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The Sandbox: A See-Saw Podcast On Creativity
See-Saw Films
Season 1, Ep. 1
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How did See-Saw Films come into being? And how, with the two founders running offices on opposite sides of the world, has it managed to keep such a clear and consistent creative vision? Emile Sherman speaks with See-Saw's Co-MD Iain Canning, and creative director Helen Gregory about beginnings, holding the creative flame, playing the long game, and balancing a vision with the realities of business.
Host: Emile Sherman
Executive Producer: @Sam_Joly_
Producer: Sabrina Organo
Composer: @Adiescar
Artwork: @studiostromberg
A See-Saw Films Production
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5. Slow Horses
01:07:44||Season 1, Ep. 5How do you turn a hit series of novels into a show that honours its source material? And how do you stay true while building out 6 hours of television for each season? Emile speaks with executive producer and writer Will Smith and executive producer for See-Saw Julian Stevens, about the landmark series Slow Horses. They discuss the challenges of genre-crossing, the critical role of actors in the writing process, and how Mick Jagger was convinced to sing the theme song. Host: Emile ShermanGuests: @willsmithwriter and Julian Stevens@see_saw_filmsExecutive Producer: @Sam_Joly_Producer: Sabrina OrganoComposer: @AdiescarArtwork: @studiostrombergA See-Saw Films Production4. Foe and Lion
01:01:31||Season 1, Ep. 4How does a director who cut his teeth in the world of commercials, translate that experience into feature films? And how does a production house define and maintain their creative vision? Emile speaks with producer Samantha Lang and director Garth Davis about See-Saw's partnership with Garth, I Am That. They discuss how to use rehearsal time to achieve truth in performance, and the importance of bringing the whole crew along with a project’s creative vision.@see_saw_filmsHost: Emile ShermanGuests: Garth Davis and Samantha LangExecutive Producer: @Sam_Joly_Producer: Sabrina OrganoComposer: @AdiescarArtwork: @studiostrombergA See-Saw Films Production3. The Royal Hotel
01:09:12||Season 1, Ep. 3How does a project make its way onto a See-Saw slate? And to what extent is the creative integrity of a film influenced by the commercial imperatives of the industry? Emile speaks with See-Saw’s development producer Bill Bowring and director Kitty Green, about her psychological thriller The Royal Hotel. They discuss cross-continental script writing, how to fit a seven-week shoot into five, and the fine line between light and dark when building character and tension.@see_saw_filmsHost: Emile ShermanGuests: @KittyGreen and @BillyBowringExecutive Producer: @Sam_Joly_Producer: Sabrina OrganoComposer: @AdiescarArtwork: @studiostrombergA See-Saw Films Production2. One Life
01:09:22||Season 1, Ep. 2How does a director with decades of television experience approach his first theatrical feature? And what challenges does honouring a true story, told across decades, bring? Emile chats with See-Saw’s Iain Canning and director James Hawes about the long and winding road that led to the much loved film One Life. They discuss the skill and instinct needed to navigate a tight schedule while wrangling children, trains, history and the legendary talents of Sir Anthony Hopkins and Helena Bonham Carter.@misterjameshawes@see_saw_filmsHost: Emile ShermanExecutive Producer: @Sam_Joly_Producer: Sabrina OrganoComposer: @AdiescarArtwork: @studiostrombergA See-Saw Films Production