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  • Bonus episode: Angela Allen interview | The Third Man | The African Queen (2/2)

    37:27||Season 1
    Meet the voice of War Hall.In this special bonus episode, Professor John Thomas interviews the indomitable Angela Allen – legendary script supervisor and voice of War Hall: A Theatre of the Mind.Angela reflects on an extraordinary life in cinema, from sheltering in the London Underground during the Second World War to working on The Third Man in post-war Vienna, travelling through the African jungle with Humphrey Bogart and Lauren Bacall, and becoming the trusted right hand of director John Huston.Along the way, she worked with Marilyn Monroe, Clark Gable, Arthur Miller, Truman Capote, Ava Gardner and many of the twentieth century's greatest creative figures, helping shape some of cinema's most iconic films.Now in her nineties, Angela looks back on a remarkable career spent breaking barriers in an industry dominated by men—and on the dream she was never able to fulfil - becoming a director.In this second part of our interview, Angela takes us on a journey from Paris to Reno, to the set of The Misfits...The voice you hear in War Hall has been shaped by a lifetime spent reading scripts alongside cinema legends. It is a voice of gravitas - and beauty - a voice straight from the golden age of cinema and sound.

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  • Bonus episode: Angela Allen interview | The Misfits (1/2)

    50:26||Season 1
    Meet the voice of War Hall.In this special bonus episode, Professor John Thomas interviews the indomitable Angela Allen – legendary script supervisor and voice of War Hall: A Theatre of the Mind.Angela reflects on an extraordinary life in cinema, from sheltering in the London Underground during the Second World War to working on The Third Man in post-war Vienna, travelling through the African jungle with Humphrey Bogart and Lauren Bacall, and becoming the trusted right hand of director John Huston.Along the way, she worked with Marilyn Monroe, Clark Gable, Arthur Miller, Truman Capote, Ava Gardner and many of the twentieth century's greatest creative figures, helping shape some of cinema's most iconic films.Now in her nineties, Angela looks back on a remarkable career spent breaking barriers in an industry dominated by men—and on the dream she was never able to fulfil - becoming a director.In this first episode Angela takes us on a journey - from WW2 London to the African jungle...The voice you hear in War Hall has been shaped by a lifetime spent reading scripts alongside cinema legends. It is a voice of gravitas - and beauty - a voice straight from the golden age of cinema and sound.
  • Official Trailer | War Hall: A Theatre of the Mind

    01:00||Season 1
    Discover War Hall: A Theatre of the Mind—an immersive documentary podcast uncovering the extraordinary true story behind Walthamstow Assembly Hall, a concert venue built during the Blitz that became one of Britain’s most significant recording spaces.Through immersive sound design, archival storytelling and music recorded in the Hall itself, the series reveals how a community under fire chose to invest in culture, hope and the future.For the first time, the Hall’s remarkable wartime story is brought together in a single documentary series.With music and sound from Simon Mills | One Half of Bent | BentStart listening with Episode 1.
  • 5. 5. Epilogue - Season 1

    07:56||Season 1, Ep. 5
    When we began War Hall – A Theatre of the Mind, the political climate felt uncomfortably close to the 1930s. Nationalism was rising. Division was deepening. We found ourselves asking why we were tracing where the bombs fell during the Second World War while the present felt increasingly unstable.In this final chapter of Season 1, we return to Ken, who survived one of the worst V-2 bombings in London and lived through the rise of Mosley and the Blackshirts. Reflecting on Brexit and Europe’s fragile peace in 2019, his warning is grounded in memory: he has seen what happens when anger turns to division.There is no art that can redeem the horrors of war. Yet amid bombing and fear, people still fought to preserve beauty in acts of everyday defiance.Season 2 will follow the wartime concert timeline of Walthamstow Assembly Hall — the refugee musicians who performed there, the orchestras and dance bands who played while war raged.For Professor John Thomas, this project has taken on new urgency following a diagnosis of incurable metastatic prostate cancer. In tracing the Hall’s creation during the darkest hours of the war, he reflects on legacy and the responsibility to leave something lasting behind.War Hall is an independent production. If you would like to support Season 2, please consider joining our Patreon.
  • 4. 4. Alchemy

    17:14||Season 1, Ep. 4
    As Walthamstow Assembly Hall opens in March 1943, culture, ceremony and civic pride take centre stage. Concerts, fairs and beauty contests unfold beneath glitter, blackout restrictions, anti-aircraft fire and a war that is still very much alive.Alchemy explores a moment of contradiction: a town hall transformed into both cultural palace and operational machine; an assembly learning how to listen, watch and gather under pressure.As the tide of the war begins to turn, crucial decisions are taken behind closed doors. Intelligence circulates that cannot yet be shared. Preparations are made for threats the public cannot be warned about — not because the danger is small, but because it is not yet imaginable.Ross Wylde is called to a top secret conference and instructed to carry this knowledge silently. The government argues disclosure would cause panic. Wylde does not agree.Rachmaninoff passes away. The same day the doors to Walthamstow Assembly Hall open for the first time...Selected audio excerpts featured in this episode:'The war over Walthamstow: the story of Civil Defence 1939 1945' by Ross Wylde © Waltham Forest Council (historical reference)42nd Street (1933), featuring Bebe DanielsYours, performed by Vera LynnBrief Encounter (1945), directed by David LeanThe Misfits (1961), directed by John Huston | Script supervisor: Angela AllenThe wonderful book 'Goodbye Russia: Rachmaninoff in Exile' by Fiona MaddocksMusic excerpt: Vocalise (Rachmaninoff), arrangement by Angela Morley (credited at the time as Wally Stott), from Inspiration (1961)All other music by Simon MillsAudio excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.Selected newspaper excerpts were accessed via the British Newspaper Archive. Newspaper titles and dates are cited where possible. All rights remain with the respective publishers. Audio and music excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.Episode 4 is the final main episode of Season One of WAR HALL: A Theatre of the Mind. An epilogue follows.
  • 3. 3. The Pulse

    22:08||Season 1, Ep. 3
    As the Blitz comes to an end, London refuses to be silenced.In this episode, we move through the final raids of 1941 into the uneasy calm of “The Lull”, where music, performance and cultural life carried on amid loss and devastation.We hear how jazz and swing — banned by the Nazis as “degenerate” — became acts of resistance, and how Ken “Snakehips” Johnson, a Black, gay bandleader at the height of his fame, was killed when the Café de Paris was bombed.We witness the destruction of Queen’s Hall — London’s leading concert hall and home to the BBC Symphony Orchestra and the London Philharmonic. Its loss displaced musicians across the city, sending major orchestras elsewhere, including to the newly built Walthamstow Assembly Hall.Set against wartime Walthamstow — bombed, damaged, yet still building — this episode explores what endured while buildings burned, and why music mattered more than ever.Selected audio excerpts featured in this episode:'The war over Walthamstow: the story of Civil Defence 1939 1945' by Ross Wylde © Waltham Forest Council (historical reference)Film clip: The Battle of Music (1943), UK wartime feature film depicting the London Philharmonic Orchestra during the BlitzBeethoven, Symphony No. 5 in C minor, Op. 67Pamphlet: It Shall Not Happen Here: Anti-Semitism, Fascists and Civil Liberty, by Elizabeth Allen, 1943. Held by the Imperial War Museums, London“Oh Johnny, Oh Johnny, Oh!” (Baer / Rose / MacDonald), performed by Ken “Snakehips” Johnson and His West Indian Dance Orchestra“Free”, performed by The Crazy GangAll other music by Simon MillsAudio excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.
  • 2. 2. The Assembly

    17:04||Season 1, Ep. 2
    Before the bombs fell, the machine was already being assembled.In this episode of WAR HALL: A Theatre of the Mind, we step inside Walthamstow Town Hall as it transforms into the operational heart of a borough preparing for war.Council meeting minutes record debates about the Town Hall clock, dance floors and lighting, an electric rotating glass ball... At the same time, a far more urgent system is taking shape — Air Raid Precautions, control rooms, wardens, signals.This is the story of assembly: of people, procedures and infrastructure wired together under growing pressure, just before the Blitz. Ross Wylde, head of Walthamstow’s ARP, pushes through a radical, decentralised system — a machine designed to survive chaos — even as doubts, delays and government complacency loom large.As the summer of 1940 approaches, lights are dimmed, bells silenced, lookouts posted. The town listens differently. Watches the sky. Prepares for something not yet fully imaginable.The Assembly follows how Walthamstow Town Hall was reorganised for war — before the war arrived.Selected audio excerpts featured in this episode:'The war over Walthamstow: the story of Civil Defence 1939 1945' by Ross WyldeBenjamin Britten, Peter Grimes (1945), Four Sea Interludes — “Storm” DeccaAll other music by Simon MillsAudio excerpts are used under UK fair dealing provisions for the purposes of criticism, review, and historical illustration. Full rights remain with the respective rights holders.