The New Society | culture from the New Statesman

Wuthering Heights is a story that has been told and retold, adapted and reinterpreted so many times since publication in 1847.Every generation seems to rediscover Emily Brontë’s ever-enduring novel, and every generation seems convinced it finally understands it.Now, it’s British filmmaker Emerald Fennell’s turn. And once again, we’re left asking: is this a love story, a ghost story, a story of obsession, or something stranger that refuses to settle into any single interpretation?Tanjil Rashid is joined by Lucasta Miller.

A new documentary, Finding Harmony: A King’s Vision, offers a rare glimpse into the deeper ideas shaping King Charles’s view of the world. Known for decades as an environmental campaigner, the King has often spoken about the need for “harmony” between humanity, nature and the environment - but what does he really mean by that?Tanjil Rashid is joined by historian Mark Sedgwick.

Thirty years ago, David Foster Wallace published Infinite Jest - a novel so sprawling, so formally strange, and so unnervingly prescient that it has never quite stopped happening. Set in a near-future North America obsessed with pleasure, entertainment, and escape, the book asked a question that feels even sharper today than it did in 1996: what happens when a culture confuses happiness with anaesthesia?Tanjil Rashid is joined by DT Max and Jonathan Derbyshire to discuss why the novel still matters, and what it can tell us about the world we’ve built since.

Over 100 million people around the world have downloaded AI companion apps. Friends, therapists, lovers ... mediums - for some, their closest connection in this life is a chatbot.How did we get here?Catharine Hughes is joined by James Muldoon, sociologist and author of Love Machines: How Artificial Intelligence is Transforming Our Relationships.

A professional sumo tournament in London in October 2025 offered more than sporting spectacle. It became a lens through which to view Japan’s growing cultural pull in the West, a society where ancient ritual, hierarchy and Shinto belief coexist with hyper-modern life. Tanjil Rashid is joined by historian Christopher Harding to explore how Japan balances tradition and modernity, and why that balance is proving increasingly compelling to Western audiences.

Born into a Muslim family in Bombay, India, in 1947, two months before the country’s partition, educated in the UK and now resident in New York, Salman Rushdie is a writer of multiple, interconnected worlds. At the heart of his work – ever since he won the 1982 Booker Prize with Midnight’s Children – has been some kind of history: the world’s, his own, or both at once. The latest chapter in the history of Rushdie’s life sees the now 78-year-old writer – and survivor of a near-fatal assassination attempt – turn his mind to ageing and dying. That is the unifying thread running through the narratives in his 26th book, the short story collection The Eleventh Hour. He sat down with the New Statesman's culture editor, Tanjil Rashid, late last year.