The Witching Hours

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cover art for The Graveyard Shift

9/20/2020

The Graveyard Shift

Season 2, Ep. 8

Recorded live at BATS theatre, Wellington, New Zealand on the 25th of April 2014.

Written by Jonny Potts.

Created and script-edited by Uther Dean.

Starring Elle Wootton, Hannah Banks, Alex Greig and Jonny Potts.

Scored and recorded by Tane Upjohn-Beatson (who also composed the theme).

Supported with funding by Creative Communities from Creative New Zealand and the Wellington City Council.

The Witching Hours would not be possible without the support of William O’Neil.

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The Conductor

Season 2, Ep. 11

Recorded live at BATS theatre, Wellington, New Zealand on the 30th of May 2014.Written by Alex Lodge.Created and script-edited by Uther Dean.Starring Jamie Penwarden, Hayden Frost, Hannah Banks, and Paul Waggott.Scored and recorded by Tane Upjohn-Beatson (who also composed the theme).Supported with funding by Creative Communities from Creative New Zealand and the Wellington City Council.The Witching Hours would not be possible without the support of William O’Neil.

The Big Sleepover

Season 2, Ep. 10

Recorded live at BATS theatre, Wellington, New Zealand on the 23rd of May 2014.Written by Alice May Connolly.Created and script-edited by Uther Dean.Starring Kate Clarkin, Amy Griffin-Browne, Hannah Banks, and Jean Sergent.Scored and recorded by Tane Upjohn-Beatson (who also composed the theme).Supported with funding by Creative Communities from Creative New Zealand and the Wellington City Council.The Witching Hours would not be possible without the support of William O’Neil.

Conception Room Killer

Season 2, Ep. 9

Recorded live at BATS theatre, Wellington, New Zealand on the 23rd of May 2014.Written by Frankie Emms.Created and script-edited by Uther Dean.Starring Kate Clarkin, Amy Griffin-Browne, Hannah Banks, and Jean Sergent.Scored and recorded by Tane Upjohn-Beatson (who also composed the theme).Supported with funding by Creative Communities from Creative New Zealand and the Wellington City Council.The Witching Hours would not be possible without the support of William O’Neil.