The Fanzine Podcast

In 1973, a Californian by the name of Archie Patterson became so enthused by all the interesting underground European experimental/electronic music he was hearing that he started up a fanzine dedicated to it, called Eurock. It lasted 40 issues, through 1990. In 1979, a Brit by the name of David Elliott felt much the same way and, in part inspired by Eurock and also by post-punk DIY culture, started his own zine Neumusik. While it only lasted 6 issues, until 1982, during that time it grew to over 70 pages and set David off exploring Europe to interview many of the important artists in person.What kind of artists are we talking about? Some of them you may know, like Can, Tangerine Dream, Kraftwerk, Nektar, Neu!, Heldon, Chrome, or Urban Sax.. Others you may never have heard of, like Guru Guru, Asmus Tietchens, Atem, Art Zoyd III, Gunter Schickert, or Shub Niggurath. All of them were at the forefront of musical creativity towards the end of the 20th Century, and Eurock and Neumusik were at the forefront of the fanzines writing about them, interviewing them, and cataloguing their culture. Patterson grew a distribution service and began publishing books; he still posts twice-weekly about the music on his Facebook. Elliot started a “band,” a cassette label, and recently wrote an extensive book on the British pop music of 1984.For more information about their zines, their culture, and where to get copies of their books, please head on over to https://tonyfletcher.substack.com/p/adventures-in-neumusik-and-eurock 

The first issue of Mick Mercer’s fanzine Panache came out in January 1977, with Iggy Pop on the cover, perfectly poised for the punk/new wave/DIY revolution that was exploding across the UK. Mick kept the zine in print for a further 50+ issues, all the way to 1995, which makes it one of the longest-running, and arguably the most consistently prolific of all the original UK punk-inspired zines. In the decades since, Mick has carried on demonstrating his passion for indie music, comics, and cats, via blogging, radio shows, a Substack column, and his Cat Olympics. Oh, and he’s also written a few books over the years, for which he is rightly considered one of the gurus of Goth. For more info on this episode, including images from various issues of Panache over the years, and direct links to Mick's radio shows and other creative outlets, please visit https://tonyfletcher.substack.com/p/the-fanzine-podcast-ep-28-mick-mercersAnd please subscribe while you are there; it’s where Tony continues to exercise his own fanzine muscles by writing about underground and pop culture on a twice-weekly basis. If you enjoyed this episode and your podcast platform allows it, please hit the like button, consider leaving a review and, if you haven't yet, hit "subscribe" to ensure you don't miss the next monthly episode. Mick Mercer can be found at https://mickmercer.substack.com/The Best of Jamming!: Selections and Stories from the Fanzine That Grew Up 1977-86 is published by Omnibus Press.'The Jamming! Fanzine Podcast Theme' is by Noel Fletcher.The Jamming! Fanzine Podcast logo was designed by Greg Morton.

Throughout the 1980s, Tim Anstaett ran The Offense, an influential, prolific, jam-packed fanzine out of Columbus, Ohio, where he still lives. In the 1990s, Jay Hinman began the underground zine Superdope fanzine out of Seattle, and after a hiatus, picked back up on zine publishing in the 2010s with Dynamite Hemorrhage, which set its stall with a 68-page debut issue. For the last few years, Jay has also been running the Fanzine Hemorrhage web site and newsletter, offering 200 reflective reviews (so far) of select music fanzines (and occasional magazines) from his enormous personal collection. The Offense is one of the few zines Jay has reviewed twice, writing that it “would have been my favorite mag in 1982 had I’d known it existed.” So for this episode of the Fanzine Podcast, podcast host Tony Fletcher brings the pair together for the first time.Over a one-hour conversation, Tim and Jay talked about their early entry points into punk and fanzine culture, hand-written first issues, why they each abandoned advertisers and distributors, their love of 4AD Records in general and the Cocteau Twins in particular, Jay’s cult heroes the Flesheaters, their fave zines of all time, and the best letter they ever received.Read more about this episode, and get links to various items discussed – from zine downloads to bands to TV shows and where to get Tim's books – at https://tonyfletcher.substack.com/p/midweek-update-51-the-american-in ... And please subscribe while you are there; it’s where Tony continues to exercise his own fanzine muscles by writing about underground and pop culture on a twice-weekly basis. If you enjoyed this episode and your podcast platform allows it, please hit the like button, consider leaving a review and, if you haven't yet, hit "subscribe" to ensure you don't miss the next monthly episode. Jay Hinman can be found at https://fanzinehemorrhage.comTim Anstaett can be e-mailed via tkarunner2001@aol.comThe Best of Jamming!: Selections and Stories from the Fanzine That Grew Up 1977-86 is published by Omnibus Press.'The Jamming! Fanzine Podcast Theme' is by Noel Fletcher.The Jamming! Fanzine Podcast logo was designed by Greg Morton.

For show notes, and to see images from Zerox Machine and other books discussed in this episode, please visit https://tonyfletcher.substack.com/p/zerox-machine-the-big-book-of-britishAnd, while there, please subscribe to receive regular updates on this and other Tony Fletcher podcasts and writings.https://tonyfletcher.substack.com/subscribeMatthew Worley is Professor of Modern History at the University of Reading, where he is gainfully employed studying punk and post-punk culture. (Yes, it’s a thing these days.) To this end he has just published an arguably definitive new book, the culmination of many years’ research, Zerox Machine: Punk, Post-Punk and Fanzines in Britain, 1976-88.Across almost 350 pages and approximately 140,000 words, Worley takes an unprecedented deep dive into the subculture of the British fanzine scene, drawing on access to an incredible number of publications – six pages’ worth are cited at the end - and direct communication with many of the editors. Most importantly, he straddles the thin line between an authoritative research project with the kind of thought-provoking analysis one would expect from a Professor of Modern History, with a book that you average Joe and Jane ex- or current- fanzine editor can read and relate to without reaching for a Thesaurus.Zerox Machine is published in the UK by Reaktion Books:And in the US by University of Chicago Press: For show notes, and to see images from Zerox Machine and other books discussed in this episode, please visit https://tonyfletcher.substack.com/p/zerox-machine-the-big-book-of-britishAnd, while there, please subscribe to receive regular updates on this and other Tony Fletcher podcasts and writings.https://tonyfletcher.substack.com/subscribe

With Andy Lyons (WSC), Mike Harrison (City Gent), Kevin Whitcher (The Gooner.) For links to and pictures of these fanzines, to post comments, and to read more related writings and podcasts, visit https://tonyfletcher.substack.com/p/the-fanzine-podcast-ep-25-40-yearsFor over 40 years now, football fanzines have run parallel to music fanzines in the UK, growing out of the same alternative pop culture as did the punk and new wave zines of the 1970s, as evidenced perhaps by the fact that the best known and longest-running of the non-denominational zines, When Saturday Comes, took its name from a song by the Northern Irish new wave band, The Undertones. At their peak in the late 1980s, it’s estimated there were at least 300 such football zines publishing regularly in the UK. Where the football zines differ from the music ones is in loyalty. If When Saturday Comes is like an alternative to the glossy football magazines the same way that a long-running music fanzine like The Big Takeover, which was featured on Episode 21, can be seen as a more authentically independent voice than a Spin or Mojo, the majority of zines serve more like alternatives to their stated club’s official program. In this context, the Arsenal fanzine The Gooner, whose Kevin Whitcher joins us on this episode, is like a Taylor Swift fanzine, economically removed from the subject it is writing about but passionate about it all the same, while Bradford City’s City Gent, whose Mike Harrison, also featured in this episode, would be more comparable to a zine dedicated to a cult band that refuses to go away – Guided By Voices or Teenage Fan Club, perhaps. Even as football fan culture moves largely online, to YouTube channels and podcasts, there will always remain a dedicated, if “discerning” audience, that is willing to read articles and opinion pieces that bring the banter of what we once knew as the football “terraces” in print.Kevin and Mike are joined here by When Saturday Comes’ co-founder and ongoing editor, Andy Lyons, for a conversation that discusses the various zines’ origins, their rise to influence and prominence, their engagement and effect on the game they support, and how they keep going after four decades and several hundred episodes a piece in the face of the younger fans migration online.The episode also discusses the tragic fire that took place at Bradford City’s ground in May 1985, at which City Gent editor Mike Harrison was in attendance. While we don’t get into any horrific detail, I do want to let listeners be prepared.Thanks to Richard Edwards and Peter Mountford. Sign up for Tony Fletcher’s weekly newsletter, long weekend read, and for exclusive access to archived interviews, including those from his Keith Moon biography, at tonyfletcher.substack.com. Theme music by Noel Fletcher. Logo by Greg Morton.

Please visit (and subscribe to) tonyfletcher.substack.com for more writings on zines and beyond.In this episode, Tony offers a short update on the Fanzine Podcast's future episodes and some of the activities around the zine scene before using the opportunity of being in the UK for a while to revisit the debut episode of what was then called The Jamming! Fanzine Podcast, "From Classroom To Clubs." The episode was summarised at the time as follows:For this debut episode of The Jamming! Fanzine Podcast, Tony Fletcher connects with three old friends who all played an important part in the Jamming! school days, and each of whom wrote an introductory piece for The Best of Jamming! book. They are Richard Heard, Jeni de Haart and John Matthews, and over the course of a lively group call, they discussthe onset of punk,the birth of Jamming and why John Matthews declined a rolefirst gigs at The Marquee on Wardour Streeta shared love of The JamJamming's eclectic tastes - including The Fall, Scritti Politti, Killing Joke and moreattending the Setting Sons recording sessionsApocalypseselling fanzines at gigsbeing taught 'Teenage Kicks' on guitar by The Undertonesthe violence surrounding the tribalism of the late 1970sthe influence of John Peelfave gig memoriesand why those years mattered so much and why they are all still friendsThe Best of Jamming!: Selections and Stories from the Fanzine That Grew Up 1977-86 is published by Omnibus Press and available from all good book shops.on Sep 23 in the UK/EU, and Dec 2 in the rest of the world.More information and online purchasing options available at:TonyFletcher.netOmnibusPress.com Meantime, if you're a former fanzine editor interested in contributing to the Guest Ex-Editor project, "The concept is to bring various zine scene alumni out of retirement for one or two pages. Contributors might use their page(s) to revisit memories of their old zine, re-evaluate it, resurrect it (maybe with a modern twist to reflect where life has taken them since), or pilot a brand-new zine idea." Write to Alison via confessionsofanexzineeditor@gmail.comZerox Machine: Punk, Post-Punk and Fanzines in Britain 1976-88 available now in the UK from Reaktion Books https://reaktionbooks.co.uk/work/zerox-machineMatthew Worley's Facebook group Subcultures, Popular Music and Social Changehttps://www.facebook.com/groups/267152449995279'The Jamming! Fanzine Podcast Theme' is by Noel Fletcher. Copyright reserved.The Jamming! Fanzine Podcast logo was designed by Greg Morton, who also assisted with editing.The Best of Jamming! book cover was designed by Martin Stiff.

To win a copy of the compendium, Sniffin’ Glue and Other Rock’n’Roll Habits, published by Omnibus Press, as mentioned on this episode, please visit https://tonyfletcher.substack.com/p/midweek-update-32-sniffin-glue-and - and don't forget to subscribe to the Substack account if you haven't already. Competition ends March 19.Back in 1976, given that there was no other publication dedicated to covering the Ramones or the new bands popping up around London, Mark Perry founded Sniffin’ Glue, the original British punk zine. Barely a year later, after a dozen issues that saw circulation rise from 10 – as in ten, total - to 20,000 copies, Mark walked away from it, partly because he was disillusioned with punk, but also to focus on his group, Alternative TV.Now, in 2024, copies of early Sniffin’ Glues go for ridiculous sums of money, but they have also been gathered up for a new edition of the compendium, Sniffin’ Glue and Other Rock’n’Roll Habits, published by Omnibus Press. The Sniffin’ Glue compendium gathers up every single page of that zine's 12 (and a half) issues, including all the ads, and has an extended intro written by Mark, along with various photographs from back in the day.On this episode, we discuss how Sniffin' Glue started, what the scene was like in London at the time, what was good about the zine, how it became so successful, and why Mark walked away from it after only a year.Mark Perry, Sniffin' Glue and Alternative TV can all be found at https://sniffinglue.co.uk/. Mark Perry can also be found on Facebook.If you enjoyed this episode, please do the usual like-review-subscribe, and check out previous episodes if you haven't already.Theme tune by Noel Fletcher. Logo by Greg Morton. Tony Fletcher takes credit and blame for everything else.

Liz Mason and Billy McCall are two of the more prominent U.S. “publishers” of what are affectionately called “perzines,” fanzines as expression of self. Liz publishes or co-publishes Caboose, Cul-de-Sac, Awesome Things and The Most Unwanted Zine and works as manager at Quimby’s bookstore in Chicago, which actively sells ‘zines. Billy puts out Proof I Exist, Behind the Zines, The Difference Between, has published at least three different pocket-sized memoirs, distributes fanzines online, and designed and initially produced the Zine Game. On this episode of The Fanzine Podcast, they join Tony Fletcher to explain the how, why, when, what, and where behind their phenomenal output, and dive deep into the thriving world of contemporary zine culture.You can read much more about Billy and Liz, and see pictures of their zines and the conversation we had, at tonyfletcher.substack.com/Billy is at www.iknowbilly.com and https://behind-the-zines.com/Liz is at LizMasonIsAwesome.com and instagram.com/caboosezine.The Best Of Jamming!: Selections & Stories from the Fanzine That Grew Up, 1977-86 can be found here and signed copies are available in the USA direct from https://tonyfletcherauthor.bandcamp.com/merch/Theme music by Noel Fletcher. Logo by Greg Morton.