Share
Writers on Film
Mark Searby on the Deliriously Funny Eddie Murphy
As one of the world’s most dynamic and recognised celebrity icons, Eddie Murphy has been present in comedy and music for the last five decades and has dominated our big screens since his debut feature film, action comedy, 48hrs. some forty years ago. Delivered from a never-seen-before viewpoint, ‘Eddie Murphy; Deliriously Funny’ is an immersive account of Murphy’s entire comedy genius that spans the highs and lows of his career, touching on his childhood, exploring his influences, his stand-up comedy roots, music and film. From the author of ‘Rik Mayall: Comedy Genius’ and ‘Al Pacino: The Movies Behind The Man’, Mark Searby intricately unravels the golden thread of comedy that has weaved through the fabric of Murphy’s life and career, in both film and music, and exposes the deeper catalysts behind it.
Taking us on a profound journey that outlines Murphy’s life, Searby creates an honest account that is charged with the excitement, frustration, confidence and fearlessness that Murphy has experienced and delivered throughout his work. Documenting the incredible highs, and the equally spectacular lows, ‘Eddie Murphy; Deliriously Funny’ includes exclusive interviews and quotes from those that have worked closest to him. Highlighting his breakthrough on mainstream TV via Saturday Night Live, through to multimillion-dollar box office smashes of his most famed and successful films; 48 Hrs., Beverly Hills Cop, Coming To America, Harlem Nights, Boomerang, The Nutty Professor, Shrek, Dreamgirls, Norbit and Dr. Dolittle, Searby also delves in to the career flops that span comedy sketches and numerous big screen films, and ultimately how Murphy used them on one of the most amazing rides through Hollywood.
Packed with excerpts and interviews with the likes of Reginald Hudlin (Boomerang), Katt Williams (Norbit), Keith Robinson (Dreamgirls), David Patrick Kelly (48 Hrs.), Steven Berkoff (Beverly Hills Cop) and more, not only does the book celebrate Murphy’s career but it also gives insight to the person behind it. Featured heavily throughout the book are the deeper topics that have ultimately fuelled Murphy’s passion for comedy. Exploring his ability to use comedy as a vehicle to “put racism and sexism front and centre throughout”, Searby delves into the vast pool of examples that find “In amongst all of the hilarious comedy routines Murphy was creating, there were moments that spoke honestly and directly about racism.”
Told with an air of wit that captures Murphy’s inspiring outlook on life, the book is not a gossip frenzied account of his personal life but a testament to the career and his doggedly determined, confident traits that has allowed it to span half a century. From influences that went before, such as Richard Pryor, Nipsey Russell, Moms Mabley and even Elvis Presley and Bruce Lee, Eddie Murphy became the biggest influence in the world, non more so than with aspiring Black comics.
“A pioneer of a new form of much- loved entertainment that was speaking to an entirely new Black generation. It featured a combative edge, an edge that put racism and sexism front and centre throughout. They wouldn’t shut up or back down when discussing the topics that mattered most to them. This was their time to speak and they were not going to let anyone off the hook. Eddie Murphy was doing that with his stand-up to a huge audience – Black and white.”
As with his previous work, Searby masters his subject and highlights how, no matter whether you are an avid fan or not, Eddie Murphy will have touched your life at some point in time. Whether it be through music, through comedy, through the voice of a donkey or adult humour, his reign as one of the world’s most iconic inhabitants is undeniable and ‘Eddie Murphy; Deliriously Funny’ is a captivating insight into his legacy.
More episodes
View all episodes
183. Benjamin Halligan talks Hotbeds of Licentiousness
01:17:03||Season 1, Ep. 183Dr. Benjamin Halligan joins John Bleasdale to talk about Hotbeds of Licentiousness, the first substantial critical engagement with British pornography on film across the 1970s, including the “Summer of Love,” the rise and fall of the Permissive Society, the arrival of Margaret Thatcher, and beyond. By focusing on a series of colorful filmmakers whose work, while omnipresent during the 1970s, now remains critically ignored, author Benjamin Halligan discusses pornography in terms of lifestyle aspirations and opportunities which point to radical changes in British society. In this way, pornography is approached as a crucial optic with which to consider recent cultural and social history.182. A Complicated Passion: The Life and Work of Agnès Varda
52:38||Season 1, Ep. 182The first major biography of the French filmmaker hailed by Martin Scorsese as “one of the Gods of cinema.”Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the “complicated passions” that informed Varda’s charmed life and indelible work. Rickey traces Varda’s three remarkable careers―as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda’s impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda’s incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved.181. Jason Solomons on Film Weekly, Woody Allen and becoming a Film Producer
01:21:37||Season 1, Ep. 181Jason Solomons has been a film critic, one of the first film podcasters, an author and is now moving into a new role as a film producer with his company Movie Love Productions. He's currently working on adapting and bringing the brilliant best-selling memoir A Waiter in Paris to cinemas; and on the folk horror comedy The King of the Witches, based on a true story that’s never been told. His book Woody Allen: Film by Film is available where all good books are sold.180. Jez Conolly on The Thing
59:09||Season 1, Ep. 180Jez Conolly is the author of the Devil's Advocate edition of his book The Thing (available here) as well as an essay in Volume 3 of Scarred for Life (see here). Consigned to the deep freeze of critical and commercial reception upon its release in 1982, The Thing has bounced back spectacularly to become one of the most highly regarded productions from the 1980s 'Body Horror' cycle of films, experiencing a wholesale and detailed reappraisal that has secured its place in the pantheon of modern cinematic horror. Thirty years on, and with a recent prequel reigniting interest, Jez Conolly looks back to the film's antecedents and to the changing nature of its reception and the work that it has influenced. The themes discussed include the significance of The Thing's subversive antipodal environment, the role that the film has played in the corruption of the onscreen monstrous form, the qualities that make it an exemplar of the director's work and the relevance of its legendary visual effects despite the advent of CGI. Topped and tailed by a full plot breakdown and an appreciation of its notoriously downbeat ending, this exploration of the events at US Outpost 31 in the winter of 1982 captures The Thing's sub-zero terror in all its gory glory.16. From the Archives: Adam Nayman's Masterworks
01:24:44||Season 1, Ep. 16John Bleasdale talks about Paul Verhoeven, the Coen Brothers, Paul Thomas Anderson, Quentin Tarantino, David Fincher and film bros with Adam Nayman, author of Paul Thomas Anderson Masterworks and The Coen Brothers. Adam talks about his beginnings as film critic in Toronto. He also tells John his thoughts on the current state of film criticism, including the impact on social media on the film discourse. Adam's recommended film book is Un-American Psycho: Brian De Palma and the Political Invisible by Chris Dumas.Buy Adam's latest book here.179. Venice Film Festival Final Round Up
37:12||Season 1, Ep. 179Euronews journalists David Mouriquand and Amber Bryce are joined by Sarah Bradbury of the UpComing to talk the 81st Venice Film Festival with myself, John Bleasdale.178. Venice Film festival Report 4: Joker: Folie à Deux
45:10||Season 1, Ep. 178Joker: Folie à Deux hits Cannes and I am joined by David Mouriquand and Amber Bryce of EuroNews to talk about Todd Phillips' sequel starring Lady Gaga and joaquin Phoenix, and if it can live up to expectations. Live from the 81st Venice Film Festival.177. Venice Film Festival Report 3. Queer, The Room Next Door and The Brutalist
32:56||Season 1, Ep. 177Day 6 or 7 of the Venice Film Festival and David Mouriquand and Amber Brice from EuroNews join me to talk about The Brutalist, The Room Next Door and Queer.176. Venice Film Festival: Report 2. Babygirl and Maria
38:17||Season 1, Ep. 176Angelina Jolie and Nicole Kidman are on the Lido with two new films which are going to put them back in the headlines. David Mouriquand from EuroNews joins me to discuss the films Maria and Babygirl in the second of our Venice reports.