Solarpunk Presents

This episode’s guest is Dr Anne Pasek, Canada Research Chair in Media, Culture, and Environment, and an Assistant Professor in the Department of Cultural Studies and the School of the Environment at Trent University. Dr Pasek is co-founder of the Low Carbon Research Methods Group, and she talks to Ariel all about what Low Carbon Research is (and can look like!), the “carbon footprint” of academic research, new innovative ways for research to respond to the climate crisis, the importance of zines, and even hosting her own solar server in her backyard! Links:Dr Pasek’s personal websiteLow Carbon Research MethodsEMM LABSolar Protocol

In this episode, Christina talks with hacker and enthusiastic solarpunk Paweł Ngei about the power of solarpunk narratives to open our eyes to the ways in which we do things and invite us to critically examine them. Why is tech built this way? Who are we disenfranchising by not having more or different designs for things? Who are we handing over too much power over our lives to mindlessly letting them thrust their tech into our lives without us knowing how it works? For more info about and thoughts from Paweł, can check out his blog (https://alxd.org/), be inspired by his podcast (https://podcast.tomasino.org/@SolarpunkPrompts), read his short story about a disabled inventor at https://glider.ink/, or read his review of Kim Stanley Robinson’s The Ministry for the Future (https://alxd.org/ministry-for-the-future-review.html#ministry-for-the-future-review). Other links Paweł recommends are about the book A Half Built Garden by Ruthanna Emrys and to a great solarpunk engineering wiki.Support Solarpunk Presents on Patreon or make a one-time donation via PayPal.

In 2023, the inaugural Solarpunk Conference was held in virtual space, bringing together over 150 attendees, 18 presenters, and creating a palpable sense of the solarpunk community. This episode, Ariel chats with conference organizers Charles Valsechi, Lindsay Jane, and Kees Schuller about the genesis of the conference, the inspiration for its theme, as well as a little preview of what they are hoping to see at the 2024 Solarpunk Conference: Rays of Resilience.You can go to https://www.solarpunkconference.com/ to check out The Solarpunk Conference, access The Solarpunk Conference Journal, and buy tickets. You can also check out the channel on YouTube for recordings of last year’s presentations, and stop by Lindsay Jane's channel @TheSolarpunkScene for more solarpunky content!Support Solarpunk Presents on Patreon or make a one-time donation via PayPal.

In Season 5 Episode 3 of Solarpunk Presents, Christina chats with transdisciplinary technologist Stephen Reid about relationship solarpunk and lunarpunk have to crypto and web3. If lunarpunk is what solarpunk gets up to in the shadows of a moonlit night, that suggests that lunarpunk is inherently more interested in privacy, security, and anonymity, especially from the watchful eye of the state. That would further mean that where solarpunk is interested in renewable energy, sustainability, appropriate technology, and social justice, lunarpunk is interested in the tools, like cryptography, cryptocurrencies, and web3, that safeguard our privacy and anonymity and potentially protect us from tyranny. Do we need lunarpunk’s fixation with using tech to protect our privacy to counterbalance solarpunk’s sunny optimism that everything will all be fine to break through to a better world? To learn more about Stephen, his philosophies, and his work, check out https://stephenreid.net/Disclaimer: Neither Christina, Ariel, nor the Solarpunk Presents podcast agree with nor support the use of cryptocurrencies or web3. For sound critiques of these technologies, check out the videos The Line Goes Up - The Problem With NFTs and Web3.0: A Libertarian Dystopia and the website https://www.web3isgoinggreat.com/.

In this podcast, host Ariel has a chat with Aaron and Alicia, the team behind Solacene podcast in Montreal, Canada. They talk about the meaning of “Solacene”, their goals, the semester-structure of their show, zines, community, upcycled clothing, embodied reality, environmental positivity, and a sneak peek at what is next for Solacene in the future… just to name a few topics. Tune in on your favourite podcatcher or streaming service today!Links:Solacene YouTube: https://youtube.com/@solacene?si=iyP9ae71VypNQ-SZWebsite: https://solacene.bigcartel.com/Support Solarpunk Presents on Patreon or make a one-time donation via PayPal.

If tech wasn’t such a central aspect of solarpunk, we’d all just be hippies redux. Yet not all tech, right? Because solarpunk is also about living the good life while building a just, inclusive, and sustainable society. So, what is solarpunk’s attitude toward and relationship with tech? How do solarpunks decide what’s worth it and what’s beyond the pale? And what’s all this about appropriate technology?Support Solarpunk Presents on Patreon or make a one-time donation via PayPal.

Why is solarpunk called solarPUNK? What is so punk about it, and does it have anything to do with the original meaning of punk… or cyberpunk, or steampunk, or any -punk for that matter? In this episode, Christina and Ariel dive into the thorny question of what exactly it is that they are talking about when they say “solarpunk” … because as it turns out, they both have very different points of reference. Neither Christina’s Gen-Xer ideas of the ‘80s punk-rocker or Ariel’s Millennial idea of the Hot Topic pop-punk fit in with solarpunk… or do they? Tune in to find out more!Links:A Solarpunk ManifestoSupport Solarpunk Presents on Patreon or make a one-time donation via PayPal.

Classic, post-apocalyptic, dystopian fiction is a type of fantasy where we’re dreaming of starting over in an empty landscape from a societal and cultural slate wiped clean by some devastating event that we don’t have to feel guilty about having happened—at least, it is according to our very own Ariel Kroon, who does, yes, have a PhD in it.* Yet, at the same time, these fantasies generally suffer from a strange lack of imagination, wherein the characters use the “fresh new start” to recreate the same old society, albeit with themselves at the top, with the same old systemic socioeconomic, environmental, and structural problems. It’s almost as if it is easy to dream up apocalypse but next to impossible to envision a different way of living. Although a failure of imagination would most likely look different for solarpunk, can solarpunk creators and dreamers of a positive future avoid falling into the same sort of trap?*Post-apocalyptic Canadian science-fiction 1948-1989, she wants to clarify. She’s even got the thesis to prove it.Support Solarpunk Presents on Patreon or make a one-time donation via PayPal.