jude Law and Jason Bateman as errant brothers, and Kathryn Bigelow's latest nailbiter, A House of Dynamite. Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout

In this episode Dara argues that at a certain moment in autumn, the whole season starts to feel like a Sunday night, and not in a good way! The shortening days, the lengthening nights, it all combines to create a sense of nature closing in to usher us into a dark resting place. And isn't that what Mondays can feel like?Warming to the theme, Dara once again finds himself advocating for more contact with nature and less contact with tech. He wonders if we're not completely losing touch with our instincts as we become ever more subsumed by the numberless conveniences and relentless stimulation of the modern moment. For him it raises the question of knowledge. What do we believe we know? What do we use to inform our existential navigation system?To make the show a bit more high-falutin', Dara sources a handful of autumn poems, including a couple of classics from Dante Gabriel Rosetti and Mary Oliver. Watch out for the falling leaves!Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout

In this episode, Dara is wondering who the enemy is. Finding himself symbolically shaking his fist at the clouds, he tries to work out who exactly he was angry with, and why. His wife used Jedi mind powers to flip the script which only stoked his fire further. The two choices available to him were obvious, and one was certainly not going to end well...Reflecting on bad behaviour gets Dara thinking about accountability and personal responsibility - integrity is not possible without accountability. There can be no free passes. And if it can't be done in public, it surely must be done in private, which is where personal responsibility comes in.Also in this episode, the Israel/Gaza ceasefire, another great father-daughter conversation in the car, and a furry new addition to The ClearOut family!Website: https://theclearout.com/Facebook: https://www.facebook.com/theclearoutpodcast/Instagram: https://www.instagram.com/theclearoutpodcast/YouTube: The ClearOut PodcastEmail: theclearoutlive@gmail.com Patreon: https://www.patreon.com/theclearout