The Hobcast Book Show

We've done it! 200 episodes of The Hobcast Book Show! To celebrate this landmark, we're joined by bestselling crime author Michael Wood, creator of the DCI Matilda Darke series. His twelfth novel in the series, Last One Left Alive, was published by Harper Collins imprint One More Chapter last month. In this fascinating interview, Michael explains how he moved from being an avowed crime fiction fan to successful author, and his secrets for keeping the novels fresh and inventive, as well as taking his principal character into unexplored challenges and difficulties. He also shares with us the challenges he's faced creating a new psychological thriller series, starring Dr Olivia Winter.Also this week. we discuss the implications of a major takeover in the UK crime fiction publishing scene, and we're delighted to hear that 50 year old book tokens can still be used to buy books!Amazon.co.uk: Michael Wood: books, biography, latest updateDCI Matilda Darke (13 book series) Kindle editionhttps://www.amazon.co.uk/gp/product/B0CV4YPDST

Never has "truth" been under greater scrutiny than in the past months leading up to Donald Trump's re-election to the Presidency last week. It seems that every side of every debate claims to be speaking the truth, and accuses their opponents of spreading disinformation or downright lying. No matter what the issue, not everyone can be right, can they? So how do you discern what you can believe and what you can't. Our guest this week, Lindley Gooden, has written The Future of Truth: And How to Get There. Drawing on his many years as a journalist, Lindley offers some tips and techniques anyone can apply to check the veracity of what they read, are told and what they see. As Lindley tells us, these techniques have never been more needed.Also this week, we discuss why Jamie Oliver has been forced to withdraw his latest children's book from sale worldwide, and we run through the shortlist for the world's weirdest book titles this year.Lindley GoodenThe Future of Truth (and How to Get There)

Every so often an interview will take a truly unexpected direction. That's the case this week as we speak to prolific author Gillian Jackson in her first ever podcast appearance. Gillian principally writes psychological fiction, which to some extent draws on her professional experiences as a therapeutic counsellor working with Victim Support. But as she reveals in this startling interview, she also draws on some difficult experiences of her own. He most recent novel, Ask Laura, marks a departure for Gillian into women's fiction, but all her work is imbued with humanity and empathy.Also this week, Adrian and Rebecca discuss the results of the Written Word Media Survey of independent authors which reveals a growing antipathy towards paid advertising platforms like Facebook and Amazon Ads. So what's the alternative?Gillian Jackson – Fiction, Non-fiction and Short Storieshttps://www.writtenwordmedia.com/2024-indie-author-survey-results-insights-into-self-publishing-for-authors/

We're delighted to be speaking to Hobeck Books author Tony Gartland, writing as AJ Aberford, in this episode, to mark the release of The Car Horn Revolution - the sixth and potentially final novel in the George Zammit series. It's perhaps the most personal adventure for our accidental Maltese police hero, as the book is set firmly in Malta, and his whole family face danger as geopolitical intrigue and outside forces threaten the island. It's been a remarkable journey for author and character alike - originally Tony wrote Bodies in the Water as a standalone thriller, but three years and five books further, George has risen through the ranks of the Maltese police. We discuss the cultural impact that George has made on Malta, and Tony also shares plans for a change of direction in his writing career.Also this week, will a letter signed by over ten thousand famous creators really make the AI companies pause for thought? And we hear how Bob Dylan lost sleep thanks to the night time antics of hordes of publishers.Home | AJ Aberfordhttps://www.amazon.co.uk/Car-Horn-Revolution-action-packed-Inspector-ebook/dp/B0DDHSWZKL

Regular listeners to The Hobcast Book Show might be forgiven for thinking that we're obsessed with AI. There's barely a week when we don't discuss the latest encroachment of AI into the publishing world, whether it be machine generated text and covers, or AI mimicking the work of audiobook narrators. Above all, we're concerned about how the big tech companies have ingested copyrighted works into their systems without any recompense for their creators. Our guest this week, Tom Albrighton, has just released a book examining these issues and assessing the scale and impact of AI systems on human creativity, particularly writing. How much of a threat do AI systems pose? In AI Can't Write, But You Can: Why human writing matters in the age of ChatGPT, Tom argues that AI systems are essentially highly-developed predictive text machines. They're good at synthesising what's expected in a certain type of writing, but they remain soulless and prone to mistakes. Tom says that humans should lean in to what makes them unique as authors, and make the most of what AI's lack - emotion. This is a provocative and timely interview.Also this week, have Penguin Random House found a way to beat the AI companies? And why are hardback sales down year-on-year?https://www.amazon.co.uk/Cant-Write-But-You-Can-ebook/dp/B0DFJ3RXRB(25) Tom Albrighton | LinkedIn

We'd be the first to admit that when we hear the word "trope", we give it negative connotations. It might be a British thing, but a trope is often equated to a cliche - something to be shunned and avoided. But our guest this week, bestselling author Jennifer Hilt, believes that authors should embrace tropes and lean into them as much as possible. She argues that all celebrated literature is full of tropes, and that they are the foundation stones of great storytelling. Jennifer, known colloquially as "The Trope Lady", explains her philosophy in her book, The Trope Thesaurus. Jennifer says she was initially slow to recognise the importance and power of tropes, but once she'd made that realisation, she couldn't enjoy a favourite book or film without spotting them. She hopes that authors will also see their importance, and lean into and twist tropes to strengthen their work.Also this week, Adrian and Rebecca reflect on their trip to London for the inaugural gathering of the new Indie Press Network, and ask if publishing is ready to cope with some new EU legislation that will significantly complicate printing books in future.Jennifer Hilt, USA Today Bestselling Author of Non-fiction and Urban Fantasyhttps://www.amazon.co.uk/Trope-Thesaurus-Jennifer-Hilt/dp/B09PHG395P

We're linking up with the U.S again this week to meet YA author Jon McBrine. Joining us from his home near Dallas, Texas, Jon shares his journey from graphic designer, illustrator and comic book aficionado to author. His first YA superhero adventure, Unsecret Identity was published last year, and introduces Eric Icarus, a 14-year-old with the ability to fly. You'd think that would be a gift, but for Eric it's the last thing he needs, drawing unwanted attention to him at a time of acute teenage sensitivity. As Jon explains, he wanted to use the superhero genre to explore the themes teenagers face as they prepare for the wider world.Also this week, we discuss Pan Macmillan's withdrawal from X (formerly Twitter), and Adrian reveals details of a big writing project he's just been commissioned to deliver in 2025.https://jonmcbrine.com/https://www.amazon.co.uk/Unsecret-Identity-Eric-Icarus-Book-ebook/dp/B0CJTK86Z5

You've written the book, and found a publisher. But how do you find your readers? Our guest this week, Roger Corke, has taken a meticulous approach to building the promotion around his debut thriller, Deadly Protocol. With a successful career as a documentary maker and investigative journalist, Roger used his research skills to discover how best to promote his novel. Drawing on the advice and experience of a range of established authors, he has explored all avenues in creating a buzz around the book - building an extensive blog and podcast tour, tracking down elusive book reviewers from the print media, and creating a wide range of video content for various social media platforms. As Roger tells us in this wide-ranging interview, the onus is on authors to build their own audience, even if they have a supportive publisher. Roger also explains how a chance conversation with a British scientist led to the plot of the novel - who would benefit from the death of a scientist on the verge of curing cancer?Also this week, Adrian and Rebecca support a new initiative to connect BookTok stars with authors and publishers, and they reflect on how they coped when they lost WiFi for four days. https://www.amazon.co.uk/Deadly-Protocol-Roger-Corke-ebook/dp/B0DFYBLBQ3