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The Industry

Winter Kills

Season 1, Ep. 4

Director William Richert had a dream set up for his first feature film. It was based on a new popular novel from the author of The Manchurian Candidate, he had a hot leading leading man in Jeff Bridges, and he had an all-star supporting cast made of up Oscar winners, legendary character actors, and one bonafide member of Hollywood royalty. What could go wrong? As it turns out, everything! William Richert helps tell this story that involves shotguns, drug dealers, and a repossessed mink coat. 

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  • 7. Strike It All

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    In 1982 British filmmakerJames Scott had made an Academy Award winning adaptation of a Graham Greene novella. Adapting another Greene novella, this time as a feature length film, seemed like a natural progression of things. He had Greene's blessing to take his novella Loser Takes All and turn into a film that would feature stage star Robert Lindsay and Molly Ringwald. He had every element in place. Almost. The only thing left was getting American distribution. And that was found when a deal was struck with Miramax. All that James Scott had to do in order to get his modest British comedy made was deal with a producer named Harvey Weinstein, who had a lot of ideas on how this film should be made.LinksJames Scott's WebsiteSourcesRizov, Vadim. The Legend of Harvey Scissorhands. MTV.com, August 9, 2013.https://www.mtv.com/news/zs4qqu/harvey-weinstein-snowpiercer-cutsRingwald, Molly. All The Other Harvey Weinsteins. The New Yorker, October 17, 2017.https://www.newyorker.com/culture/cultural-comment/all-the-other-harveysRobert Lindsay: 'Monster' Weinstein blacklisted me. BBC.com, November 9, 2017.https://www.bbc.com/news/av/entertainment-arts-41927167Connelly, Christopher. The Heartbreak Kid. Premiere Magazine, July 1990.
  • 6. Elaine's Mayhem

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    Elaine May will always be best known for her comedy with Mike Nichols and her screenwriting skills. However, as a director May is an uncompromising force who seemingly would do whatever it takes to get her vision on the screen. This episode looks at the great lengths May went to in order to get Mikey and Nicky, a lifelong passion project made, and what that lack of compromise cost her.Author Patrick Cooper, director of photography/cameraman Jack Cooperman, and an unnamed crewmember help tell this story of a seemingly simple production that was anything but.LinksCheck out Patrick Cooper's book Aren't You Gonna Die Someday?Courtney Kocak's podcasts are Podcast Bestie and The BleedersArticlesBefore the Snyder Cut: Look back at other Hollywood director's cuts (ew.com)Cock, Jay. Cinema: Hit Men. Time Magazine. January 31st, 1977.https://content.time.com/time/subscriber/article/0,33009,918649,00.htmlMIKEY AND NICKY - HOLLOW SQUARE PRESS
  • 5. Blake Edwards Strikes Again

    29:44
    The death of actor Peter Sellers in 1980 also seemed like the death of the Pink Panther film series. Instead, director Blake Edwards decided it was a new beginning. A beginning of numerous lawsuits, several flops, and one unseen television pilot. Author John LeMay and actor Charlie Schlatter help tell the story of what happened when Blake Edwards kept trying to keep the Panther on the hunt. SourcesBooksLeMay, John. Trailing the Pink Panther Films: An Unauthorized Guide to the Pink Panther Series. Bicep Books, January, 2022.Oldham, Gabriella. Blake Edwards: Interviews. University Press of Mississippi, December, 2017.Wasson, Sam. A Splurch in the Kisser: The Movies of Blake Edwards. Wesleyan University Press, July, 2011.Articles"Seller’s Widow Wins $1 Million Damages Over Panther Film" AP News. AP Services, May 24, 1985. https://apnews.com/article/39ab5abec851ab132d99965780aa6a7e"Film maker Blake Edwards filed a $180 million lawsuit..." UPI Archives. September 28, 1983. https://www.upi.com/Archives/1983/09/28/Film-maker-Blake-Edwards-filed-a-180-million-lawsuit/1090433569600/"BLAKE EDWARDS SUED BY MGM/UA" New York Times. Aljean Harmetz. April 17, 1984. https://www.nytimes.com/1984/04/17/movies/blake-edwards-sued-by-mgm-ua.htmlLinksClosing Night: Victor Victoria episodeTranscription Available at The Industry Podcast website.
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    By the 1960's director Alfred Hitchcock was at the absolute height of his powers. He had reached the point where he could make any movie he wanted. Yet as the decade rolled on. Hitchcock seemingly had project after project he had developed not blossom into a feature film. What was keeping Hitchcock from making the movies he really wanted to make? We attempt to answer this question with help from HitchCon's Joel Gunz and author Shawn Levy.Links:Listen to Lew Wasserman's story on Glitter and Might: Glitter and Might (pod.link)Check out HitchCon '23: HitchCon International Alfred Hitchcock ConferenceKaleidescope Test Footage: Alfred Hitchcock's Kaleidoscope Footage - YouTubeHitchcock documentary: Hitchcock - Reputations - YouTubeIf you like the show you can support it by clicking here: Buy Me A Coffee.
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