The Country House Podcast

In this episode, we explore how guilt-ridden medieval merchants and eccentric Victorian philanthropists built almshouses - so-called 'hospitals of the soul.' We deconstruct the classic almshouse form - the defensive gatehouse, the peaceful quadrangle, and the central chapel - to understand how architecture was used to engineer social cohesion. Join us as we discover why these 600-year-old designs remain the gold standard for dignified communal living today. If you like our podcast, please consider supporting us on Patreon. Your kind support will enable us to upgrade our (hitherto self-funded) platform and truly 'up our game' when it comes to producing high-quality content for our audience. Please follow this link for more information.

As the resonant peals of the Great Bell usher in the New Year, we turn our eyes to the Elizabeth Tower; the neo-gothic sentinel that is universally - if erroneously - known as 'Big Ben'!In this New Year's special episode, Rory helps deconstruct the architectural swan song of Augustus Pugin, whose feverish medieval detailing perfectly complements Charles Barry’s structural ambition. We venture beyond the gilded clock face to explore the Victorian horological engineering within, examining how this Westminster icon became the unshakeable metronome of British life.Join us as we traverse the history of the world’s most famous four-faced clock, celebrating the design, the restoration, and the enduring symbolism behind the dings and dongs that ring out hope for the year ahead.

We are delighted to be joined in this week's 'Christmas special' by historian Daniel Wilson - known for his brilliant social media platform 'Daniel's Historic Architecture' (@greatbritisharchitecture).Join Daniel, Geoff and Rory as they discuss the parish church - the long and storied history (architectural and social) of these important buildings - and their particularly important role at Christmas time. We explore how the parish church has evolved and changed over the centuries, yet simultaneously has remained unchanged in so many ways.We would like to wish all our listeners and supporters a very Happy Christmas, and may 2026 be a joyful, blessed and prosperous year for you all!

On this week's podcast episode, we are delighted to be joined by Helena, Lady Rees-Mogg. This marks the first time Lady Rees-Mogg has ever appeared on a podcast, and the first time she has spoken publicly about her extraordinary family history. The daughter of the sole surviving child of the 8th Earl Fitzwilliam, Lady Rees-Mogg offers a unique, intimate perspective on the rise and dramatic decline of one of Britain’s great aristocratic dynasties.This wide-ranging episode delves into the untold stories of the many fascinating country houses of the Fitzwilliams - owners of the palatial Wentworth Woodhouse (with 308 rooms, it has the longest façade of any privately-owned country house in Europe) - as well as featuring exclusive, behind-the-scenes insights into the filming of the Discovery+ documentary “Meet the Rees-Moggs”, and her reflections on life as a political spouse.“The [Labour] Minister Manny Shinwell told my grandfather ‘we will mine coal up to your back door, my Lord - and they almost literally did! ...The miners marched to 10 Downing Street in protest at being made to do open-cast mining in the park at Wentworth of this apparently worthless brown coal" | Helena, Lady Rees-MoggThis episode is our 100th podcast episode, and to celebrate we are coinciding its publication with the launch of our Patreon membership tiers. Your kind support will enable us to upgrade our (hitherto self-funded) platform and truly 'up our game' when it comes to producing high-quality content for our audience. Please follow this link for more information.

In this timely episode, Rory steps into the shoes of Inspector Clouseau to give Geoff - and you - a tour of the Galerie d'Apollon; the scene of the crime for the latest Louvre heist in which eight priceless pieces from the French Crown Jewels were stolen in only eight minutes.We invite our listeners to join us in the luminous splendour of the Galerie d’Apollon in Le Palais du Louvre; a room that reads like a manifesto of French royal ambition. Designed after the 1661 fire that ravaged the palace, the Galerie became a testing ground for the emerging language of the French Baroque - soaring ceilings, gilded stucco work and celestial frescoes celebrating the Sun King (Louis XIV). Its walls and ceiling, enriched by the work of Le Brun and later Delacroix, chart the evolution of French statecraft through art. The Louvre Palace opened as a museum in 1793, and the Galerie has been the home of the French Crown Jewels since the 19th century - their own turbulent history mirroring the political metamorphoses undergone by the nation of France over the centuries.By situating this palace interior within the broader tradition of European domestic architecture, the episode explores how courtly aesthetics shaped the ambitions of country houses and urban palaces alike - each aspiring to embody a choreography of power, spectacle, and cultivated magnificence.

In this Remembrance Day special, we step through the doors of Bateman’s, the 17th-century Jacobean house that became both a refuge and a muse for imperial poet, journalist and writer, Rudyard Kipling.Nestled in the folds of the Sussex Weald, the sandstone gables, mullioned windows and heavy beams of Bateman's speak of endurance - a quality that runs like a golden thread through Kipling’s writing. From the carved oak staircase to the low, moody study, Bateman’s was more than a home: it was the stage for Kipling’s reflections on empire, loss, and belonging. As the First World War cast its long shadow, Bateman’s also became a house of grief. Kipling’s only son, John, was killed at the Battle of Loos in 1915, a loss that transformed the poet’s voice and deepened his understanding of duty and remembrance.In this episode, we explore Kipling's idealised search for 'home', how the stillness of Bateman’s shaped his later work - and how its rooms echo with the unspoken cost of war. Join us as we walk the paths Kipling once took, tracing the lines between place, poetry, and remembrance... and discovering how a Sussex gentleman's farmhouse became a monument to both creativity and courage.Then hold your head up all the more,This tide,And every tide;Because he was the son you bore,And gave to that wind blowing and that tide!From My Boy Jack (1916) by Rudyard Kipling