Writers on Film

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Jason Bailey talks Fun City Cinema, New York and the Movies that Made it

Season 1, Ep. 25

John Bleasdale talks to author Jason Bailey about his new book, described below. You can also hear his podcast at this link.

In Fun City Cinema: New York and the Movies That Made It, author Jason Bailey digs through New York’s last century via one quintessential New York film of each decade: The Jazz Singer, King Kong, The Naked City, Sweet Smell of Success, Midnight Cowboy, Taxi Driver, Wall Street, Kids, 25th Hour, and Frances Ha.


In doing so, Bailey crafts two intertwining histories: of a great American city in flux, and the classic films and legendary filmmakers that took their inspiration from its grittiness and splendor, creating what we can now view as “accidental documentaries” of the city’s moods and modes.


More Episodes

6/8/2022

Dana Stevens on Buster Keaton

Season 1, Ep. 59
Buy the book here. In this genre-defying work of cultural history, the chief film critic ofSlateplaces comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time.Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, includingSherlock Jr.,The General, andThe Cameraman.Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keaton’s life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Over the course of his action-packed seventy years on earth, his life trajectory intersected with those of such influential figures as the escape artist Harry Houdini, the pioneering Black stage comedian Bert Williams, the television legend Lucille Ball, and literary innovators like F. Scott Fitzgerald and Samuel Beckett.InCamera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs. Far more than a biography or a work of film history,Camera Manis a wide-ranging meditation on modernity that paints a complex portrait of a one-of-a-kind artist.