shado-lite

Are you interested in learning more about the role of art and cultural production in resistance? Listen to this episode to find out about a book that is for you.In another guest episode with the inimitable Isabella Kajiwara, we are discussing ‘I, Rigoberta Menchú’, the autobiographical account of Rigoberta Menchú, a Mayan Indigenous K’iche woman. Rigoberta tells the story of her community’s resistance to the Guatemala government in the 1970s and their army-led repression of revolutionary movements. Rigoberta describes the violence and brutality faced by Indigenous Guatemalans during this repression.‘I, Rigoberta Menchú’ is an account that she calls the testimony of her people and this legacy has continued to inspire indigenous peoples in struggle throughout Central America.This is the final book of the last bookshelf series ‘Literature for Liberation’ which has traversed revolutionary autobiographies, exploring the role of storytelling in political education and movement ecosystems. In this episode, we discuss the threads of shared experience between these accounts – in repression, resistance, community building and worldmaking. From these stories, we learn lessons about how to build the future we are dreaming of.

In our previous episode, we spoke about the importance of supporting political prisoners, but how do we better understand their experiences? The Trinity of Fundamentals by former Palestinian political prisoner, Wisam Rafeedie, is a semi-autobiographical account of his nine years in hiding from the occupation, penned from an Israeli prison.We often hear that each of us has a part to play in the revolution and this book is testament to that. This book is not only revolutionary in content but in how it came to exist through comradeship in the Palestinian resistance, too. In this episode, shado’s Isabella Kajiwara returns as a guest to the pod and talks about the incredible story behind that brought this book into being, and the lessons we can learn from it.Tune in for this expansive discussion about how we might apply those lessons, and use the book as a tool in our organising — including a reflection on what it means to critically engage with the shortcomings of revolutionaries.

What does it really mean to live a revolutionary life? Assata Shakur’s autobiography offers deeply personal – and candid – reflections on struggle, survival, and liberation. This is why it is such a must-read for organisers across the world.Led by Isabella Kajiwara, the latest bookshelf season – Literature for Liberation – is exploring seminal autobiographies from revolutionaries across various struggles, inviting readers to reflect on the role of storytelling in our collective political education and movement ecosystems.Isabella explains that the aim of the season is not to individualise struggle or put people on pedestals, but to study revolutionary lives as a lens through which to understand the wider struggle they are part of. By understanding how Assata Shakur understood political education, resisted carceral repression, and leaned on kinship throughout her organising, we can learn important lessons about what it means for each of us to live a revolutionary life.

In this episode actress and Quechua storyteller, Nathalie Kelley discusses with contributing SHADO editor Samara Almonte, her journey as an Indigenous storyteller amidst growing-up in diaspora. Nathalie is a graduate of Kiss The Ground's Soil Advocacy program, and on the board of the Fungí Foundation. She is passionate about using her IG platform of 1.6 million followers to highlight the threats against Indigenous communities around the world while elevating Indigenous wisdom and technologies as means of coming back into harmony with our ecosystem. Resources:Vive el QuechuaJulia Watson. Lo—TEK. Design by Radical Indigenism Julia WatsonSisa Quispe (@sisa_quispe) • Instagramnewamauta

How is our energy system intertwined with the Israeli occupation of Palestine? Mariam and Felix, members of Energy Embargo for Palestine—an anti-imperialist climate collective—join us to explain how the fossil fuel industry sustains the Zionist project.After months of investigating BP, they discuss the company's involvement in historical repressive regimes, political maneuvering, pipeline construction, and the swindling of the British public, all in pursuit of controlling Middle Eastern oil.References:Pipeline to genocide: BP's oil route to IsraelA People’s Green New Deal, Max AjlThe Oil Road, James Marriott and Mika Minio-Paluello

Do you often feel hopeless? Do you find it hard to imagine a better future for our world? So do we - which is why we’re bringing you this 3 part mini-series: World Building and Re-Imagination: How Fiction Can Free UsOur bookclub - shado’s bookshelf - ran earlier this year, and was a journey through some of the best science fiction, speculative and political fiction of past and present. How can fiction help us imagine and create different worlds? These kind of questions are more necessary now than ever, in a political moment defined by apathy and fear. We need radical and visionary politics of action and creation!  This mini-series we’ll be taking each book and delving into the stories that can help us imagine otherwise, sharing insights from our book club for those who missed it. Our last book in the series, The Dispossessed by Ursula Le Guin is a titan of science fiction, credited for changing the genre with its brilliant and complex worldbuilding. What would a world without hierarchy really look like in practice, and is it possible?

Do you often feel hopeless? Do you find it hard to imagine a better future for our world? So do we - which is why we’re bringing you this 3 part mini-series: World Building and Re-Imagination: How Fiction Can Free UsOur bookclub - shado’s bookshelf - ran earlier this year, and was a journey through some of the best science fiction, speculative and political fiction of past and present. How can fiction help us imagine and create different worlds? These kind of questions are more necessary now than ever, in a political moment defined by apathy and fear. We need radical and visionary politics of action and creation!  This mini-series we’ll be taking each book and delving into the stories that can help us imagine otherwise, sharing insights from our book club for those who missed it. Our second book in the series, Begin the World Over by Kung Li Sun, is a revolutionary counterfactual novel about the US Founders’ greatest fear —that Black and Indigenous people might join forces to undo the newly formed United States of America— coming true.

Do you often feel hopeless? Do you find it hard to imagine a better future for our world? So do we - which is why we’re bringing you this 3 part mini-series: World Building and Re-Imagination: How Fiction Can Free UsOur bookclub - shado’s bookshelf - ran earlier this year, and was a journey through some of the best science fiction, speculative and political fiction of past and present. How can fiction help us imagine and create different worlds? These kind of questions are more necessary now than ever, in a political moment defined by apathy and fear. We need radical and visionary politics of action and creation!  This mini-series we’ll be taking each book and delving into the stories that can help us imagine otherwise, sharing insights from our book club for those who missed it. Our first book, Palestine+100, is an anthology which poses a question to twelve Palestinian writers: what might your country look like in the year 2048 - a century after the tragedies and trauma of what has come to be called the Nakba?

Contributing SHADO editor Samara Almonte is back to discuss the power of storytelling through a First Nations worldview with distinguished professor Larissa Behrendt AO. Larissa has a legal background with a strong track record in the areas of Indigenous law, policy, creative arts, education and research. She is a Native Title holder and member of the Yuwaalaraay (yuwalarai) Euahlayi Aboriginal Corporation and is also a member of the Metropolitan Local Aboriginal Land Council. Larissa is also an award-winning author, filmmaker and host of Speaking Out on ABC Radio. In this episode, Larissa shares about her upbringing as an Aboriginal woman and how storytelling has been a practice for cultural preservation, healing and advocacy for her. Additional Resources:If Not Us Then Who?Twenty-Four Exceptional Films by Indigenous Australian Filmmakers That You Can Stream Right NowVision Maker Media – The Premiere Source of Media By and About Native Americans