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The NDA Podcast

Moving On Up to Management

Season 1, Ep. 4

Good managers and bad managers. We’ve all had them. And do we all become them?


In today’s episode, we’re going to be discussing progression in the creative industries, and the realities of updating your LinkedIn status. 


After years spent learning a craft, creatives are promoted into roles where they’re taken off the tools and dropped into resourcing meetings. A leap that doesn’t suit everyone — are there other ways to move up the ladder? Are we all suffering at the hands of those pushed into management before they’re ready?


We’re talking to Kim French, Head of Production/Marketing at Preen, who shares her decision to step down from the boardrooms and budgets in order to be closer to the work she loves. Senior Designer at JKR, Maisie Benson, discusses what it’s like to be in the grey area between Designer/Director, and the pressure to choose between your craft & your career. Along with Gerald Torto, Practice Director at Re about the importance of job titles and how we can use them to our advantage. 


Plus a whole lot of stories from the DMs about the worst managers out there. One not to miss.


Hosted & created by Katie Cadwell

Edited by James from Be Heard

Original music 'Theme From NDA' by Jamie Ellul & Toby McLaren

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    43:57||Season 3, Ep. 2
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    45:20||Season 2, Ep. 11
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  • 10. The problem with pitching

    01:08:35||Season 2, Ep. 10
    83% of NDA followers have pitched for a project.Widely debated and often condemned, pitching for creative work is still rife. In an economic climate that gives clients more power than ever, we’re seeing a steady return to speculative work to win projects. We want to get to the bottom of it, talking to Leo Porto & Felipe Rocha (Porto Rocha), who have publicly declared their anti-pitching stance, and Toby Wilkinson (AUFI), who is privy to more studio pitch decks than most, working closely with brands to help them find the right agency partner.We also invite the clients in — with anonymous stories from their point of view, we try to unpack who really benefits from the ambiguity of the ‘pitching’ process.Asking questions like… Why do clients need pitches to choose partners? Do creative teams enjoy working on them? Is the condensed process devaluing creativity? Does it create inequity in the industry? How can we change that?And, let's be honest, does everyone have a project they would throw their morals away for?Credits —Small print: British Design Association resources - https://www.dba.org.uk/members-area/resources/?keyword=free+pitchAUFI guides - https://aufi.com/insights/good-agency-relationshipPaul Woods, How to do great work without being an arsehole - https://www.amazon.com/Great-Work-Without-Being-Asshole/dp/1786273918Mentions: No free pitches - https://nofreepitches.com/Stories: Rita Juárez / Jenny PowellSponsored by Lucky Dipluckydip.studioGet in touch hello@thendapodcast.com