Brainland

The Brainland podcast began by exploring the historical background of our opera "Brainland". At the end of 2023 we filmed a scene from the opera, directed by Chaira D'Anna and choreography by Adrian Look, in collaboration with Morely College and the Old Operating Theatre Museum in London. The film was nominated in the best short film category at the Messina Cinema and Opera Festival in Sicily, in December 2024, and won the Special Jury Prize! Before the awards were announced artistic director, Ninni Panzera, agreed to sit down with Chiara and I and answer some questions about the festival. Chiara translated the answers, with a little help from AI, and co-librettist Andy Platman voiced the English version. Ninni tells us about his background as the long term director of the Taomina Arts Festival in Sicily and how his long history in the history of cinema and more recent interest in opera in cinema, lead him to create this festival. The conversation shifts from the influence of oepratic plots on cionema, especially in the silent era, to 1930s barber's shop calendars via the use of opera to tell products on adverts. He talks about the wide range of content in the festival including several Italian premiers, as well as several early films, including a 1913 silent film of Marriage of Figaro with a live chamber group.Participants:Ninni Panzera, Artistic Director of the Messina Cinema and Opera Festival.Chiara D'Anna, director, actor, teacher and Commedia Dell'Arte specialist.https://www.chiaradanna.com/Ken Barrett, artist and writer, retired neuropsychiatrist http://www.kenbarrettstudio.co.uk/The festival: https://www.youtube.com/watch?v=V6mrH0ezmq0Trailer for the Brainland the movie: https://vimeo.com/1032229461Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram:#brainlandcollective

In this wide ranging conversation we discuss the varying roots of contemporary computer language, from medieval Arabic phiosophy and divination machines, via the religious search for a universal language, to punch cards in 19th century industry. We talk about Babbage and Lovelace's work on mathematical and reasoning engines and their link to Turing's universal machine in the 1940s. Dennis describes little studied literary templates in the late 19th century before moving to Propp's 'morphology of folk tales' in the Soviet era and how that impacted aviation safety in later years. We conclude with a discussion of the impossibility of an 'ethical AI', drawing comparison to corporate ethics.Dennis Yi Tenen, Associate Professor of English and comparative literature at Columbia University, New York. https://dennistenen.com/Ken Barrett visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/The book discussed: 'Literary Theory for Robots'https://wwnorton.com/books/9780393882186Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram:#brainlandcollectiveSketch by KB.

This is part 2 of the conversation with Russell Kilbourn on memory and movies. In part 1 we talked about the way memory is treated in literature and movies but we didn't have time to discuss memory in sci-fi movies so Russ agreed to return. In this podcast we discuss the varying treatment of memory in the genre. Eg: removing memories (Total Recall, Severance and particularly Eternal Sunshine of the Spotless Mind); inserting false memories (Blade Runner); repurposing memories (Strange Days, and particularly Solaris and La Jetee). La Jetée led to an interesting discussion about the strange and interesting Canadian film My Winnipeg. We close by returning to literature, in the science fiction genre.Participants:Russell J Kilbourn is Professor of Literature and Film, Dept of English and Film Studies at Wilfrid Laurier University, Ontario, Canada. http://rjakilbourn.com/Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Sci fi movies discussed (Russ's 'must sees' in bold):Blade Runner (Ridley Scott, 1982) and BR 2049 (Denis Villeneuve, 2017)Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)La Jetée (Chris Marker, 1962)Solaris (Andrei Tarkovsky, 1972)Oblivion (Joseph Kosinski, 2013)2046 (Kar-wai Wong, 2004) (lost memories)After Life (Hirokazu Koreeda, 1998)Minority Report (Steven Spielberg, 2002)Source Code (Duncan Jones, 2011)Strange Days (Kathryn Bigelow, 1995)Total Recall (Paul Verhoeven, 1990)Upstream Color (Shane Carruth, 2013)Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: #brainlandcollectiveSketch by KB.

In this podcast Veronica O'Keane and Ken Barrett share cases and discuss some of the themes explored in Veronica's book 'A Sense of Self'. We explore the various structures in the brain essential for memory to function, talk about the importance of place to memory (we often remember where we where if not when) and recent findings on how our brain does that, the role of the frontal lobes and the hidden area of cortext called the insula, before with interesting detours into nostalgia and memory in the work of Irish writer Samuel Beckett.Veronica O' Keane, Professor of Psychiatry, Trinity Centre for Health Sciences, Tallaght Hospital, Dublin.Ken Barrett, artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Veronica's book 'A Sense of Self: Memory, the brain and who we are': https://wwnorton.com/books/9781324021834Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: #brainlandcollectiveSketch by KB.

In this podcast puppeteer and academic Cariad Astles talks about how she got interested and trained in puppetry, before discussing her experience of puppetry in China and Africa. We explore why puppetry tends to be viewed as a practice for children in the UK (Cariad blames protestantism) before talking about a number of healthcare applications of puppetry including training medical students and nurses, in psychotherapy (citing an especially powerful project in Chile), health education including promoting empathy, in dementia and autism. Cariad concludes by speculating on how robotics and AI may impact puppetry and its applications in the future and shares her hope that its' value should be more widely recognised in the west, not least in ritual.Participants:Cariad Astles, Lecturer at the Royal Central School of Speech and Drama and at Exeter University. https://www.researchgate.net/profile/Cariad-AstlesKen Barrett, artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Cariad's paper 'the Art of Puppetry Practice: Embodiment, Enchantment, Memory History' can be downloaded here: https://www.academia.edu/83808501/Puppetry_The_Art_of_Puppetry_Practice_Embodiment_Enchantment_Memory_HistoryOpening and closing music: Prelude to Brainland the opera by Stephen BrownBrainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: @brainlandcollectiveSketch by KB.

In this conversation we talk about the earliest representations of memory in classical, latin, literature (the original 'art of memory') then move, via St Augustine, to Proust and his madeleine. Russell describes how the representaion of memory, the 'flash back', appeared in the first years of film-making but identifies the real innovations in Casablanca (1942) and Citizen Kane (1941). We move on to what made Fellini and Bergan masters in the use of memory before coming up to date with last year's excellent 'All of Us Strangers' . We end with an extended discussion of the ethics of memory in film, in particular the way the Holocaust has been depicted, and give the views of Goddard and Deleuze an airing.Participants:Russell J Kilbourn is Professor in the Dept of English and Film Studies at Wilfrid Laurier University, Ontario, Canada. http://rjakilbourn.com/Ken Barrett is an artist, writer and former neuropsychiatristhttp://www.kenbarrettstudio.co.uk/Some of the films discussed:Curtiz - Casablanca: https://www.imdb.com/title/tt0034583/videogallery/Wells - Citzen Kane: https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_citizen%2520Bergman - Wild Strawberries: https://www.imdb.com/title/tt0050986/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_wild%2520strawberiesFellini - 8 1/2: https://www.imdb.com/title/tt0056801/Haigh - 'All of Us Strangers': https://www.imdb.com/title/tt21192142/?ref_=fn_al_tt_1Opening and closing music: Prelude to Brainland the opera by Stephen BrownBrainland the opera website: www.brainlandtheopera.co.ukInstagram: #brainlandcollectiveSketch by KB.

In this extended podcast Stephen Johnson shares his experience of the healing effects of Shostakovich’s music during dark periods in his life, both as a youth and later when coping with depression. He recalls his often solitary teenage years, when his passion for the music of Shostakovich took root, fueled by a prodigious ability to recall music, and text. He goes on to discuss the composer’s life, music and unlikely survival during the Stalin purges. Stephen also describes interviewing people who knew the composer, for a BBC documentary, including a member of the orchestra during the famous performance of his 7th symphony during the Leningrad siege. We conclude with an in depth discussion of the specific therapeutic effects of music. Participants. Stephen Johnson, Broadcaster, writer and composer https://www.stephen-johnson.co.uk/ Andy Platman, writer and former GP. Ken Barrett, artist, writer and former neuropsychiatrist http://www.kenbarrettstudio.co.uk/Stephen’s documentary on Shostakovitch: https://www.bbc.co.uk/sounds/play/b007g7hp His book: https://www.stephen-johnson.co.uk/publications/how-shostakovich-changed-my-mind/Opening and closing music: Prelude to Brainland the opera by Stephen BrownBrainland the opera website: www.brainlandtheopera.co.ukSketch by KB.

In this conversation we discuss Stephen's ideas about the evolution of imagination and improvisation. After defining terms Stephen's talks about his idea of the 'second universe', the link between dreams and storytelling and his view that drawing, dance and gesture preceded language in evolution. We talk about the difference between 'hot' and 'cold' cognition and explore the necessary conditions for improvisation then end with a discussion of cultural differences in the importance attached to improvisation, contrasting particularly the USA and China.Participants:Stephen Asma, Professor of Philosophy, Columbia College, Chicago, USA. www.stephenasma.comKen Barrett, artist, writer, retired neuropsychiatrist http://www.kenbarrettstudio.co.uk/Stephen's Book, The Evol;ution of Imagination': https://www.amazon.com/Evolution-Imagination-Stephen-T-Asma-ebook/dp/B06WWJC8JX/?_encoding=UTF8&pd_rd_w=p7r7l&content-id=amzn1.sym.f911c8db-3a2b-4b3e-952f-b80fdcee83f4&pf_rd_p=f911c8db-3a2b-4b3e-952f-b80fdcee83f4&pf_rd_r=131-8110503-3306616&pd_rd_wg=A284i&pd_rd_r=b4eef1a3-7076-4640-9f69-d105cfccb0e7&ref_=aufs_ap_sc_dskStephen's podcast, “Chinwag”, cohosted with Paul Giamattihttps://www.treefort.fm/series/chinwagOpening and closing music: 'Improvisation for Brainland' by Stephen Asma.Brainland the opera website: www.brainlandtheopera.co.ukSketch by KB.