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STORRY: Deluxe Edition
CHIII: The Come Up is STORRY’s debut album and was released three weeks before the pandemic hit. CHIII: The Come Up is based on a chapter of STORRY's life; a woman exiting the sex industry to enter the music industry, only to discover that both are equally misogynistic and problematic. The Deluxe edition marks her first time in a truly collaborative process with different artists/producers. Remixes include an old school R&B take on I Don’t Wanna Get High from Toronto’s Polaris Music Prize-nominated Junia-T, Toronto producer Jeia created a dancehall inspired remix of House & A Range, Roy Davis Jr. shares a drum and bass club-ready spin on Bow Down and London, UK’s Dustin Dooley produced the epic pop ballad anthem, Intimate Abuse
Other side notes and interesting facts!
- Studied opera at University of Toronto
- Spent time growing up and studying in between Toronto and Montreal, and now divides time between Canada and London, UK
- Multidisciplinary artist that creates oil paintings (primarily portraits), animation films
- Loves cooking plant-based foods
- Has directed her own music videos including animating a Claymation called Up, which has been featured in numerous film festivals – read on here.
- Certified yoga instructor.
- Loves animals and chocolate - dark chocolate (72-85% to be precise!)
This episode also includes a special Performance of You Don’t Know Me.
STORRY also shared a glimpse of her new album, Chapter 2: Run.
Find STORRY online at https://www.storrymusic.com/.
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Margo Cooper: Blues, Photography, and Music History
36:34|Gregg Tilston and Karim Kanji bring you a conversation about music and... photography. We reflected on our visit to an art gallery that featured the iconic work of Bob Gruen, renowned for capturing legendary musicians through his lens. It was during this discussion that we introduced the esteemed historian and photographer, Margo Cooper, who was joining us for a special interview on our show, *Welcome to the Music*.Margo has built a career on her passion for both photography and blues music. She shared her personal journey, starting with her first blues concert and expanding to visiting clubs in Boston and Mississippi to fully immerse herself in the lives and stories of the musicians she admires. What began as a deep appreciation for the blues turned into a mission for Margo—to capture not just the performances but the personal histories of the musicians themselves. Her work has led her to encounter influential figures such as Luther "Guitar Jr." Johnson and members of the Muddy Waters Tribute Band.As the conversation progressed, we dove deeper into Margo’s work, including her upcoming book, which is a treasure trove for blues enthusiasts. She explained how her background as a public defender fueled her desire to document the voices and lives of these musicians, ensuring their stories are told in their own words. Her transition from law to photography has opened doors to meaningful encounters and collaborations with both veteran and emerging musicians.This episode was a whirlwind of topics—from rock concerts to photography exhibits to the rich history of blues music. With Margo Cooper’s stories and experiences as the centerpiece, it was a reminder of the power of storytelling through both music and photography, and how these mediums continue to shape our cultural understanding.Joel Plaskett
25:41|Gregg and Karim welcome to the show, Joel Plaskett!The episode begins with Joel Plaskett discussing his new record and the changing relationship with the songs once they are released. Joel explored the impact of audience interpretation and the challenges of articulating the original intent without unraveling it. Joel also shared his experience with using analog technology to record his music, emphasizing the nostalgic and human qualities that the limitations of this technology bring to the recordings. We also engaged in a deep exploration of the theme of shadows and the tension of opposites in the record.The conversation then shifted to Joel's cross Canada tour and his approach to presenting the new album. He expressed a preference for a relaxed atmosphere during the performances and discussed the potential impact of limiting phone use to enhance audience engagement. Additionally, Joel mentioned his intention to honor requests for older catalog songs while looking forward to showcasing the new material.The episode concluded with Joel Plaskett sharing his excitement for the release of his new album and discussing his current musical preferences. He also delved into the artwork for his album, created by his wife, Rebecca Kraatz, and explained how it played a significant role in the album's creation. Visit Joel Plaskett online at https://joelplaskett.com/Will Oasis breakup before they tour in 2025?
25:08|Welcome to the kickoff show of our new season!Here's a recap of today's episode!Hosts Gregg and Karim discussed their recent experiences at various shows. Karim shared his experience at the Storry concert, where he and his wife, Minaz, enjoyed the performance despite initial confusion about the event. They both expressed their enjoyment of the shows and Storry's performance. Karim and Gregg discussed their recent experiences at music shows. Karim attended a Shaggy concert and a Trews concert, while Gregg planned to attend a Milky Chance and K-Flay concert. Karim also mentioned seeing the re-release of the Oasis documentary and his brother's upcoming trip to Wembley Stadium to see Oasis perform. They speculated about Oasis potentially opening with "Rock and Roll Star" and Kendrick Lamar possibly bringing Oasis to the Super Bowl halftime show. Gregg mentioned a 20% probability of Oasis splitting up before completing their tour, and they discussed how betting money would impact the probability.Karim and Gregg discussed the dynamic pricing issue with Ticketmaster, comparing it to Uber's surge pricing during mass shootings. Karim suggested that bands and musicians are making as much money as they can due to the decline in music streaming revenue, and the high ticket prices are a result of this. Gregg mentioned that fans are willing to pay high prices for special events like an Oasis concert.Inside the Music with Bif Naked: "Jim," Tours, and Advocacy
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32:44|In this ecent episode of "Welcome To The Music," host Karim Kanji engaged with the talented Orin Isaacs, delving into his career, the power of musical communities, and the link between music and math.The episode began with Orin sharing his experiences working on the CBC's Olympic coverage, emphasizing the collaborative nature of the project and the diverse musical approaches required. This insight set the stage for a broader discussion about his career.Orin recounted his early days playing in bands, leading to his transition into music production and television music direction. His work on shows like Canadian Idol and the Juno Awards showcased his adaptability and breadth of talent, illustrating the diverse opportunities within the music industry.Orin argued that the sense of community built through shared musical experiences can be more impactful than formal education. This idea sparked a discussion about how personal and communal interactions in music foster growth and learning. They emphasized the significant role musical communities play in nurturing talent and passion.The conversation touched on the connection between music and math, with Orin sharing how his musical background enhanced his math skills in practical situations. This discussion highlighted the cognitive benefits of musical training, suggesting that music can improve mathematical thinking.Karim Kanji's conversation with Orin Isaacs offered a comprehensive look at his diverse career, the importance of musical communities, and the cognitive benefits of music. This episode stands out as a testament to the power of music in shaping careers, communities, and minds.Stay tuned for more episodes of "Welcome To The Music," where we explore the stories behind the music with industry insiders and creative talents.Celeigh Cardinal
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