The Napping Wizard Sessions

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Tribute: Peter Gabriel, The Stories, Part 3

Season 2, Ep. 6

In this multi-part series, I explore Peter Gabriel as a storyteller from the early Genesis years, 1967-1975. As introductions to the songs and as entertaining banter while the band tuned their complex Prog Rock instruments, Peter Gabriel told stories to the audience about the upcoming song. I compile these stories, grouped according to their corresponding songs and chart their growth. Along with the elaborate costumes Peter created during this period, he also concocted whacky stories: The Green Trouser Suit, Thomas S. Eiselberg and his onions, Henry and Cynthia on the croquet pitch, five rivers with one dirty mouth, Romeo and Juliet go to the cinema, Michael and his worms, Rael, the Slippermen and more. This series is for the true early Genesis fan and for those who don’t know the full scope of what Peter Gabriel added to the band during the years he was with them. Part 3 covers the stories from the Selling England By The Pound group - Britannia eating Buddha biscuits, the cosmic lawmower, the dirty mouth of the fifth river, Romeo and Juiliet at the cinema - and The Lamb Lies Down On Broadway - Rael's adventures in NYC, a crashing cinematic wall, a prickly porcupine, a chamber with 32 doors, Lilly White Lilith, humpy, bumpy Slippermen and Rael's brother John.

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2/24/2020

Interview: Moo Kwon Han

Season 3, Ep. 1
In this episode I talk with multi-media artist Moo Kwon Han about his recent exhibition, DRUM, at the Gyeongin Art Museum in Seoul, Korea. To make this work, he was granted access to multiple power facilities, many of them nuclear, all in South Korea. In our conversation we unravel the works in the exhibition, from the initial inspirational image of a detail of yellow drums containing radioactively contaminated clothing – a mere fraction of the total drums in this facility – all the way through to a final musical score that encapsulates both the path and the contents of the exhibition. When we see artworks in museums and galleries, it’s like looking at a lightening strike. We’re amazed by the instantaneous moment and evidence of what was created, but we really don’t understand what went into its making. In our conversation, I draw out the creative path Han followed in constructing Drum. I encourage you to look at his website before listening: https://www.hanmookwon.com/drum.Mookwon Han was born in Gyeongju, Korea, andcurrently lives in New York. He has had solo shows at Kumho Museum of Art, Seoul (2017,2020 forthcoming),Doosan Gallery New York (2009), CUE Art Foundation New York(2009), and Gyeongin (Kyung-In) Art Museum, Seoul (2000, 2019). Han’s work has been included in group exhibitions at Cube Museum, Seongnam;NYMedia Center (2017); The Fondazione Filiberto Menna, Salerno, Italy; Galeria U Jezuitow, Poznan, Poland; Bund18 Creative Center, Shanghai, China; Coreana Museum, Seoul, Korea; Nation Centre for Performing Art, Asia Society Mumbai Centre, Mumbai, India; Metropolitan Pavilion, NY; David Zwirner Gallery, NY; Miyako Yoshinaga Gallery/ Asia Society Museum NYC; Unit B Gallery, San Antonio: Hoam Gallery and National Museum of Contemporary Art, Seoul.​Han received an MFA from the School of Visual Arts NYC (2006), attended the Skowhegan School (2008) and participated in residencies at Elizabeth Foundation for the Arts (2015-16), Seoul Foundation for Art and Culture (2013-14), Lower Manhattan Cultural Council Workspace Program (2011-12), LMCC’s Arts Center at Governors Island (2010), Art OMI (2009) and CUE Art Foundation(2008) and was a Smack Mellon Hot Pick. He was awarded a Korea Hydro Nuclear Power, Co. andGyeongju Cultural Foundation Grant (2020),Puffin Foundation Grant, and New York Foundation for the Arts Artist Fellowship in Digital/Electronic Arts (2009) and joined as a review panelist (2014/2017).