Thresholds

This week, we bring you a live interview with Garth Greenwell, conducted in October 2024 at Pioneer Works in Brooklyn. Garth talks about growing up in Kentucky assuming that he would die young, the teacher who gave him a path toward being an artist, and the doggedness with which he has pursued his aesthetic practices (in both music and literature) ever since. Mentioned: Garth's new novel, Small Rain (FSG 2024)Frank BidartBenjamin BrittenCosì Fan TutteThe HIV/AIDS crisisGarth Greenwell is the author of What Belongs to You, which won the British Book Award for Debut of the Year, was longlisted for the National Book Award, and was a finalist for six other awards, including the PEN/Faulkner Award, the James Tait Black Memorial Prize, and the Los Angeles Times Book Prize. His second book of fiction, Cleanness, was a finalist for the Lambda Literary Award and Cleanness was named a New York Times Notable Book of 2020, a New York Times Critics Top 10 book of the year, and a Best Book of the year by the New Yorker, TIME, NPR, the BBC, and over thirty other publications.  A new novel, Small Rain, is now out from FSG. He is the recipient of many honors for his work, including a 2020 Guggenheim Fellowship and the 2021 Vursell Award for prose style from the American Academy of Arts and Letters. He has taught at the Iowa Writers Workshop, Grinnell College, the University of Mississippi, Princeton, and NYU. He writes regularly about literature, film, art and music for his Substack, To a Green Thought. 

We're revisiting our 2021 interview with the poet Jericho Brown, who this week was named a MacArthur Fellow-- one of the highest honors in the arts and humanities. He and Jordan talk about the great mystery of why we desire the things we desire; about oration and the poets he read and memorized as part of his own becoming; mitigating our impulses toward violence with tenderness, and more.Jericho Brown is author of the The Tradition (Copper Canyon 2019), for which he won the Pulitzer Prize. He is the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of the Whiting Award. Brown’s first book, Please (New Issues 2008), won the American Book Award. His second book, The New Testament (Copper Canyon 2014), won the Anisfield-Wolf Book Award. His third collection, The Tradition won the Paterson Poetry Prize and was a finalist for the National Book Award and the National Book Critics Circle Award. His poems have appeared in The Bennington Review, Buzzfeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review, TIME magazine, and several volumes of The Best American Poetry. He is the director of the Creative Writing Program and a professor at Emory University.

This week, Jordan talks to the novelist Sigrid Nunez about her youthful preoccupation with mimicking the prose of Virginia Woolf, the step-by-step intuitive way she writes prose now, and the best way to make overnight oats.Sigrid Nunez has published nine novels, including A Feather on the Breath of God, The Last of Her Kind, The Friend, What Are You Going Through, and, most recently, The Vulnerables. Nunez is also the author of Sempre Susan: A Memoir of Susan Sontag. The Friend, a New York Times bestseller, won the 2018 National Book Award and was a finalist for the 2019 Simpson/Joyce Carol Oates Prize. In 2024, The New York Times listed The Friend among the 100 Best Books of the 21st Century. The Friend has been adapted for film by directors David Siegel and Scott McGehee (2024). What Are You Going Through has been adapted for a film directed by Pedro Almodóvar, The Room Next Door (2024). Nunez’s other honors and awards include a Whiting Award, a Berlin Prize Fellowship, the Rosenthal Family Foundation Award, the Rome Prize in Literature, and a Guggenheim Fellowship. She is a member of the American Academy of Arts and Letters.

Jordan chats with Sofia Samatar (The Practice, The Horizon, and the Chain and Opacities) about having two books out this year, doing everything twice (once in non-fiction, once in fiction), and her growing sense of an ongoing overarching project to her work.MENTIONED:A Stranger in Olondria by Sofia SamatarMonster Portraits by Sofia Samatar and Del SamatarThe White Mosque by Sofia SamatarTender: Stories by Sofia SamatarTone by Sofia Samatar and Kate ZambrenoQuicksand by Nella LarsenSeasonal Associate by Heike Geissler, tr. by Katy DerbyshireSofia Samatar is a writer of fiction and nonfiction, including the memoir The White Mosque, a PEN/Jean Stein Award finalist. Her works range from the award-winning epic fantasy A Stranger in Olondria to Opacities, a nonfiction book about writing, publishing, and friendship.

Jordan chats with Emma Copley Eisenberg (Housemates) about a ghostly encounter that led to her new novel, the opposing worldviews of Grace Paley and Ottessa Moshfegh, and the choice to make art in difficult times.MENTIONED:Jazz by Toni MorrisonFleishman is in Trouble by Taffy Brodesser-AknerAmerican Pastoral by Philip RothTerrace Story by Hilary Leichter"Why I Write" by George OrwellEmma Copley Eisenberg is the author of the nationally bestselling novel Housemates and the narrative nonfiction book The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, which was named a New York Times Notable Book and was nominated for an Edgar Award, a Lambda Literary Award, and an Anthony Award, among other honors. Her fiction has appeared in Granta, McSweeney’s, VQR, American Short Fiction, and other publications. Raised in New York City, she lives in Philadelphia, where she co-founded Blue Stoop, a community hub for the literary arts.

Shades on, sleeves up—it's summertime and we're back! This week, Jordan talks with Amy Lin, author of Here After, about grief, the sudden loss of her husband, miracles, and her family's history with thin places. Amy Lin lives in Calgary, Canada where there are two seasons: winter and road construction. She completed her MFA at Warren Wilson College and holds BAs in English Literature and Education. Her work has been published in places such as Ploughshares and she has been awarded residencies from Yaddo and Casa Comala. She writes the Substack At The Bottom Of Everything where she wonders: how do we live with anything? Here After is her first book.

Jordan chats with Dorothea Lasky (The Shining) about interpreting a horror classic in her latest poetry collection, her love for horror, and why playfulness and horror aren't incompatible—and might in fact be inextricably connected. MENTIONED:The Shining by Stephen KingThe Shining (1980)Bernadette Mayer's "Memory" projectDorothea Lasky is the author, most recently, of The Shining  (October 2023), and Animal, published in 2019 in the Bagley Wright Lecture Series. She is also the author of Milk (Wave Books, 2018), Rome (Liveright/W.W. Norton, 2014), Thunderbird (Wave Books, 2012), Black Life (Wave Books, 2010), and AWE (Wave Books, 2007). She is also the author of six chapbooks. Born in St. Louis in 1978, she has poems that have appeared in American Poetry Review, Boston Review, Columbia Poetry Review, Gulf Coast, The Laurel Review, MAKE magazine, Phoebe, Poets & Writers Magazine, The New Yorker, Tin House, The Paris Review, and 6x6, among other places. She is the co-editor of Open the Door: How to Excite Young People About Poetry (McSweeney's, 2013), co-author of Astro Poets: Your Guides to the Zodiac (with Alex Dimitrov, Flatiron Books, 2019) and is a 2013 Bagley Wright Lecturer on Poetry. She holds a doctorate in creativity and education from the University of Pennsylvania, is a graduate of the MFA program for Poets and Writers at the University of Massachusetts-Amherst, and has been educated at Harvard University and Washington University. She has taught poetry at New York University, Wesleyan University, and Bennington College. Currently, she is an Associate Professor of Poetry at Columbia University's School of the Arts and lives in New York City.

Jordan talks with Vinson Cunningham (Great Expectations) about finding himself in the midst of history, discovering ways to hang onto moments, and why he turned to his real life for his debut novel.MENTIONED: The Vanity Fair Diaries by Tina BrownAnswered Prayers by Truman Capote"How Auto is Auto-fiction" by Christian Lorentzen"American Boy" by EstelleThe Idiot by Elif BatumanShadow and Act by Ralph EllisonVinson Cunningham is a staff writer and a theatre critic at The New Yorker. His essays, reviews, and profiles have appeared in The New York Times Magazine, The New York Times Book Review, The Fader, Vulture, The Awl, and McSweeney’s. A former staffer on Barack Obama’s first presidential campaign and in his White House, Cunningham has taught at Sarah Lawrence College, the Yale School of Art, and Columbia University’s School of the Arts. He lives in New York City.