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When I think of the sounds of Western Australia, the licks of Wide Open Road by the Triffids hits my mind, or maybe The Waifs yearning to be back in London, or occasionally it'll be a wistful memory of a cleaner dancers in a mental health facility pop up in my mind.But drowning all of those sounds out is the infectious licks of guitars and bass from Chris Daymond, Kevin Mitchell, Ness Thornton, and the thumping drums of Brett Mitchell, all of whom make up Jebediah. Soundtracks to growing up don't get much better than the one-two punch of Slightly Odway and Of Someday Shambles, tracks that spoke to my youthful boredom and the malaise of growing up in Perth. Here was a language that I understood.Thirty years on, and Jebediah are still going strong and still speaking a language many of us West Aussies - and the rest of Australia too, can't forget about them - speak. As a culmination of that longevity, filmmaker (and muso in his own right) Arlo Cook spent ten years following the band, interviewing them and capturing gigs, all the while combing through decades of archival material to pull together the brilliant doco Jebediah: Are We Ok?Arlo talks in depth about making Jebediah: Are We Ok? in the following interview, including discussions about his own music journey too.Jebediah: Are We Ok? has Q&A sessions running around Australia from 2 October 2026. Head over to Madman for all the details here:https://www.madman.com.au/jebediah-are-we-ok/the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.

As you'll hear in the below interview with festival programmers Parker Constantine and Flynn Boffo, I have a huge level of admiration for the work that The Collective of Underground Movie Lovers is doing in Sydney right now. This kind of grass roots, film enthusiast film collective is part of the changing face of Australian cinema. Through people like Parker and Flynn, creativity thrives, it grows, it survives. HOMEthe Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.

There's something in the water in Adelaide that's forcing a major change within the Australian film industry. The Adelaide Film Festival exists and has continued their great financial support for establish and emerging filmmakers, helping nurture the budding ecosystem which has seen talent like the Philippou brothers explode into the world and change how modern Australian films and filmmakers are seen.Elsewhere in Adelaide is something that's equally nurturing the next generation of Australian filmmakers: the Adelaide Independent Film Festival. This festival provides foundational support to filmmakers of all kinds, established, emerging, otherwise, to present and share their stories on screens. The use of the word 'independent' is not an accident, it's a feature that enhances the position and purpose of supporting independent filmmakers in Australia.Tom Kerby is the Festival Director & Programmer, and it's with his shared vision alongside the many talented folks who bring the festival to life, that independent voices are supported through the festival. The fourth edition of the Adelaide Independent Film Festival kicks off from 3 - 4 October 2026 and features screenings, workshops, and a lot more. In the below interview, Tom talks through the purpose of the festival, what his vision is for the festival, and what attendees can expect for this years events.https://auteursforum.com/aiff26the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.

Madison Dell'Aquila is, as her website proudly states, "constantly looking forward to challenging what people say can't be done." That mindset is strongly applied with the new platform Heretica, a website which aims to enhance the opportunities that women and gender diverse crew have on film and TV productions in Australia all the while dismantling the gender divide that exists in one of Australia's major cultural institutions. While Screen Australia has an initiative to address the gender divide in the screen industry - see the Gender Matters initiative - there's still minimal awareness of who is working within the industry who identifies as a women or non-binary. Heretica aims to address this by being a platform that provides people who wish to engage with women and non-binary crew the opportunity to make film and TV sets more reflective of real life. Having recently launched in August 2026, Heretica has already started to build an impressive array of names and creatives who are eager to start breaking down the gender division in the industry. In the last interview in our first Heretica Interviews series, and hopefully not the last, Andrew talks with Madison about the inspiration to force a change in an industry that has so often felt like it's resisted progressing into a better state of being. This is a deep interview, one that opens up both Madison and Andrew to the failings and the positive aspects of the Australian screen industry.It's been a genuine pleasure to be able to host these interviews and to share with you all just a few of the names who make up the platform of Heretica. the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.Read the other interviews in the Heretica series below:The Heretica Interviews: Sabrina Tan on their filmic journey from Singapore to Naarm-MelbourneSabrina Tan (Chinese: 陈姝颖) (she/her) is a Singaporean filmmaker based in Naarm-Melbourne. Sabrina is a multidisciplinary filmmaker who works in directing, production design, and graphic design. She is also the host of the award winning post-apocalyptic lifestyle series Wasteland Wonders, with Sabrina taking home the Outstanding EmergingThe Heretica Interviews: Téa Mancini on her journey into filmmaking through production designTéa Mancini (she/her) is a multi-hyphenate creative whose filmic body of work is growing in the realm of the art department and wardrobe, specialising in production design, while also building up a filmography as a writer and director. Téa holds a First Class Honours degree in Film, TelevisionThe Heretica Interviews: Keisha Slocomb on bringing her voice to life through filmmakingKeisha Slocomb is an emerging filmmaker who is looking to leave a mark on the world by utilising grounded performances alongside compelling visual storytelling. As a writer-director, Keisha is already hard at work on building a filmography that puts her voice front and centre while also maintaining a strong

Ken Kwapis opens his delightful and genuine documentary We are the Shaggs by having a group of people listen and react to a song by The Shaggs. It’s almost a challenge asking if the audience can stick with the film after hearing the odd music created by three teens sisters — Dorothy, Betty, and Helen Wiggin from the mid to late 1960s.We Are The Shaggs screens at the Sydney Underground Film Festival on 13 September 2026. Tickets are available via https://www.suff.com.au/.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.

In our second part of two interviews about the tender short film For the Boys, director Mitchell Withers and producer Sofia Viegas talk about their journey into filmmaking, creating a safe space for Mitch Brown to share his story as an openly bisexual footy player, and about Australian culture, plus much more.This is an honest, open, considerate discussion, and I'm beyond grateful to both Mitchell and Sofia for sharing their stories with me.Listen to the interview with Mitch Brown here.the Curb... is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit thecurb.com.au/subscribe, where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more.