The Shakespeare and Company Interview

In a world overwhelmed by complex political challenges and endless commentary, where can we turn for insight into how we got here—and where we might go next? From the survival of democracy to the rise of AI, from confronting inequality to resisting surveillance, today's problems demand deep thinking.In his latest book The History of Ideas, David Runciman explores how the rich history of political thought offers fresh perspectives on contemporary issues. What can the creator of the Panopticon teach us about resisting surveillance? How do the ideas of a former slave and a French Existentialist redefine liberation? And could a utopian novel from 1872 illuminate our understanding of artificial intelligence?David Runciman joined Adam Biles for a spirited journey through radical thinkers and ideas of the past 250 years. Discover how their questions and insights remain strikingly relevant today, and why embracing diverse perspectives is key to understanding our world—and ourselves.Buy The History of Ideas: https://www.shakespeareandcompany.com/books/confronting-leviathan-ii*David Runciman is Professor of Politics at the University of Cambridge and the former Head of the Department of Politics and International Studies.His previous books for Profile include The Handover, Confronting Leviathan, Where Power Stops and How Democracy Ends. He writes regularly about politics for the London Review of Books, created the widely acclaimed weekly podcast Talking Politics and is host of the new podcast Past Present Future.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Why are we so obsessed with the apocalypse? Is it a reaction to the state of the world—climate catastrophe, regional wars threatening global conflict, pandemic scares, and the unsettling rise of AI—or does it run deeper? Is it inherent to the modern world or, perhaps, the human condition? And why are we so captivated by apocalyptic stories in books, films, TV shows, video games, and art—sometimes improbable, sometimes terrifyingly possible?Dorian Lynskey explores these questions in Everything Must Go. He starts in ancient times, with a detour through the Book of Revelation, before focusing on the 19th century, when humanity began to grasp that scientific advances could both transform and destroy the world. The 20th century brings the bomb, robots, and intelligent machines—the seeds of a potential end. Like the best non-fiction, Lynskey’s focus on a specific subject—armageddon—offers deeper insights into how we view ourselves, interact with others, and perceive our world.Buy Everything Must Go: https://www.shakespeareandcompany.com/books/everything-must-go-5*Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

On the night of Friday, 13 November 2015, three suicide bombers blew themselves up outside the Stade de France during a football match between France and Germany, attended by President François Hollande. By 1am the next morning, 130 victims were dead, and 416 others were injured, many critically. Seven attackers were killed, and two more died in a shootout with police days later.In September 2021, nearly six years later, the trial of 20 men accused of involvement in the attacks began in a specially built courtroom near the Palais de Justice. Fourteen were present, six tried in absentia, and only one, Salah Abdeslam, had directly participated in the attacks. The others were involved in planning, logistics, or assisting the terrorists. With many defendants refusing to testify and the trial featuring mostly secondary figures, some doubted whether it would be meaningful. However, in V13, Emmanuel Carrère’s gripping account, it becomes clear that the trial was far from a failure. As he writes, it became "a unique experience of horror, pity, proximity and presence.” The book, based on Carrère's weekly dispatches for L’Obs, immerses readers in the trial, offering a vivid, firsthand perspective of this historic event.Buy V13: https://www.shakespeareandcompany.com/books/v13*Emmanuel Carrère, novelist, filmmaker, journalist, and biographer, is the award-winning internationally renowned author of The Adversary (a New York Times Notable Book), Lives Other Than My Own, My Life As A Russian Novel, Class Trip, Limonov and The Mustache.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Denis Hirson’s My Thirty Minute Bar Mitzvah can be read as many different books. It can be read as a new, deeply personal, take on a pivotal episode in the history of South Africa. It can be read as a tender reflection on the mind of the author as he teetered on the cusp of adulthood. It can be read as a portrait of one particular wing of the Jewish diaspora, at one very particular moment in time. And it can be read as an account of how trauma is passed from one generation to the next, but also how with every new generation we are offered the opportunity of recovery…if only we will grasp it.My Thirty Minute Bar Mitzvah focuses primarily on the life of the author in the early 1960s, when he was between the age of nine and thirteen, and when the politics of his homeland was in turmoil after the brutal Sharpeville Massacre, carried out by the apartheid regime. Indeed, it’s these very politics that are going to impose themselves in a real and immediate fashion on the author’s world, not only shattering his idea of family, of community, of home, but also setting his life on a course that will ultimately see him pitch up in Paris.Buy My Thirty Minute Bar Mitzvah: https://www.shakespeareandcompany.com/books/my-thirty-minute-bar-mitzvah*Denis Hirson has lived in France since 1975, yet has remained true to the title of one of his prose poems, ‘The long-distance South African’. Most of his nine books, both poetry and prose, are concerned with the memory of the apartheid years in South Africa. Two of his previous titles, The House Next Door to Africa and I Remember King Kong (the Boxer) were South African bestsellers. His most recent books are Ma langue au chat, sub-titled ‘tortures and delights of an English-speaker in Paris’, and a book of conversations with William Kentridge, Footnotes for the Panther.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn’t sure he’s ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we’ve known live on in us; and about the way that the homes we make hold communal memories of the people who’ve lived in them and the stories that have been told there.*Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.Born in Philadelphia, Amanda Dennis studied modern languages at Princeton and Cambridge Universities before earning her PhD from the University of California, Berkeley and her MFA from the Iowa Writers’ Workshop, where she was awarded a Whited Fellowship in creative writing. An avid traveler, she has lived in six countries, including Thailand, where she spent a year as a Princeton in Asia fellow. She has written about literature for the Los Angeles Review of Books and Guernica, and she is assistant professor of comparative literature and creative writing at the American University of Paris, where she is researching the influence of 20th-century French philosophy on the work of Samuel Beckett. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Colombe Schneck’s THE PARIS TRILOGY is a book—or rather three books, first published separately in French—about growing up, about friendship, about love, about family, about class, about womanhood and the patriarchy…and about swimming. In short, about every side of a life, as it just happens to take place in Paris. Rendered in crisp, fluid English by translators Lauren Elkin and Natasha Lehrer—who joins the conversation— THE PARIS TRILOGY begins with SEVENTEEN, a searingly frank account of the abortion the writer had as a teenager, passes through FRIENDSHIP, the devastating record of a childhood bond cut brutally short, and concludes with SWIMMING: A LOVE STORY, the chronicle of how this particular sport helped her build, and then grieve, a relationship.Buy The Paris Trilogy: https://www.shakespeareandcompany.com/books/the-paris-trilogy*Colombe Schneck is the author of eleven books of fiction and non-fiction, she has received prizes from the Académie Française, Madame Figaro and the Society of French Writers. The recipient of scholarships from the Villa Medicis in Rome and the Institut Français, as well as a Stendhal grant which allows French writers to do research and write abroad, she also spent fifteen years as a broadcaster for Canal Plus, France TV and Radio France. She was born in Paris in 1966 where she still lives, is a graduate of Sciences Po and Université de Paris II with a degree in Public Law.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

A woman speaks to us from her room in a residential home, of some description. She reflects on her life, her family, her pets, on time—the past, present and the future—on Manson Family Alumnus Leslie Van Houyten, on History, on Death, on the Occult, on what it means to be “sensitive”…and so much more besides. All the while she is distracted, bothered, grounded, and charmed by her fellow residents, a rag-tag slice of American life if ever a novel saw oner. As you can imagine from a Lynne Tillman book—indeed, as you would hope—things get discursive, things get disrupted, things get WEIRD, very quickly. First published in 2006, AMERICAN GENIUS, A COMEDY achieves the eerie feat of growing more pertinent as time goes on. Deeply aware of the tradition of the novel—perhaps the American novel in particular—Tillman is also confident enough in the newness of her project, and mischievous enough in her approach, to subvert that tradition almost to breaking point. To echo the words of George Saunders, AMERICAN GENIUS, A COMEDY is “beautiful, sacred, insane.”Buy American Genius, A Comedy here: https://www.shakespeareandcompany.com/books/american-genius*Lynne Tillman is a novelist, short story writer, and cultural critic. Her novels are Haunted Houses; Motion Sickness; Cast in Doubt; No Lease on Life, a finalist for the National Book Critics Circle Award; American Genius, A Comedy; and Men and Apparitions. Her nonfiction books include The Velvet Years: Warhol’s Factory 1965–1967, with photographs by Stephen Shore; Bookstore: The Life and Times of Jeannette Watson and Books & Co.; and What Would Lynne Tillman Do?, a finalist for the National Book Critics Circle Award in Criticism. Her most recent short story collections are Someday This Will Be Funny and The Complete Madame Realism. She is the recipient of a Guggenheim Foundation Fellowship and an Andy Warhol/Creative Capital Arts Writing Fellowship. Tillman is Professor/Writer-in-Residence in the Department of English at The University of Albany and teaches at the School of Visual Arts’ Art Criticism and Writing MFA Program in New York. She lives in Manhattan with bass player David Hofstra.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

This week’s guest is Aysegul Savas, whose mesmerising third novel, The Anthropologists is about a great many things. It’s about what it means to leave one’s home. It’s about attempting to lay down roots elsewhere. It’s about the mystery, banality, and all-consuming nature of love. It’s about the dynamics of friendship, and how those are stress-tested by life. It’s about growing up and growing old. It’s about how our lives are shaped by rituals…and by the lack of them. And it’s about how anxiety-inducing it can be trying to buy a flat. More concretely, The Anthropologists is about Asya and Manu, young expats in an unnamed foreign city. Asya is a documentary maker, Manu works for an NGO. They lead a care-free, meticulously tended-to life of nights out, mornings in, coffees and pints with friends, and evenings of poetry with their eccentric upstairs neighbour. But all of this—its sustainability, its “realness”— is called into question by their decision to begin flat-hunting, as well as by other life changes—changes that are in their lives, but out of their control.Buy The Anthropologists here: https://www.shakespeareandcompany.com/books/the-anthropologists*Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

For this special episode, recorded live at the Edinburgh International Book Festival, Adam Biles was joined by novelists Lauren Groff and Neel Mukherjee for a wide-ranging discussion that takes the temperature (and the pulse!) of the book industry, from bookshops, to publishers, to prizes, to festivals... Enjoy!Buy The Shakespeare and Company Book of Interviews: https://www.shakespeareandcompany.com/books/the-shakespeare-and-company-book-of-interviewsBuy The Vaster Wilds: https://www.shakespeareandcompany.com/books/the-vaster-wilds-3Buy Choice: https://www.shakespeareandcompany.com/books/choice-2*Lauren Groff is a three-time National Book Award finalist and The New York Times–bestselling author of the novels The Monsters of Templeton, Arcadia, Fates andFuries, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won The Story Prize, the ABA Indies’ Choice Award, France’s Grand Prix de l’Héroïne, and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. Her work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida.Neel Mukherjee won the Writers Guild of Great Britain Award for best fiction in 2010 for his debut novel A Life Apart. His second novel, The Lives of Others, was shortlisted for the Man Booker Prize and the Costa Novel Award, and won the Encore Award. His novel, A State of Freedom, was a New York Times '100 Notable Books of the Year' and heralded as 'Stunning ... a marvel of a book, shocking and beautiful, and it proves that Mukherjee is one of the most original and talented authors working today' (NPR). Choice, a novel as triptych, is his latest book.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w