Across the Margin: The Podcast

This episode of Across The Margin : The Podcast features an interview with acclaimed violinist and composer Jenny Scheinman. Scheinman has produced several critically acclaimed solo albums, including 12 Songs, named one of the Top Ten Albums of 2005 by The New York Times. She has played with Norah Jones, Nels Cline, Lou Reed, Ani Difranco, Aretha Franklin, Lucinda Williams, Bono, Bill Frisell, and Allison Miller. For years, Scheinman nursed the idea of a musical homage to Humboldt, in particular the area known as the Lost Coast, a remote, earthquake and mudslide-prone region of coastal northern California, where she was raised. She considered the project from many angles. That idea has come to fruition in the form of her latest album entitled All Species Parade, the focus of this episode. All Species Parade is an epic and sprawling double album with an A-list ensemble, featuring guitarists Bill Frisell, Julian Lage and Nels Cline, pianist Carmen Staaf, bassist Tony Scherr and drummer Kenny Wollesen. Though the album does evoke a sense of pastoral wonder, it also strives to capture in Jenny’s words, “a charged relationship to nature, a feeling of being part of something bigger than ourselves, powerful, and fragile, and constantly changing. Something alive. With All Species Parade, I set out to musically reflect that experience of awe.” In this episode host Michael Shields and Jenny Scheinman discuss how nature, and a personal musical challenge of Jenny’s regarding song length and breadth, inspired the soundscapes found on All Species Parade. They talk about the outstanding grouping of players on the album, how Jenny paid tribute to the Wiyot Tribe with the song “Jaroujiji,” what the true meaning of the song “Shutdown Stomp” actually is, and so much more.

This episode of Across The Margin : The Podcast features an interview with director James Kicklighter and political analyst / producer Guy Tal Seemann. Kicklighter spent the first eighteen years of his life in Bellville, Georgia, population 123. Since then, he has gone on to become an award-winning director and producer of narrative films, documentaries, and advertising. His latest film, The American Question — the focus of this episode — seeks to answer the pressing question: can America rediscover its unifying values and restore trust among its people? The captivating documentary is narrated by political analyst Guy Tal Seemann who has worked in government and campaigns since the age of 16. He is an entrepreneur and community leader. He was a political journalist for a year and a half and worked in the U.S. Senate as an aid. He worked on Middle East national security strategy while in the Israeli government and most recently became an entrepreneur by developing his own startup company in drug discovery and a nonprofit in the performing arts.Examining the heart of a divided America, The American Question explores the historical and contemporary factors that have eroded our trust in our neighbors, communities, institutions, and government. The film takes viewers on a journey from historical empires to pivotal moments in modern America, through an independent team’s eight-year mission to discover the forces that shaped our now divided society. The film shares personal stories from diverse Americans in swing state communities in Pennsylvania and Michigan, and analysis from leading political scientists and historians. The American Question uncovers how economic shifts like globalization and the atrophy of local communities have fragmented the national identity. In this episode host Michael Shields, James Kicklighter, and Guy Tal Seemann discuss a bevy of factors that have led to the political division that is viscerally felt in America today. James and Guy expound on what they learned in the eight years they spent talking to people on both sides of the political divide in crucial swing states while offering thoughts on potential solutions that can begin to heal a divided America, and so much more.Streaming everywhere on October 29th. Find it Here!

This episode of Across The Margin : The Podcast features an interview with Subhadra Das who specializes in the history and philosophy of science, particularly the history of scientific racism and eugenics, and what those histories mean for our lives today. For nine years, she was Curator of the Science Collections at University College London where she was also Researcher in Critical Eugenics at the Sarah Parker Remond Centre for the Study of Racism and Racialisation. Her debut novel, UNCIVILISED : Ten Lies That Made The West, is the focus of this episode. Western civilisation is a powerful brand, and full of accepted wisdoms that we rarely question. Taking cues from Greek philosophy and honed in the Enlightenment, certain notions about humanity and society grew into the tenets many of us still live by today. But if we take a closer look at these ideas, it seems they are not all they're cracked up to be. In fact, some of them are outright lies — and we can start to ask who really benefits from them. What is the value of a scientific worldview that conjured up ‘race’? Are the Western concepts of ‘saving’ and ‘wasting’ time really the best ways to live? Who are our laws actually designed to serve? And the real question: is the West as civilized as it likes to think it is? In an age of division and entrenched inequality, UNCIVILISED is a timely, provocative and entertaining counter to the ideas and assumptions that have shaped the West, exposing the fatal flaws at its core. In this episode host Michael Shields and Subhadra Das discuss Subhadra’s work with museum collections, as well as her background growing up in Abu Dhabi, which have both informed her worldview and the stories told throughout UNCIVILISED. They dig into a few of the lies that embolden the West such as ‘Knowledge is Power’, ‘Justice is Blind’, and ‘Time is Money” while also celebrating cultures (Blackfoot Nation / First Australians) that Westerners could learn a great deal from, and so much more.Grab a copy of UNCIVILISED : Ten Lies That Made The West here!

This episode of Across The Margin : The Podcast presents an interview with New York City based musician Mike Horn, who helms the experimental folk project Seawind of Battery. Seawind just released their second album, a mesmerizing work full of gorgeous ambient and drowning soundscapes that is called East Coast Cosmic Dreamscaper. While Seawind of Battery is just a few years young, it is not Mike's first musical project. In 2017, Mike launched his indie folk solo project Goldkey, which released several impressive EP's — Background and escapes. His other musical collaborations include Static Traveler (with Eric Lense) and the psychedelic experimental rock project Sunblinders (with Eric Lense and Jeff Saltzburg). We are also thrilled to feature Jarrod Annis in this episode, a tremendous lap-steel guitar player who became an official Seawind member after he started backing Mike up at live appearances back in late ’22. In this episode host Michael Shields, Mike Horn, and Jarrod Annis discuss the evolving sound of Seawind of Battery as they wade into their sophomore release while considering the songwriting process for the songs on the album often derived from live improvisational moments. They discuss Mike and Jarrod’s shared influences and life events that have led to the birth of the project’s unique, soothing instrumental sound, and so much more.

This episode of Across The Margin : The Podcast presents an interview with singer / songwriter Irena Eide who goes by the stagename Rainy Eyes. A Norway Native now based in Southern Louisiana, Rainy has recently released her second album entitled Lonesome Highway, a soulful, vulnerable, and beautiful work of art that is the focus of this episode. Lonesome Highway, as the story goes, was born out of revelry and resolution in a redwood cabin tucked into the California coast, endowed with a spirit simmering in wanderlust, and ornamented with the rich traditions of the Louisiana bayou. The 11 songs that comprise the album are brimming with perseverance and perspective, written as Rainy reflected on the juxtaposition of her circumstances. As she basked in the joy of motherhood, she was simultaneously confronting a troubled relationship that had turned toxic. Lonesome Highway marks a hope-filled and assertive new beginning for Rainy Eyes, as electric guitar and drums now join fiddle and banjo. In this episode host Michael Shields and Rainy Eyes discuss Rainy’s musical and geographic journey from Norway to California to Louisiana while exploring the musical influences she acquired along the way. They dig into the ins-and-outs of her new album, exploring the weighty and relatable themes present within it, while also celebrating the collection of 70 original folk songs for children entitled Little Folkies she recently released…and so, so much more.

This episode of Across The Margin : The Podcast presents an interview with Alan Swyer, an award-winning filmmaker whose recent documentaries have dealt with Eastern spirituality in the Western world, the criminal justice system, diabetes, boxing, singer Billy Vera, and beyond. In the realm of music, among his productions is an album of Ray Charles love songs. His novel The Beard was recently published by Harvard Square Editions. His latest documentary, When Houston Had The Blues — the focus of this episode — shines a bright light on a vibrant Black music scene that has never gotten its just due…until now. Houston’s early and indelible mark on American music and the blues — often overlooked despite its rich history — is celebrated in the soulful, feature-length documentary, When Houston Had the Blues. While Houston may not come to most people’s minds as a major “music city” like Memphis, Chicago or New Orleans, it has a legacy that few other cities can match. Years before Elvis hit the charts with “Hound Dog,” it was originally recorded by Houston’s Big Mama Thornton (arguably the defining version). And long before Motown, Houston was home to one of the most successful Black music empires in the country. When Houston Had the Blues features an extensive collection of photos from the ’40s and ‘50s and vintage/contemporary performances by Bobby “Blue” Bland, Chic “Juke Boy” Bonner, Charles Brown, Clarence “Gatemouth” Brown, Jewel Brown, C.J. Chenier, Arnett Cobb, Albert Collins, Diunna Greenleaf, Lightnin’ Hopkins, Albert King, Freddie King, Trudy Lynn, David “Guitar Shorty” Kearney, Willie Mae “Big Mama” Thornton, Katie Webster aka The Swamp Boogie Queen, Don Wilkerson and more. With a unique timber and flavor unlike any other town in America, even other Texan cities, Houston’s blues scene — ranging from “gut bucket” to highly sophisticated — has long been a melting pot of music, influenced by salsa, tejano, cajun, zydeco (then known as la-la), jazz, country and, later, rock ‘n’ roll. Stream Houston Had The Blues on iTunes / Apple TV.  

This episode of Across The Margin : The Podcast features an interview with Dr. Genevieve Guenther, a former Renaissance scholar who turned to climate research and activism after having a child and becoming increasingly alarmed about the world her son could inherit after she died. Now an expert in climate communication, Dr. Guenther is the founding director of End Climate Silence. At End Climate Silence she directs strategy and outreach, helping journalists explain the links between global warming and extreme weather, headline the urgent findings of climate science, and foreground the role of climate breakdown in news about politics, energy, business and finance, immigration, real estate, health, travel, food, and even the arts. She is affiliate faculty at The New School, where she sits on the board of the Tishman Environment and Design Center. Dr. Guenther advises NGOs, corporations, and policymakers on fossil-fuel disinformation and climate communication, and she serves as Expert Reviewer for the United Nations Intergovernmental Panel on Climate Change. Her recently released book, The Language of Climate Politics, is the focus of this episode. A groundbreaking investigation into the propaganda justifying the fossil-fuel economy, The Language of Climate Politics offers readers powerful new ways to talk about the climate crisis that will help create transformative change. In an illuminating analysis, Dr. Guenther shows that the climate debate is not, in fact, neatly polarized, with Republicans obstructing climate action and Democrats advancing climate solutions. Partisans on the right and the left often repeat the same fossil-fuel talking points, and this repetition produces a centrist consensus upholding the status quo, even as global heating accelerates. Ultimately, The Language of Climate Politics is an inspiring call to arms, a book that equips readers with powerful new terms that will enable them to fight more effectively for a livable future.Grab a copy of The Language of Climate Politics here, and follow Dr. Genevieve Guenther on Twitter here! 

This episode of Across The Margin : The Podcast features an interview with Brooklyn-based singer/songwriter Leslie Mendelson. Modeling her music after such '70s icons as Carole King and Joni Mitchell, Leslie Mendelson began making waves in 2009 with her debut Grammy-nominated album Swan Feathers, which was followed by two outstanding offerings, 2017’s Love & Murder and 2020’s If You Can’t Say Anything Nice. Just last month Leslie released her fourth studio album — the focus of this interview — an outstanding collection of tracks entitled After The Party (Royal Potato Family). For this latest effort, she collaborates with not one, but three producers: the legendary Peter Asher (James Taylor, Linda Ronstadt, Bonnie Raitt), the young, in-demand Tyler Chester (Madison Cunningham, Sara Bareilles, Sara Watkins) and her longtime songwriting partner, three-time Grammy Award-winner, Steve McEwan. Recorded at Jackson Browne’s studio Groove Masters in Santa Monica, CA, she was joined by an ace band featuring guitarists Waddy Wachtel and John Jorgenson, bassists Leland Sklar and Derrick Anderson, and drummers Jim Keltner and Abe Rounds. Throughout After The Party’s ten tracks, Leslie crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now. There’s a refreshing realness and effortless musicality that feels both nostalgic and new throughout After The Party.  In this episode host Michael Shields and Leslie Mendelson talk about how Leslie’s recent album’s title was inspired by Andy Warhol’s still life of the same name while recounting the compelling story how she came to working with famed producer Peter Asher on the album and recording in Jackson Browne’s Groove Masters Studio. They discuss the remarkable band that backed Leslie for After The Party, the diverse and introspective themes found throughout the album, what life on the road is like for Leslie currently, and so much more.