The Crit

Designer Nipa Doshi of Doshi Levien is our latest guest, visiting the studio to talk about the importance of sketching, the challenges of moving between continents, the need for plural approaches and aesthetic in design, and the case for greater sensitivity in the design of healthcare.Nipa's picks for her crit were:Best design: Charpoy for MorosoWorst design: None (the importance of selectivity) Most successful design: Colour system for Kettal and Quilton sofas for HayMost impactful feedback: “ There's always a way to make a good idea.” —Jonathan LevienDream design: A hospital and mammogram machineThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London

Designer Nina Tolstrup, one half of Studiomama, joins The Crit to talk small-scale living, new cutlery typologies, furniture made from leftover pallets, and the importance of local manufacturing and distribution.Nina's picks for her crit were:Best design: Pallet ProjectWorst design: Bio-Plastic Cutlery ToolMost successful design: 13m2 HouseMost impactful feedback: “Just try it”Dream design: A furniture system for small space livingThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London

Experience designer, artist and filmmaker Nelly Ben Hayoun-Stépanian makes a flying visit to The Crit, discussing bouncing sound waves off the moon to create music mixed with the sounds of the Big Bang, to redistributing wealth to community groups using funding ring-fenced for Brexit celebrations. Nelly's picks for her crit were:Best design: Piccadilly Un:Plugged Worst design: University of the Underground (the early years)Most successful design: Tour de MoonMost impactful feedback: Fiona Raby telling her that she needed to overcome her anxiety about public speaking because it was going to become a big part of her work Dream design: A rocket, a sex toy, or toys for McDonald’s Happy MealsThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London

Jay Osgerby – cofounder of Barber Osgerby, Universal Design Studio and Map Project Office – visits the studio to reflect on the challenges of forging an emotional connection with users and audiences through design, as well as speculating on who might play him in a film of his life.Jay's picks for his crit were:Best design: Double SpaceWorst design: Everything he designed while studying architecture at the Royal College of Art Most successful design: Olympic TorchMost impactful feedback: People writing to him to express how much they loved the Tip Ton chairDream design: A permanent outdoor sculpture or installationThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London

Designer Andu Masebo joins The Crit to discuss designing objects that tell stories about their own creation, his love of harsh feedback and his dream of redesigning the creative education system.Andu's picks for his crit were:Best design: Making RoomWorst design: Union ChairMost successful design: Candleholder No.12Most impactful feedback: His wife saying a design was disgustingDream design: Creative education systemThe CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at KEF Music Gallery, London

Luke Pearson from Pearson&Lloyd joins The Crit to discuss, amongst other things, using design to improve communal spaces which many people might regard as an unfortunate necessity, from airplane interiors to A&E wards.Luke's picks for his crit were:Best design: Virgin Atlantic upper class seat or Flow X stairlift Worst design: Homer office workstation for Knoll Most successful design: A Better A&E Most impactful feedback: A client saying that Pearson Lloyd’s design had catapulted their business forwardDream design: Trams The CritGraphics: Leonhard RothmoserMusic: Yuri Suzuki and Team SuzukiThis episode of The Crit was recorded at Uncommon Holborn