Face 2 Face with David Peck

Social Change Consultant, Innovator and Thought Leader

The podcast, “Face 2 Face”, hosted by social change consultant David Peck, is featured on iTunes and where he interviews guests and talks about change, social innovation and making a difference. His guests have
Latest Episode3/31/2020

Episode 496 - Jonathan Jakubowicz - Resistance

Ep. 496
Jonathan Jakubowicz and Face2Face host David Peck talk about his new film Resistance that stars Ed Harris, Jesse Eisenberg and Clémence Poésy. They talk about inspiration and why artists create, responsibility and pushing back, connecting with an audience, Marcel Marceau, the art of silence and making the invisible visible.TrailerWatch it on iTunes and Amazon PrimeSynopsis:All Marcel Marceau (Jesse Eisenberg) wants is a life for the arts. Working at his father’s butcher shop during the day, the talented mime tries to make his dream come true on the city’s small stages and to win the affections of politically active Emma (Clémence Poésy).To please her, Marcel agrees to join a dangerous mission that will change the course of his life forever: they want to save 123 Jewish orphans from the grasp of the German Nazis and the ruthless Obersturmführer of the SS Klaus Barbie (Matthias Schweighöfer) and take them across the border to Switzerland.Together with Emma, Marcel joins the French resistance to stand firmly against the atrocities of World War II.His art will prove the greatest weapon against the horrors of war.About the Director:Venezuela's most celebrated filmmaker and writer, whose film Secuestro Express was nominated for Best Foreign Language Film at the British Independent Film Awards and was a New York Times Critics Pick in 2005.In 2005 Secuestro Express became Venezuela’s highest-grossing film, eclipsing such movies as Titanic and The Passion of the Christ. It became the first Venezuelan movie to be acquired by a major US distributor - Miramax.Jonathan’s first film passion was Distance is a poignant short film about a woman's mysterious past unfolding during an unexpected trip to Holland in the aftermath of the terrorist attacks. Distance screened at the World Film Festival of Montreal, New York Independent Film Festival and Palm Springs Short Film Festival, amongst others.In addition, Jakubowicz wrote and directed, SHIPS OF HOPE, a documentary recounting the journey of refugee Jews on a ship fleeing the European Nazi Regime to Venezuela. It screened at the Director's Guild of America's Angelus Awards, and the Havana Film Festival. The documentary went on to win; Best Documentary at the Premios a la Calidad de Cenac (Venezulelan Oscars).His second film, Hands of Stone about the relationship between Panamanian boxer Roberto Durán (played by Edgar Ramírez) and his trainer Ray Arcel (played by Robert De Niro) premiered in the Cannes Film Festival 2016 and was warmly received with a 15 minute standing ovation. It's the first Latin movie to have a simultaneous wide release in all of Latin America.His latest film, Resistance, stars Academy Award nominated actors Jesse Eisenberg, Ed Harris, Clémence Poésy and Edgar Ramírez. The film was shot at the end of 2018 and it tells the story of how a group of Boys and Girls Scouts created a network that ended up saving ten thousand orphans during World War II. One of them went on to become the greatest mime of all time, Marcel Marceau.Jakubowicz is Polish Jewish Descendant. Has a BA in Communications from the Universidad Central de Venezuela.Image Copyright: Pantaleon films. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.

Episode 495 - Hockey Mom - Teyama Alkamli & Andrew Moir

Ep. 495
Teyama Alkamli and Andrew Moir and Face2Face host David Peck talk about their new film Hockey Mom, Syria, motherhood and refugees, new Canadians, survival jobs, and something called the newcomer kitchen .TrailerWatch it here.Synopsis:HockeyMomis an intimate, character-driven film that follows a single Syrian mother and her young son rebuilding their life in Toronto with the support of Canada’s private refugee sponsorship program.When the Syrian war tore her life apart, Fatma bravely seized the opportunity to build a new life for herself on her own terms. Twenty days after she arrived in Toronto from a refugee camp, Fatma fulfilled a years-long wish: she left her husband.For the past two years, Fatma and her son, Majed, have been living with their sponsors on Vermont Avenue, a friendly street in Toronto.On the surface, their new life in Canada seems fine, but Majed hasn’t made friends and is routinely suspended from school for unruly behaviour. She decides that a change of address might be the solution to his problems. Determined to provide Majed with everything he needs, Fatma finds an apartment in a nearby suburb.But the move makes matters worse and Fatma encounters obstacles every step of the way.Majed’s school suspensions continue, leaving Fatma with no time to look for a job. When the sponsors tell her that their financial support will soon run out, and with no job prospects in sight, she feels like a failure. Nowhere left to turn, Fatma digs deep to take ownership of her choices and finds the courage to face them.HOCKEYMOMis more than just a story about a Syrian mother trying to make a new life with her son; it’s a story about a brave woman learning to trust herself.About the Directors:Teyama Alkamli was born in Aleppo and raised in Dubai,Teyama Alkamliis currently a proud Torontonian. Her visually tender and deeply human films deal predominantly with issues of identity, sexuality, displacement and migration. Alkamli’s short films have screened at festivals worldwide, including Doclisboa and FECIBogotá.She is an alumna of DocNomads, the European Mobile Film School, Hot Docs Emerging Filmmaker Lab, and the Canadian Film Centre's Director Lab.HockeyMomis her first mid-length documentary.She is currently developing her narrative feature debut,My Name is Jala.Andrew Moir’s documentaries leave you thinking long after watching them. The intricate maneuvers he manages while integrating himself into each subject's life, often spanning years, is remarkable.Working with small crews or often alone, audiences have been truly touched by Andrew’s films. He has seen great success at film festivals where four of his short films premiered at Hot Docs Canadian Documentary Film Festival.Other festivals who have featured his films include Sheffield Doc/Fest, AFI Fest, and DOC NYC. His production company, Hands Up Films, produces his docs and he is currently working on his first feature-length film,Bedside Bride, which will be released in 2020.Image Copyright: CBC. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.

Episode 494 - Karim Sayad - My English Cousin

Ep. 494
Karim Sayad and Face2Face host David Peck talk about his new and intimate film My English Cousin, the myth of Sisyphus, international relations, feeling at home and finding beauty in simple stories.TrailerSynopsis:This keenly observed documentary by Karim Sayad follows the director's cousin, Fahed, who left Algeria for England in 2001 and, now, contemplates returning to his place of birth. In 2001, Fahed left Algeria for England, settling in, of all places, Grimsby. Nearly two decades later, after marrying, working two jobs to pay the bills, and picking up a distinct Northern English accent, Fahed decides he wants to go back to his place of birth. But while his address in Algeria has remained fixed, the concept of home, he soon finds, is far more fluid. Trapped between two countries, Fahed is also between two cultures: one he's worked to assimilate into and one he nostalgically longs for but can't, in reality, face.Shot with a keen eye that observes the smallest of details, director Karim Sayad's documentary unfolds in textures. From Fahed's Ramadan preparations for his flatmates (in whose hands cans of beer are basically a constant fixture), to family members in Algeria questioning Fahed about his marriage plans, Sayad captures the loneliness that trails his real-life cousin no matter where he goes.(With thanks to TIFF and Kiva Reardon)About the Director:Karim Sayad was born in Lausanne, Switzerland, and holds a master's degree in international relations from Geneva's Graduate Institute of International and Development Studies. He has directed the short filmBabor Casanova. His debut feature documentarywas Of Sheep and Men.My English Cousinis his latest film.Image Copyright: Karim Sayad and Close Up Films. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.

Episode 493 - Alanis Obomsawin - The Messenger

Ep. 493
Alanis Obomsawin and Face2Face host David Peck talk about reconciliation, leaving a legacy, Jordan’s Principles, passion, commitment, advocacy, fighting back and why every child matters.TrailerMore Info HereSynopsis:It took one little boy, Jordan River Anderson, to ensure that thousands of First Nations and Inuit children can today receivethe same standard of social, health and education servicesas the rest of the Canadian population. InJordan River Anderson, The Messenger,Alanis Obomsawin’s latest film (her 52nd), the renowned documentary filmmaker chronicles the long legal fight against a health care system that operated on two disconnected levels, causing injustices and suffering—a situation that has since been significantly improved.The Abenaki filmmaker traces the parallels between the lives of two First Nations children, Jordan River Anderson and Noah Buffalo-Jackson.A member of the Norway House Cree Nation of Manitoba, Jordan River Anderson had very serious health problems, for which he was being treated at a Winnipeg hospital. He could have ended his life in adapted housing close to his family, but because of his Indian status a dispute arose between the governments of Canada and Manitoba over who should pay the costs of his relocation to home-based care. Jordan died in hospital in 2005. Jordan’s Principle, which states that the first government agency to be contacted is the one responsible for this phase of a child’s care, was unanimously adopted by the House of Commons in 2007, and a ruling by the Canadian Human Rights Tribunal resolved the issue of jurisdiction.Many people and organizations worked hard for this outcome, but despite the judgment and the funding that was allocated for Jordan’s Principle, many First Nations and Inuit parents are still faced with a refusal of social, health and educational services. For example, when Carolyn Buffalo and Richard Jackson needed specialized transportation for their teenage son, Noah Buffalo-Jackson, who suffers from cerebral palsy, they had to pay for it themselves. Similarly, the First Nation of Wapakeka in Ontario appealed for assistance in combating a wave of suicides in their community, but received no help. “We hear a lot about universal health care in Canada,” says Aimée Craft, a law professor at the University of Ottawa who is interviewed in the film, “but why is it universal for everyone except First Nations children?”Numerous binding government orders and the goodwill of several Canadian government officials, both Indigenous and non-Indigenous, were required before First Nations and Inuit parents and children were finally able to enjoy appropriate support. “The law is a shield that protects this generation of children,” observes Cindy Blackstock, director general of the First Nations Child and Family Caring Society, and one of the protagonists of the documentary. “It restores their dignity, and allows them to grow up within their own families. Justice is possible.”Filmed in centres of political power, in First Nations communities, and at public demonstrations,Jordan River Anderson, The Messengerprovides a forum in which the voices of parents, caregivers, and their legal representatives can all be heard. Alanis Obomsawin’s latest documentary completes, on a note of optimism, the cycle of films devoted to the rights of children and Indigenous peoples that she began withThe People of the Kattawapiskak River.About the Director:Alanis Obomsawin, a member of the Abenaki Nation, is one of Canada’s most distinguished documentary filmmakers. As a prolific director with the National Film Board, she has created an extensive body or work focusing on the lives and concerns of Canada’s First Nations.She began her professional career in 1960 as a singer in New York City. In 1967, producers Joe Koenig and Bob Verrall invited her to join the NFB as an adviser on a film about Indigenous peoples. She has not put down her camera since.An activist as well as a filmmaker, Obomsawin is driven to provide a forum for the country’s First Peoples. Her entire filmography is a testament to that desire. Her documentaries have always sought to show the importance of roots and strong intergenerational bonds for the preservation of Indigenous cultures—fromChristmas at Moose Factory(1971), in which she used children’s drawings to tell the story of a Cree village on the shore of James Bay, Ontario, toJordan River Anderson, The Messenger(2019), her most recent film (her 52nd), which documents the long struggle to establish the right of Indigenous children to receive, in their own communities, the same high standard of health care as the rest of the Canadian population.Obomsawin is a director who knows how to film conflict, as demonstrated by her four films about the Oka Crisis of 1990:Kanehsatake: 270Years of Resistance(1993), winner of 18 international awards;My Name Is Kahentiiosta(1995);Spudwrench: Kahnawake Man(1997); andRocks at Whiskey Trench(2000).Alanis Obomsawin has received numerous awards and honours throughout her career. She was inducted into the Canadian Film and Television Hall of Fame in 2010, and in 2014 she received the Academy of Canadian Cinema and Television Humanitarian Award, an honour given in recognition of exceptional contributions to the community and the public sector. In 2015, the Valdivia International Film Festival (Chile) recognized her body of work with its Lifetime Achievement Award, and she received an Honorary Life Member Award from the Directors’ Guild of Canada in 2018.Obomsawin has received honorary doctorates from many universities, including Dalhousie University in 2016 and McGill University in 2017. In 2016, she also received two of the highest civilian honours conferred by the Province of Quebec when she was named a Grand Officer of the National Order of Quebec and awarded the Prix Albert-Tessier.In 2019, she became a Companion of the Order of Canada.Image Copyright: Alanis Obomsawin and NFB. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.

Episode 492 - Barbara Kopple and Desert One

Ep. 492
Barbara Kopple and Face2Face host David Peck talk about curiosity, politics and historical unknowns, rich and complex stories, the magic of people, being better informed and why she’s always been a good listener.Synopsis:It has been called “the most audacious, difficult, complicated, rescue mission ever attempted.” Desert One uniquely blends emotion and bravado to tell the incredible tale of America’s secret mission to free the hostages of the 1979 Iranian revolution. Two-time Academy Award-winning filmmaker Barbara Kopple discovers a wealth of unearthed archival sources and receives unprecedented access, engaging in intimate conversations with many of the soldiers closest to the story, some for the first time, as well as President Jimmy Carter, Vice President Walter Mondale and TV newsman Ted Koppel.Evocative new animation brings audiences closer than anyone has ever gotten to being on the inside for this history-making operation. This is the thrilling story of a group of Americans working together to overcome the most difficult problem of their lives. Among those Americans is President Jimmy Carter, readying to face a re-election challenge when self-described student revolutionaries suddenly take power in Iran. Anti-American students take the U.S. embassy in Tehran by force and hold hostage fifty-two American diplomats and citizens.Using new archival sources and unprecedented access to key players on both sides, master documentarian Barbara Kopple reveals the true story behind one of the most daring rescues in modern US history: a secret mission to free hostages captured during the 1979 Iranian revolution.At a moment when tensions once again rise between the governments of Iran and the U.S., old wounds remain painfully current for many on each side who detail their recollections in Desert One -- but talk of hope also emerges, that the lessons of the past might finally guide us to a better future.About the Director:Barbara Kopple is a two-time Academy Award® winning filmmaker. A director of documentaries, as well as narrative TV and film, one of her more recent projects was the documentaryRunning From Crazy, which explores the life of actress Mariel Hemingway.Barbara produced and directedHarlan County USAandAmerican Dream, both winners of the Academy Award® for Best Documentary Feature. In 1991,Harlan County USAwas named to the National Film Registry by the Librarian of Congress and designated an American Film Classic.Harlan County USAwas restored and preserved by the Women's Preservation Fund and the Academy Film Archive, and was featured as part of the Sundance Collection at the Sundance Film Festival in 2005. The Criterion Collection released a DVD ofHarlan County USAin 2006.Barbara has been awarded the Human Rights Watch Film Festival Irene Diamond Award, Los Angeles Film Critics Award, National Society of Film Critics Award, the SilverDocs/Charles Guggenheim Award, New York Women in Film & Television Muse Award, the Maya Deren Independent Film and Video Award, the Woodstock Film Festival Maverick Award, Women in Film & Video of Washington, DC Women of Vision Award, the White House Project's EPIC Award, the International Documentary Association Career Achievement Award, the San Francisco Film Society's Persistence of Vision Award and the Sundance Film Festival Grand Jury Prize, Filmmakers Trophy & Audience Award. The Paley Center for Media has named Barbara a 2007 She Made It Honoree. She recently served her tenth year on the board of trustees for the American Film Institute and continues as an advisory board member for the American University Center for Social Media and Independent Feature Project's Filmmaker Labs. In 2010, Barbara received an honorary Doctor of Humane Letters from American University. She is a member of the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the Director's Guild of America, New York Women in Film and Television’s Honorary Board, the British Academy of Film and Television Arts, and actively participates in organizations that address social issues and support independent filmmaking.Image Copyright: Barbara Kopple and Cabin Creek Films. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.

Episode 491 - Peter Tabuns & Mark Johnston - Political Blind Date

Ep. 491
Peter Tabuns, Mark Johnston and Face2Face host David Peck talk about politics, the art of conversation, logic and passion, hydro rates, climate change and the environment and finding common ground. For more info about the series head here.Synopsis:Many politicians, from all levels of government, will admit that they never have time to sit down and meet one-on-one. Wouldn’t it be great if they had the opportunity to explore each other’s personal perspectives, motivations, histories and hopes for the future, while at the same time immersing themselves in an issue they disagree on? Political Blind Date is not just playing matchmaker for fun. In an age of polarizing partisan politics, public distrust, “fake news” and questionable behavior, it’s worth the effort to get politicians to connect on a human level, to see if they can make unexpected alliances over issues they disagree on - and who knows, maybe even work together for common good!A typical date starts out with an opportunity to get to know each other before heading out to explore the issue of the day. Sharing a coffee together for the first time, they get to know something about why each of them got into politics, their family history, some of their personal interests and their connection to the issue. Just like any date, finding out about another person humanizes them, not just for the each other, but for the audience as well. They then go out to explore each other’s point of view – each having a full day to bring their perspective and viewpoints to life.This works on the fairest terms. Each participant chooses where they will take the other and keeps it a secret. By spending a day discovering the places and people associated with important issues, politicians who stand on opposing sides of an issue get to know someone they wouldn’t otherwise choose to spend time with. The series has a healthy dose of light-hearted fun in between the heated exchanges, as our participants get to know each other. As in “real” life, it is much harder to stick to an entrenched position when you get to know the person on the other “side”!About the Guests: Peter Tabuns has been the Toronto-Danforth MPP for over decade, winning re-elections four times Peter has been at the forefront of change and new ideas.He is currently the Ontario New Democrat’s critic for Climate Crisis and Energy. Informed by his former roles as Greenpeace Canada’s Executive Director, and later Jack Layton's climate change advisor. Peter continues to push for Ontario to lead in meeting international climate goals.Peter also served seven years as a City Councillor in Toronto where among other positions he chaired the Board of Health.Mark Johnston is the founder of Nomad Films. More than thirty years in the documentary business, Mark has worked in a producer or director capacity on over sixty films. Mark has more recently begun producing dramatic films, beginning with Act of Dishonour. Upcoming dramas include In the Shadow of a Saint (with Djimon Hounsou playing the late activist Ken Saro-Wiwa).He began his television career with the Canadian Broadcasting Corporation’s nightly newscast, The National. He was one of the first team members on Millennium: Tribal Wisdom and the Modern World, a massive ten-hour PBS/BBC/Global Television documentary series filmed in fifteen countries around the world. Most recently Mark Executive Produced TVO Original Much Too Young, a documentary for TVO and Knowledge Network about the teen and young adult children of parents with young onset Alzheimer’s. Mark has worked for partners as diverse as the BBC, ARTE France, Discovery, National Geographic, PBS, the CBC, as well as a plethora of other media outlets. Image Copyright: Nomad Films and TVO. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. For more information about David Peck’s podcasting, writing and public speaking please visit his site here. With thanks to Josh Snethlage and Mixed Media Sound.

Episode 490 - Brad Jersak

Ep. 490
Brad Jersak and Face2Face host David Peck talk about religiosity, alienation and separation, the truth of our beings, faith and doubt statements, following a ‘script’ versus leading a life of love, reality, truth and justice.For more info about Brad head here.Check out his blog here.About Brad:By now, most of his social networks and some of his readership have heard of his move into the Eastern Orthodox Church. He was ‘chrismated’ at the end of June, 2013 and tonsured as a ‘reader’ for the All Saints Monastery in Dewdney in October. You might wonder why he - an evangelical/charismatic/Anabaptist - would don a cassock and take up incense and chanting. If you’re curious, here’s the short version.Brad Jersak is an author and itinerant teacher based in Abbotsford, BC Canada. He is the Dean of Ministry Studies at St. Stephen's University where he teaches New Testament/Theology, Patristics and some philosophy. He also teaches on the core faculty with the Institute for Religion Peace and Justice. He also serves as an editor and graphic designer for CWR magazine.Brad is a preacher and reader at All Saints of N.A. Orthodox Monastery in Dewdney, BC and is active in local 12-step addiction recovery.Brad writes across genres, including Christian theology and practice, children's books and political philosophy.Image Copyright: Brad Jersak. Used with permission.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck’s podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound.