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Tessa Lunney - Autumn Leaves, 1922

October 1922. Kiki Button has had a rough year at home in Australia after her mother’s sudden death. As the leaves turn gold on the Parisian boulevards, Kiki returns to Europe, more desperately in need of Paris and all its liveliness than ever. As soon as she arrives back in Montparnasse, Kiki takes up her life again, drinking with artists at the Café Rotonde, gossiping with her friends, and finding lovers among the enormous expatriate community. Even her summertime lover from the year before, handsome Russian exile Prince Theo Romanov, is waiting for her.


But it’s not all champagne and moonlit trysts. Theo is worried that his brother-in-law is being led astray by political fanatics. Kiki’s boy from home, Tom, is still hiding under a false name. Her friends are in trouble—Maisie has been blackmailed and looks for revenge, Bertie is still lovesick and lonely, and Harry has important information about her mother. And to top it off, she is found by Dr. Fox, her former spymaster, who insists that she work for him once more.


Amidst the gaiety of 1920s Paris, Kiki stalks the haunted, the hunted, and people still heartsore from the war. She parties with princes and Communist comrades, she wears ballgowns with Chanel and the Marchesa Casati, she talks politics with Hemingway and poetry with Sylvia Beach, and sips tea with Gertrude Stein. She confronts the men who would bring Europe into another war. And as she uses her gossip columnist connections for her mission, she also meets people who knew her mother, and can help to answer her burning question: why did her mother leave England all those years ago?

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9/22/2021

The Private Language

Their StoryIn one of most uniquely offbeat collaborations of the year, celebrated pop singer Blake Lewisjoins forces with EDM’s most accomplished drummer producer KJ Sawka to form The Private Language, a new project that combines cutting edge electropop, indie dance and future funk into one irresistible package. Their boldly unexpected debut single is a fresh take on the Tears For Fears smash ‘Everybody Wants To Rule The World’, spinning the classic songcraft of the original with state of the art modernist production. Released on Earth Day, the video for the song conveys an impassioned plea for peace and unity in these uncertain times. Watch ithere.Sawka and Lewis originally crossed paths amid the vibrant Seattle hip hop and rave scene, becoming fast friends and fellow musical travelers.Lewis rose to fame as one of the most distinctive and memorable finalists on American Idol, winning over the world with his charismatic singing, beatboxing and scat-singing. He went to collaborate with OneRepublic’s Ryan Tedder, releasing a top 10 US album and a #1 Billboard dance track. Sawka has been playing drums and producing for over 28 years, working with artists such as Illenium, BT, Amon Tobin, Andy Summers of the Police and dubstep supergroup Destroid. He is most known as the incendiary drummer for drum n’ bass legends Pendulum.Covering this classic 1980s hit has been a unique experience for both artists, as Sawka explains: "This song was a real challenge to reinterpret. It’s such an iconic song with a unique pulse. we slowed it down to 100 BPM and that changed it enough for an original feel and it fit our style and vibes. We then continued to produce in the way we do our original music by diving deep into the drum parts, vocal and keyboard effects and live bass. It was so much fun to create.”For his part, Lewis was drawn to the song for both artistic and sentimental reasons, as he relates “From their brilliant production, grooves and soaring vocal talent, I’ve been such a fan of Tears For Fears ever since I could remember. Any time one of their songs came on the radio as a kid in the 80’s I couldn’t help myself from singing at the top of my lungs. I love how melodic their music is in every way. After being amazed seeing them in concert two years ago, I knew I wanted to try taking a stab at one of their songs. Deciding to cover this song in particular, was tricky for us. Keeping the artistic integrity of the original while trying to make it your own is such a challenge but we had so much fun shaping this song in our style and think we nailed it.”“I came up with the idea for the music video during the height of the pandemic. Seeing so much tragedy and the impact we make on the environment I wanted to say something about it. I’ve always been mindful about the environment I’m in and human rights issues, from standing with the Dakota Tribes protesting at Standing Rock and performing charity concerts on Earth Day. I want to unite people with our music and message. The earth was here long before us and will remain long after. We need to be kind to each other, ourselves and Mother Nature. It’s just so simple to help and I hope whoever sees our version of this classic takes a little bit of that away with them.”Look for more music from The Private Language coming soon!