What Editors Want
Season 1 Teaser
A little preview of what's coming up.
Season 1, Ep. 2
Scott (@meandmybigmouth) and I met in the run up to Christmas to discuss our mutual love of experimental fiction (although not, as you'll hear, the novels of Haruki Murakami). Scott explains why he thinks newspaper’s literary review pages are massively restrictive, and how publishers throw away millions of pounds a year on publishing hardbacks. We discussed his time as Head of Buying at Waterstones and how it is books end up in bookshops (or don't).At the heart of this episode, and this podcast, is that crucial question: is an editor the author’s representative to the publisher, or the publisher's representative to the author?
Granta - Anne Meadows
Season 1, Ep. 3
Lovers of literary fiction will know Granta Magazine and Granta itself, the publishers of authors likes Robert MacFarlane, Eleanor Catton, Ben Lerner, AM Holmes, Patrick deWitt and Han Kang.Anne Meadows is the Senior Commissioning Editor at Granta. We spoke about her incredible list of authors including Sandra Newman (The Heavens), Gwendoline Riley (First Love), Margo Jefferson (On Michael Jackson) and Sayaka Murata (Convenience Store Woman).Anne tells us about the disappointment on missing out on a book she'd have loved to work on, importing novels from countries like American and Japan into the UK, and how seeing your work in translation is like your son bringing home a new girlfriend.
Hodder Fiction & Sceptre - Emma Herdman
Season 1, Ep. 4
Emma Herdman is the Editorial Director at both Hodder Fiction and their literary imprint, Sceptre. Hodder publish some of the biggest names in the business like Stephen King, Jasper Fforde, Graham Norton, David Mitchell and Siri Hustvedt.Emma and I spoke about our shared background as booksellers, and in particular at Waterstones Piccadilly. Emma went on to become a fiction buyer at Waterstones head office and then joined the literary agency Curtis Brown.We spoke about her list including books like THESE DIVIDING WALLS by Fran Cooper, HOMES & EXPERIENCES by Liam Williams and WHEN ALL IS SAID by Anne Griffin.Authors should always be aware of the market, but not led by it.