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The Scores Are Not Enough
The Living Daylights - with Steve Brownett-Gale
For today’s mission we’ll be listening to the music that accompanies Tim Dalton’s debut as Bond but sadly also marks the departure of Bond electi composer John Barry. That’s right folks, it’s The Living Daylights and joining me to complete his Hat Trick is Steve Brownett-Gale and together we’ll be discussing the cues that accompany Bond as he plays paintball in Gibraltar, saves lady assassins, deals with murderous milkmen amongst other Afghan based antics! But is Barry’s final Bond score the swan song he deserved? Join Steve and I as we dive into 'The Living Daylights'!
'The Living Daylights' score written by John Barry. Song, 'The Living Daylights' written by John Barry and A-Ha and performed by 'A-Ha'.
'If there Was A Man' and 'Where Has Everybody Gone?' written and performed by The Pretenders.
Soundtrack album released through Warner Bros Music, 1987, all rights reserved.
The Scores Are Not Enough is an unofficial entity, and in no way affiliated with United Artists, EON Productions Ltd, Metro-Goldwyn-Mayer Studios Inc., Columbia/Sony Pictures, Ian Fleming Publications, or Danjaq LLC. It is not supported or endorsed in any way by the aforementioned. The 007 Logo and James Bond copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the James Bond films for the Fans of 007 worldwide.Copyright information pertaining to all other content is listed below:-James Bond Character created by Ian Fleming.Copyright © Ian Fleming Publications Ltd.007 Gun Symbol Logo © 1962 Danjaq S.A. and United Artists CorpDr. No © 1962 Danjaq S.A. and United Artists Corp.From Russia With Love © 1963 Danjaq S.A. and United Artists Corp.Goldfinger © 1964 Danjaq S.A. and United Artists Corp.Thunderball © 1965 Danjaq S.A. and United Artists Corp.You Only Live Twice © 1967 Danjaq S.A. and United Artists Corp.On Her Majesty's Secret Service © 1967 Danjaq S.A. and United Artists Corp.Diamonds are Forever © 1971 Danjaq S.A. and United Artists Corp.Live And Let Die © 1973 Danjaq S.A. and United Artists Corp.The Man With The Golden Gun © 1974 Danjaq S.A. and United Artists Corp.The Spy Who Loved Me © 1977 Danjaq S.A. and United Artists Corp.Moonraker © 1979 Danjaq S.A. and United Artists Corp.For Your Eyes Only © 1981 Danjaq S.A. and United Artists Corp.Octopussy © 1983 Danjaq S.A. and United Artists Corp.Never Say Never Again © 1983 Warner Bros and Columbia EMI. A View To a Kill © 1985 Danjaq S.A. and United Artists Pictures Inc.The Living Daylights © 1987 Danjaq S.A. and United Artists Pictures Inc.Licence To Kill ©1989 Danjaq S.A. and United Artists Pictures Inc.GoldenEye ©1995 Danjaq Inc. and United Artists Pictures IncTomorrow Never Dies © 1997 Danjaq LLC. and United Artists Pictures Inc.The World is Not Enough © 1999 Danjaq S.A. and United Artists Pictures Inc.Die Another Day © 2002 Danjaq LLC. & MGMCasino Royale © 2006 Danjaq LLC MGM & Columbia Pictures SONYQuantum Of Solace © 2008 Danjaq LLC MGM & Columbia Pictures SONYSkyfall © 2012 Danjaq LLC. MGM & Columbia Pictures. (SONY)Spectre © 2015 Danjaq LLC. MGM & Columbia Pictures. (SONY)No Time To Die © Danjaq LLC. UA Releasing,MGM & Universal Pictures
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15. Batman - with Niall Browne
01:11:40||Season 2, Ep. 15Welcome to the show where we are firing up the Batmobile, cueing the operatic choir, and shining a spotlight directly on Gotham's darkest musical mastermind! Today, we are sinking our teeth into Danny Elfman's legendary 1989 score for Tim Burton’s Batman—and I promise you, this episode will be an absolute descent into mystery. To ensure our musical analysis doesn't completely lose its mind and end up like a roasted dude in an Axis Chemical vat, I am thrilled to be joined by the incredible Niall Browne of the Movies In Focus podcast! Together, we are going to drop a clown attack of sharp insights, investigate the bat cave of orchestration secrets, and see if this gothic masterpiece can truly charge the batmobile of our hearts. So cue the dramatic brass, lace up your combat boots, and let's get ready for a waltz to the death with the greatest superhero score of the eighties!The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Warner Bros. Pictures, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Batman score composed by Danny Elfman, arranged by Steve Bartek and Shirley Walker, released through CTS records, Warner Bros. Music 1989, all rights reserved.Bat Out Of Hell written by Jim Steinman and performed by Meat Loaf, released through Cleveland International, Epic Records, 1977 all rights reserved.
14. Battle Beyond The Stars - with Tim Gray
01:24:54||Season 2, Ep. 14Welcome back, starfighters and soundtrack explorers! For this episode we're heading into a Battle Beyond the Stars to celebrate one of the earliest gems in the career of James Horner, whose score blasts off with the magnificent "Main Title" and rockets toward the thrilling "The Battle in Space," giving us an early glimpse of the musical galaxy he'd later conquer. Joining me for this cosmic adventure is film music enthusiast Tim Grey, better known on social media as Bibi Dahl, and together we'll be exploring the themes, fanfares, and Horner hallmarks that make this score such a treat. Along the way we'll also pay tribute to Sybil Danning's Saint-Exmin, whose considerable gravitational attraction threatens to pull the entire film out of orbit, and spare a thought for poor old Sador, the galaxy's most dedicated collector, whose fondness for acquiring body parts as trophies really puts a new spin on keeping a handy souvenir. So keep your eyes on the stars—and your hands where Sador can see them—as we dive into this wonderfully rousing sci-fi score.The Scores Are Not Enough is an unofficial entity, and in no way affiliated with New World Pictures or Orion Pictures, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films. Copyright information pertaining to all other content is retained by the original holders.Score composed by James Horner soundtrack release via New World Pictures, Orion Pictures and Warner Bros., 1980, all rights reserved.‘The Hokey Cokey’ performed by The Snowmen. Released through Slack (Stiff) Records 1981 all rights reserved.
13. Raiders Of The Lost Ark - with Val
01:21:32||Season 2, Ep. 13For this episode you’ll need to grab your fedora, keep your whip within reach, and try not to look directly into any mysterious ancient artefacts, because today we're celebrating one of the greatest adventure scores ever written: John Williams' magnificent music for Raiders of the Lost Ark. From the first triumphant blast of the Raiders March to the suspense, mystery, and snake-infested peril lurking throughout the score, Williams doesn't just accompany Indy on his quest—he practically cracks the whip and leads the expedition himself. Joining me for this archaeological dig through the soundtrack is Val, better known as Spaceodds1985, as we tip our hats to the music that helped make cinema's most famous archaeologist a treasure beyond measure. So dust off your map, follow the musical clues, and let's embark on a score-tastic adventure that's sure to belong in a museum!The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Paramount Pictures, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed and conducted by John Williams. Official Soundtrack released Columbia Records / CBS International 1981 all rights reserved.'Whip It' written by Mark Mothersbaugh and Gerald Casale, performed by DEVO released through Warner Bros music 1980 all rghts reserved.
12. Superman The Movie - with Tom Pickup
01:04:07||Season 2, Ep. 12For this episode, we’re celebrating the towering, thunderous, heart-swelling brilliance of John Williams and his legendary score for Superman: The Movie — the soundtrack that didn’t just make us believe a man could fly… it made us believe French horns had superpowers.This score has everything: heroic marches, romantic wonder, cosmic majesty, and enough musical leitmotifs to make Lex Luthor plot revenge against the entire brass section. And because no Fortress of Solitude should ever be occupied alone, I'm joined by Tom Pickup from the Really 007! Podcast — connoisseur of iconic movie music, lovers of classic cinema, and people who understand that when John Williams conducts, even your coffee feels more cinematic.So tighten your cape, cue the timpani, and prepare for a super-conversation about a super-score for the original cinematic Superman.Because this episode… is here to save your playlist.The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Columbia-EMI-Warner Productions, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed by John Williams soundtrack release via Warner Bros Records, 1978, all rights reserved.'Superman' written by Kelly Jones and performed by The Stereophics. Released through V2 Records 2005 all rights reserved.
11. Inception - with David Lowbridge-Ellis MBE
01:07:04||Season 2, Ep. 11For this episode we’re descending several layers deep into the dreamscape of Inception, guided by the seismic brilliance of Hans Zimmer’s score — a soundtrack that doesn’t just accompany the film, it practically rewires your pulse. From the ominous brass blasts of “Dream Is Collapsing” to the aching grandeur of “Time,” via the ticking tension of “Mombasa” and the eerie elasticity of “Half Remembered Dream,” Zimmer created music that feels less composed than architected, like a sonic extraction job unfolding in real time. And joining me to unpack every BRAAAM, paradox and perfectly calibrated emotional beat is David Lowbridge-Ellis — writer, cultural commentator, Bond expert, and curator of the social media presence Licence To Queer — for a conversation that promises to be as layered, stylish and unexpectedly emotional as the score itself.The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Warner Bros. Pictures, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed by Hans Zimmer soundtrack release via Reprise Records, 2010, all rights reserved.'Supermassive Black Hole' written by Matt Belamy and performed by Muse. Released through Warner Music and Heluim-3 2006 all rights reserved. "Non, je ne regrette rien" written by Charles Dumont, lyrics by Michel Vaucaire and performed by Édith Piaf' 1960"In Dreams" written and performed by Roy Orbison, released through RCA Victor / Acuff-Rose Publicatons, 1963, all rights reserved.
10. Star Wars - with Charlie Brigden
55:09||Season 2, Ep. 10For this episode we’ll be analyzing the two most powerful forces in the galaxy: destiny… and a French horn section. We’ll be blasting off into the symphonic hyperspace of the “Main Title,” that bold musical announcement that basically says, “Put down your popcorn and prepare for feelings.” Dodging “Imperial Attacks” swooning irresponsibly over Princess Leia, trying not to blow our entire moisture farming budget at a “Robot Auction.” and observing a wretched hive of scum and villainy. No, not it’s not PMQ’s at Westminster! that’s right it’s Star Wars of course! And joining me to soak up the sights and sounds of Mos Isley Spaceport, and taking in the intergalactic jazz chaos of the “Cantina Band,” is Charlie Brigden — a film music writer and journalist who knows his horror scores as intimately as most of us know our own Netflix passwords. With bylines in Fangoria, Set The Tape, Cinepunx, and Certified Forgotten, he’s made a name exploring the gloriously shadowy corners of soundtrack and cult cinema. He’s the host of The Sound of Fear, where horror film music takes centre stage, and has appeared on shows like Wrong Reel and The Last Horror Podcast. If it involves eerie synths, cult classics, or a vinyl release from Death Waltz Records, chances are Charlie’s already written the liner notes — and brought a flashlight. But is John Williams score for Star Wars still as brilliant as we remember? There’s only one way to find out; let’s dive in!The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Lucasfilm all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Star Wars score composed and conducted by John Willams and performed by The London Symphonic Orchestra. Released through 20th Century music 1977, all rights reservedStar Wars / Cantina Band performed by Geof Love and His Orchestra, released through Music For Pleasure, 1977 all rights reserved.
9. Back To The Future - with Becca Andrews
01:02:11||Season 2, Ep. 9Great Scott! For this episode we don’t just listen to movie music—we generate enough sonic energy to send us back in time! Today we’re celebrating the electrifying soundtrack to Back to the Future, and joining me on this temporal experiment is my special guest Becca Andrews, co-host of the film review podcast Do You Expect Us To Talk? and occasional contributor to Set The Tape! The moment Huey Lewis & The News unleash The Power of Love, we’re talking a full 1.21 gigawatts of nostalgia! So climb aboard the DeLorean, set the destination circuits for 1985, and hold on tight—because when this soundtrack hits 88 miles per hour… you’re gonna hear some serious music!The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Warner Brothers, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed by Alan Silvestri soundtrack release via MCA Records, 1985, all rights reserved."The Power of Love" written by Huey Lewis, Chris Hayes, Johnny Colla performed by Huey Lewis and the News"Back in Time" written by Huey Lewis, Chris Hayes, Johnny Colla, Sean Hopper, performed by Huey Lewis and the News"Mr Sandman" written by Pat Ballard and performed by The Four Aces"Night Train" written by Oscar Washington, Lewis P. Simpkins, Jimmy Forrest performed by Marvin Berry & The Starlighters"Earth Angel (Will You Be Mine)" written by Curtis Williams, Jesse Belvin, Gaynel Hodge performed by Marvin Berry & The Starlighters"Johnny B. Goode" written by Chuck Berry, performed by Marty McFly with The Starlighters
8. Star Trek II: The Wrath Of Khan - with Kevin O'Callaghan
01:12:46||Season 2, Ep. 8The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Warner Brothers, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed by James Horner soundtrack release via Atlantic Records, 1982, all rights reserved. "Amazing Grace" written by John Newton and performed by Kathleen Nicholson Graham.'Rocketman written by Elton John and Bernie Taupin and performed by William Shatner. released through Cleopatra Records 2011, all rights rserved.
7. Krull - with Will Welch
01:09:05||Season 2, Ep. 7Welcome, brave listeners, to a sonic quest and one of the most gloriously bold fantasy scores ever committed to film. Today, we’re diving into Krull—where the glaive flies, the stakes are sky-high, and the music by James Horner doesn’t just accompany the adventure, it practically rides the Firemares straight through it. But fear not, I won’t be venturing into the Black Fortress alone—I’m joined by Will Welch, Curator of The Wonderful World Of Film Music, to help navigate Horner’s sweeping, swashbuckling soundscape. Together, we’ll Krull over every cue, uncover hidden gems, and celebrate a score that proves fantasy films don’t just need heroes—they need music that’s truly out of this world.The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Columbia Pictures, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.Score composed by James Horner, performed by the London Symphony Orchestra. soundtrack release via Southern Cross Records, 1987, all rights reserved.'Swords Of A thousand Men' written by Eddie Tenpole and performed by Tenpole Tudor. Released through Stiff Records 1981 all rights reserved.