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40. SEASON 1 FINALE: Brainland at the Messina Cinema and Opera Festival 2024.
44:30||Season 1, Ep. 40The Brainland podcast began by exploring the historical background of our opera "Brainland". At the end of 2023 we filmed a scene from the opera, directed by Chaira D'Anna and choreography by Adrian Look, in collaboration with Morely College and the Old Operating Theatre Museum in London. The film was nominated in the best short film category at the Messina Cinema and Opera Festival in Sicily, in December 2024, and won the Special Jury Prize! Before the awards were announced artistic director, Ninni Panzera, agreed to sit down with Chiara and I and answer some questions about the festival. Chiara translated the answers, with a little help from AI, and co-librettist Andy Platman voiced the English version. Ninni tells us about his background as the long term director of the Taomina Arts Festival in Sicily and how his long history in the history of cinema and more recent interest in opera in cinema, lead him to create this festival. The conversation shifts from the influence of oepratic plots on cionema, especially in the silent era, to 1930s barber's shop calendars via the use of opera to tell products on adverts. He talks about the wide range of content in the festival including several Italian premiers, as well as several early films, including a 1913 silent film of Marriage of Figaro with a live chamber group.Participants:Ninni Panzera, Artistic Director of the Messina Cinema and Opera Festival.Chiara D'Anna, director, actor, teacher and Commedia Dell'Arte specialist.https://www.chiaradanna.com/Ken Barrett, artist and writer, retired neuropsychiatrist http://www.kenbarrettstudio.co.uk/The festival: https://www.youtube.com/watch?v=V6mrH0ezmq0Trailer for the Brainland the movie: https://vimeo.com/1032229461Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram:#brainlandcollective
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39. LITERARY THEORY FOR ROBOTS: The weird and wonderful origins of machine language.
46:26||Season 1, Ep. 39In this wide ranging conversation we discuss the varying roots of contemporary computer language, from medieval Arabic phiosophy and divination machines, via the religious search for a universal language, to punch cards in 19th century industry. We talk about Babbage and Lovelace's work on mathematical and reasoning engines and their link to Turing's universal machine in the 1940s. Dennis describes little studied literary templates in the late 19th century before moving to Propp's 'morphology of folk tales' in the Soviet era and how that impacted aviation safety in later years. We conclude with a discussion of the impossibility of an 'ethical AI', drawing comparison to corporate ethics.Dennis Yi Tenen, Associate Professor of English and comparative literature at Columbia University, New York. https://dennistenen.com/Ken Barrett visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/The book discussed: 'Literary Theory for Robots'https://wwnorton.com/books/9780393882186Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram:#brainlandcollectiveSketch by KB.
38. CURIOUS MINDS: The power of connection?
35:48||Season 1, Ep. 38In this podcast philosopher Perry Zurn discusses ‘Curious Minds’, the book he wrote with his twin Danni Bassett. We talk about their unusual upbinging, home schooled in a large family that encouraged curiosity, then negotiating the more restrictive world of academia. They view curiosity as ‘edgework’, an exploration of connections between ‘nodes’ of information. We discuss ‘busybodies’,’ hunters’ and ‘dancers’. three curious behaviours they identified, and research evidence that supports them. The effect of language on curiosity gets a mention (Eg differences between First Nation and modern languages), and how curiosity plays out in non-verbal domains (such a sport and visual art) with a diversion into the role of the hippocampus in remembering both physical and conceptual space (such as between related words). After an appreciation of Virginia Woolf, we touch on possible dangers of curiosity, such as supporting the idea of alternative realities and the fake news that builds them, before talking about curious animals. Participants:Perry Zane is Visiting Associate Professor of Feminist, Gender, and Sexuality Studies at Cornell University and Provost Associate Professor of Philosophy at American University https://www.perryzurn.com/projects Ken Barrett visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/The book discussed:https://www.amazon.com/Curious-Minds-Connection-Perry-Zurn/dp/0262047039 Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram:#brainlandcollectiveSketch by KB.
37. SCREEN TIME 2: Sci-fi cinema's art of memory.
35:13||Season 1, Ep. 37This is part 2 of the conversation with Russell Kilbourn on memory and movies. In part 1 we talked about the way memory is treated in literature and movies but we didn't have time to discuss memory in sci-fi movies so Russ agreed to return. In this podcast we discuss the varying treatment of memory in the genre. Eg: removing memories (Total Recall, Severance and particularly Eternal Sunshine of the Spotless Mind); inserting false memories (Blade Runner); repurposing memories (Strange Days, and particularly Solaris and La Jetee). La Jetée led to an interesting discussion about the strange and interesting Canadian film My Winnipeg. We close by returning to literature, in the science fiction genre.Participants:Russell J Kilbourn is Professor of Literature and Film, Dept of English and Film Studies at Wilfrid Laurier University, Ontario, Canada. http://rjakilbourn.com/Ken Barrett, visual artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Sci fi movies discussed (Russ's 'must sees' in bold):Blade Runner (Ridley Scott, 1982) and BR 2049 (Denis Villeneuve, 2017)Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)La Jetée (Chris Marker, 1962)Solaris (Andrei Tarkovsky, 1972)Oblivion (Joseph Kosinski, 2013)2046 (Kar-wai Wong, 2004) (lost memories)After Life (Hirokazu Koreeda, 1998)Minority Report (Steven Spielberg, 2002)Source Code (Duncan Jones, 2011)Strange Days (Kathryn Bigelow, 1995)Total Recall (Paul Verhoeven, 1990)Upstream Color (Shane Carruth, 2013)Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: #brainlandcollectiveSketch by KB.
36. WHO DO YOU THINK YOU ARE?: Memory, the brain and our sense of self.
50:04||Season 1, Ep. 36In this podcast Veronica O'Keane and Ken Barrett share cases and discuss some of the themes explored in Veronica's book 'A Sense of Self'. We explore the various structures in the brain essential for memory to function, talk about the importance of place to memory (we often remember where we where if not when) and recent findings on how our brain does that, the role of the frontal lobes and the hidden area of cortext called the insula, before with interesting detours into nostalgia and memory in the work of Irish writer Samuel Beckett.Veronica O' Keane, Professor of Psychiatry, Trinity Centre for Health Sciences, Tallaght Hospital, Dublin.Ken Barrett, artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Veronica's book 'A Sense of Self: Memory, the brain and who we are': https://wwnorton.com/books/9781324021834Opening and closing music: Prelude to Brainland the opera by Stephen Brown.Brainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: #brainlandcollectiveSketch by KB.
35. OBJECT WITH SOUL: The strange power of puppetry in healthcare
58:09||Season 1, Ep. 35In this podcast puppeteer and academic Cariad Astles talks about how she got interested and trained in puppetry, before discussing her experience of puppetry in China and Africa. We explore why puppetry tends to be viewed as a practice for children in the UK (Cariad blames protestantism) before talking about a number of healthcare applications of puppetry including training medical students and nurses, in psychotherapy (citing an especially powerful project in Chile), health education including promoting empathy, in dementia and autism. Cariad concludes by speculating on how robotics and AI may impact puppetry and its applications in the future and shares her hope that its' value should be more widely recognised in the west, not least in ritual.Participants:Cariad Astles, Lecturer at the Royal Central School of Speech and Drama and at Exeter University. https://www.researchgate.net/profile/Cariad-AstlesKen Barrett, artist, writer and former neuropsychiatrist.http://www.kenbarrettstudio.co.uk/Cariad's paper 'the Art of Puppetry Practice: Embodiment, Enchantment, Memory History' can be downloaded here: https://www.academia.edu/83808501/Puppetry_The_Art_of_Puppetry_Practice_Embodiment_Enchantment_Memory_HistoryOpening and closing music: Prelude to Brainland the opera by Stephen BrownBrainland the opera website: www.brainlandtheopera.co.ukFollow us us on Instagram: @brainlandcollectiveSketch by KB.
34. SCREEN TIME: Cinema's art of memory
01:00:00||Season 1, Ep. 34In this conversation we talk about the earliest representations of memory in classical, latin, literature (the original 'art of memory') then move, via St Augustine, to Proust and his madeleine. Russell describes how the representaion of memory, the 'flash back', appeared in the first years of film-making but identifies the real innovations in Casablanca (1942) and Citizen Kane (1941). We move on to what made Fellini and Bergan masters in the use of memory before coming up to date with last year's excellent 'All of Us Strangers' . We end with an extended discussion of the ethics of memory in film, in particular the way the Holocaust has been depicted, and give the views of Goddard and Deleuze an airing.Participants:Russell J Kilbourn is Professor in the Dept of English and Film Studies at Wilfrid Laurier University, Ontario, Canada. http://rjakilbourn.com/Ken Barrett is an artist, writer and former neuropsychiatristhttp://www.kenbarrettstudio.co.uk/Some of the films discussed:Curtiz - Casablanca: https://www.imdb.com/title/tt0034583/videogallery/Wells - Citzen Kane: https://www.imdb.com/title/tt0033467/?ref_=nv_sr_srsg_0_tt_5_nm_3_in_0_q_citizen%2520Bergman - Wild Strawberries: https://www.imdb.com/title/tt0050986/?ref_=nv_sr_srsg_0_tt_8_nm_0_in_0_q_wild%2520strawberiesFellini - 8 1/2: https://www.imdb.com/title/tt0056801/Haigh - 'All of Us Strangers': https://www.imdb.com/title/tt21192142/?ref_=fn_al_tt_1Opening and closing music: Prelude to Brainland the opera by Stephen BrownBrainland the opera website: www.brainlandtheopera.co.ukInstagram: #brainlandcollectiveSketch by KB.