Page One - The Writer's Podcast

Watch as a full video interview on YouTubeJacob Rollinson was born in England in 1984. He is currently based in East Sussex, employed as an academic librarian. Jacob has a PhD in creative and critical writing from the University of East Anglia. He is always looking things up, and he never knows where his next interest is going to take him: he has delivered papers and joined panels on topics ranging from literature and archive work to translation of Classical Chinese poetry, journalism and human rights, and crime fiction. He enjoys weird books.His debut novel, The Truth of Carcosa, is out now.We had a really interesting chat with Jacob, talking about weird fiction - what it is and how it can be unsettling - and learning about how The Truth of Carcosa grew out of a fever dream during Covid. Plus, we discuss the role of luck in publishing, and the value of writing courses.Links:Buy The Truth of Carcosa now (can be bought in the UK via Amazon)Follow Jacob on BlueskyVisit Jacob's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky

Watch this episode as a full video episode on YouTubeOn this week's Drafting Notes, we are discussing whether professional editing/critique services are useful to first-time authors. On the one hand, you are getting professional feedback on your writing, but on the other, they are often very expensive! So is the reward worth the cost? We discuss our own thoughts and experiences!Drafting Notes is a series in which one award-winning writer (Tariq) and one hopefully soon-to-be-published writer (Marco) discuss various writing issues as they occur to them!Drafting Notes episodes are available early if you join our Patreon - check it out and get this and other great benefits!Drafting Notes and Page One - The Writer's Podcast are brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsDrafting Notes is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky

Watch as a full video episode on YouTubeIn this week's episode of Adventures in Publishing-land, we dive into the heated debate surrounding Val McDermid and the use of sensitivity readers to revise backlist titles. Should books be treated as historical artifacts, or is updating them a necessary step for modern audiences?Plus, we’re tackling two massive shifts in the industry: We break down the Society of Authors' "Brave New World" report, which reveals a staggering 86% of creators are already seeing their earnings hit by Gen AI. And the Literacy Crisis: Are we losing a generation of readers? We discuss the alarming reports of Gen Z arriving at college unable to read full sentences and what "scanning" culture means for the future of the book.00:00 Intro01:00 Brave New World? AI Already Impacting Creatives16:23 Editing the Past - Should Old Books Be Revised?27:52 Can't Read or Won't Read? Is There a Gen Z Literacy Crisis?39:33 Stranger Than Fiction44:40 Final ChapterLinks:All 2.4m of Britain’s creative workers are at risk — and we know whyBrave New World? Justice for Creators in the age of Gen AIVal McDermid was assigned ‘sensitivity reader’ to cut offensive language from old booksGen Z are arriving to college unable to even read a sentence—professors warn it could lead to a generation of anxious and lonely graduatesAdventures in Publishing-land is brought to you by STET Podcasts - the one stop shop for all your writing podcast needs, featuring Page One - The Writer's Podcast, The Conversation with Nadine Matheson and more!Follow us on BlueskyFollow us on Instagram

Watch as a full video interview on YouTubeScreenwriter and editor James Alistair Henry first started writing while working as a bookseller. He joined the writing team for Channel 4’s Smack the Pony and went on to write the BAFTA-award winning Green Wing, ITV comedy Delivery Man and cult hit Campus as well as episodes for smash-hit children’s television shows Bob The Builder and Hey Duggee. His Radio 4 sketch show, Wosson Cornwall, was selected as BBC Radio Comedy of the Week and his newest sitcom, Piglets, has been commissioned for a second series. His debut novel, Pagans, was an instant Times bestseller, and has been optioned for TV.We had a really fun and interesting chat with James, hearing about how he first got into the world of screenwriting (including some great anecdotes) and why he decided to write Pagans as a novel. We talk about how TV writing and novel writing differs, and have a chat about how structure is so important, and how once it is in place, then you can go wild with your ideas and characters.Links:Buy Pagans nowFollow James on BlueskySupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky

Watch as a full video interview on YouTubeVaseem Khan is the author of two award-winning crime series set in India and the bestselling Quantum of Menace, the first in a series featuring Q from the James Bond franchise. His debut, The Unexpected Inheritance of Inspector Chopra, was selected by the Sunday Times as one of the 40 best crime novels published 2015-2020. In 2021, Midnight at Malabar House, the first in the Malabar House novels set in 1950s Bombay, won the CWA Historical Dagger. Vaseem was born in England, but spent a decade working in India. Vaseem is a former Chair of the UK Crime Writers Association. His latest book in the Malabar House series, The Edge of Darkness, is out now.It was great fun having Vas back on the podcast, hearing about what he has been up to writing-wise in the past few years. He tells us about how he landed the job writing the James Bond Q book, Quantum of Menace, and why he loves going back to his Malabar House books. We also chat about films, and hear about five books that influenced him as an author.Links:Buy The Edge of Darkness and Vaseem's other books nowFollow Vaseem on InstagramVisit Vaseem's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One Extra and Page One - The Writer's Podcast are brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One Extra is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky

Watch this episode as a full video interview on YouTubeLyndsey Croal is a Scottish author published in over eighty magazines and anthologies, including Apex, Analog, Weird Tales, and Mslexia’s Best Women’s Short Fiction. She’s a Scottish Book Trust New Writers Awardee, Shirley Jackson Award and British Fantasy Award Finalist, and former Hawthornden Fellow. Her longer works include Have You Decided on Your Question (Shortwave), Limelight and Other Stories (Shortwave) The Girl With Barnacles for Eyes (Split Scream Volume Five, Tenebrous Press), and Dark Crescent (Luna Press).We had a great chat with Lyndsey in our studio, hearing about how she has written 100 published stories (!), the differences in writing short and long fiction, as well as dealing with the ups and downs of the publishing industry. We talk about dealing with rejection, changing agents and why she always like to have a dark element to her stories.Links:Buy Dark Crescent and Lyndsey's other books nowFollow Lyndsey on InstagramVisit Lyndsey's websiteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky