Across the Margin: The Podcast

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Episode 159: Mike Dillon & Punkadelick's Inflorescence

This episode of Across The Margin : The Podcast presents an interview with prolific percussionist, vibraphonist, bandleader, and vocalist Mike Dillon. How many artists have been praised as a “punk rock provocateur,” “jazz  vibraphone visionary,” and “percussion virtuoso”? There’s only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool of Primus, Rickie Lee Jones, Dean Ween Group, and Ani Difranco, and collaborations such as Nolatet, Garage a Trois, The Dead Kenny G's, Critters Buggin, or bands he has led, including Mike Dillon Band, Mike Dillon's New Orleans Punk Rock Percussion Consortium, Billy Goat, and Hairy Apes BMX, the Texas-native has set his own standard for three decades now. Over the past decade, Mike Dillon has released a number of acclaimed albums, intertwining a range of influences from Zappa-esque eccentricity to Fishbone punk funk, D.C. Go-Go to Milt Jackson-influenced vibraphone majesty. His latest project, a trio that goes by the name Punkadelick, features Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica, and Nikki Glaspie (Beyonce, Nth Power) on drums, cymbals, and vocals. Punkadelick’s latest album, Inflorescence, is an expansive 10-track collection, focused and fearless, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament, and the 'anything fits' outsider ethos of acid-fried punks like The Meat Puppets. In this episode host Michael Shields and Mike Dillon discuss the genesis of Punkadelick and what it’s like creating music with phenomenal talents such as Brian Haas and Nikki Glaspie. They discuss the botanical influence behind the album’s title, life on the road amid their current tour, the forthcoming tour with Les Claypool and The Fearless Flying Frog Brigade, and so much more.



More Episodes

3/1/2023

Episode 158: Sentenced with Connor Martin & Tony Kriz

This episode of Across The Margin: The Podcast features an interview with Director Connor Martin and Executive Producer Tony Kriz, part of the team behind the eye-opening new documentary Sentenced. Each year millions of kids are sentenced to a future they don’t deserve because of their inability to read, and Sentenced shines a bright light on this devastating problem. The motivation behind the film is simple — over 43 million Americans can't read well enough to get a job and support a family. The film posits there are actually no illiterate children, just children who haven't learned to read yet. Sentenced exposes this tragic reality and presents a solution for overcoming failing systems and preventing kids from disappearing into society's margins. Filmed from the point of view of ethnically diverse adults and children who have never learned to read, Sentenced is a powerful yet tender tale of how literacy can free children from the cycles of generational poverty. In this episode host Michael Shields, Connor Martin, and Tony Kriz discuss the staggering number of adults in the United States who score low in literacy while considering the small window of time that children are afforded the opportunity to learn how to read. They discuss the role of a parent or adult in learning to read and write, how experiencing trauma early in life affects a child’s ability to process information, how illiteracy is passed down through generations in families, and so much more.
2/23/2023

Episode 157: To Pimp A Butterfly with Sequoia Maner

This episode of Across The Margin: The Podcast presents an interview with Sequoia Maner, Assistant Professor of English at Spelman College. She is author of the poetry collection Little Girl Blue (2021) and co-editor of the book Revisiting the Elegy in the Black Lives Matter Era (2020). Her poem “upon reading the autopsy of Sandra Bland” was a finalist for the 2017 Gwendolyn Brooks Poetry Prize. Her essays, poems, and reviews can be found in venues such as Meridians, Obsidian, The Langston Hughes Review, The Feminist Wire, Auburn Avenue, and elsewhere. Sequoia is also the author of the 33 ⅓ book dedicated to Kendrick Lamar’s seminal album To Pimp a Butterfly, which is the focus of this episode. Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar's sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard's W. E. B. Du Bois archive. Sequoia’s book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the Black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly's expansive sonic and lyrical geography brings a high level of innovation to rap music. Kendrick's introspective and philosophical songs found on this brilliant work of art launched him into another stratosphere of stardom and influence. In this episode, host Michael Shields and Sequoia Maner explore how a trip to South Africa, and the great Tupac Shakur, inspired the themes and soundscapes of To Pimp a Butterfly. They discuss the impact the empowering track “Alright” had on the protest movement and Black Lives Matter, the collaborative effort it took to bring such a complex album to life, and so much more.Grab a copy of Sequoia Maner’s To Pimp a Butterfly 33 ⅓ here! 
2/16/2023

Episode 156: The First Step with Louis L. Reed & Brandon Kramer

This episode of Across The Margin: The Podcast features an interview with Louis L. Reed who organized a national grassroots network of reform activists after serving fourteen years in federal prison, and Brandon Kramer, a Washington, DC-based filmmaker and co-founder of Meridian Hill Pictures. Brandon directed City of Trees. and the Webby Award-winning independent documentary series The Messy Truth. Brandon won Best Director at the 2016 Chesapeake Film Festival and Indie Capital Awards, received the Audience Choice Award at the 2015 American Conservation Film Festival and was a 2015 DC Commission on the Arts & Humanities Individual Arts Fellow. He has directed over 30 short documentaries commissioned by public agencies and nonprofits including AARP and US Institute of Peace. Before starting Meridian Hill Pictures, Brandon served as a teaching artist for the John F. Kennedy Center’s national media education program. Brandon’s latest documentary, The First Step, finds activist and famed CNN correspondent Van Jones, in a divided American, controversially working across party lines on landmark criminal justice reform and a more humane response to America's addiction crisis. Attempting to be a bridge builder in a time of extreme polarization takes him deep into the inner workings of a divisive administration, internal debates within both parties, and the lives of frontline activists fighting for their communities. Facing fierce opposition from both political parties in a climate where bipartisanship has become a dirty word, Jones and his team enlist the support of justice-impacted individuals, faith leaders, grassroots activists and cultural figures — including Kim Kardashian — to pass legislation that would fix some broken aspects of the justice system and bring thousands of incarcerated people home early. The bill’s champions immediately find themselves navigating a high-stakes game of political chess in Washington, D.C. Their quest brings them face-to-face with progressive champions like Congressman Hakeem Jeffries, U.S. Senators Kamala Harris and Bernie Sanders, as well as conservative figures like U.S. Senator Rand Paul, Kellyanne Conway, Jared Kushner — and ultimately, Donald Trump himself. While trying to pass a bipartisan bill through a deeply polarized Congress, Jones is condemned by the right for his progressive beliefs — and by the left for working with conservatives. The film reveals an intimate portrait of an activist’s isolation and internal struggles, what it takes to make change in a divided nation, and everyday people in both political parties drawn into a historic fight for freedom and justice.The First Step is screening this weekend (2.17.23) at The Justice Film Festival. The Justice Film Festival is the premier showcase for films that shine a light on social justice and affirm the dignity of all people. Learn more about the Justice Film Festival here, including showtimes and schedule of all events.