The Clientele Podcast

In Part 2 of Episode 9 of The Clientele Podcast, Robin Allender talks to multi-instrumentalist Mel Draisey. Following a hopeful MySpace message back in 2006, Mel was asked to join The Clientele and immediately embarked on a US tour which culminated in the recording of the God Save The Clientele album in Nashville. She also appears on, and wrote arrangements for, Bonfire on the Heath – adding vocals, piano, violin, drones and much more. Her contributions, particularly her beautiful voice, are really key elements of the band's sound during that period. Mel also appears on the (brilliant) EP That Night, A Forest Grew and the mini-album Minotaur.You can follow Mel on Twitter, to keep up to date with her ongoing musical projects:https://twitter.com/Mel_Draisey

This week it's a bumper edition of The Clientele Podcast, as Robin Allender speaks to three former members of The Clientele: original drummer Dan Evans, guitarist and songwriter Innes Phillips, and multi-instrumentalist Mel Draisey. As such, this episode has been divided into two parts. In this part you can hear Robin's chats with Dan and Innes, and in Part 2 (which should be next up in your podcast feed), you can the interview with Mel.It's definitely worth checking out Tomorrow is Again by The Relict, a beautiful collection of Innes's songs, and a key part of The Clientele's discography:https://therelict.bandcamp.com/album/tomorrow-is-againHeld in Glass, the song Innes mentions, is sung by Abigail Marvell.

This week on The Clientele Podcast, Robin Allender talks to his good friend Kate Connolly, who introduced him to the band! Kate is hugely passionate about music and has followed the band from the start, so it's an illuminating conversation about what the music of The Clientele means to their fans. Robin and Kate also talk about Gravenhurst and the similarities between Nick Talbot's songwriting and Alasdair's.Alasdair MacLean performing The Age of Miracles at Union Chapel for Daylight Music (a gig put on by Kate):https://www.youtube.com/watch?v=uFp0SB1foW0Animals by Gravenhurst:https://youtu.be/j-bQBlZgU8g?si=H8ymkFF60w9cAskUInterview with Alasdair in Our Culture:https://ourculturemag.com/2023/07/28/the-clientele-i-am-not-there-anymore-interview/

This week on The Clientele Podcast, Robin Allender is joined by the Australian author and critic Anwen Crawford. Alongside the music of The Clientele, they discuss Sinéad O'Connor, Broadcast, Burial, the 00s blogosphere – and cricket. Anwen has recently published No Document, an extraordinary book, fragmentary, part memoir and part elegy; and Robin and Anwen talk about its similarities to The Clientele's new album, I Am Not There Anymore.Anwen's website:https://demandspopular.net/Anwen's recent blogpost, which mentions The Violet Hour (and the podcast!):https://www.fridayjukebox.com/selections/phantom-folkAnwen's review of Music for the Age of Miracles:https://www.themonthly.com.au/issue/2017/october/1506780000/anwen-crawford/another-summer-s-night#mtr200Backlisted episode which discusses No Document in the introduction:https://www.backlisted.fm/episodes/170-elizabeth-gaskell-north-and-south24 Hour Theory People: Mark Fisher and the blogosphere:https://sydneyreviewofbooks.com/essay/mark-fisher-blogosphere/Ian Penman on The Beatles:https://www.lrb.co.uk/the-paper/v43/n12/ian-penman/four-moptop-yobbosThe extract from T. H. White's The Sword in the Stone, which I (Robin) was struggling to remember!One Thursday afternoon the boys were doing their archery as usual. There were two straw targets fifty yards apart, and when they had shot their arrows at one, they had only to go to it, collect them, and shoot back at the other, after facing about. It was still the loveliest summer weather, and there had been chicken for dinner, so that Merlyn had gone off to the edge of their shooting-ground and sat down under a tree. What with the warmth and the chicken and the cream he had poured over his pudding and the continual repassing of the boys and the tock of the arrows in the targets—which was as sleepy to listen to as the noise of a lawn-mower or of a village cricket match – and what with the dance of the egg-shaped sunspots between the leaves of his tree, the aged man was soon fast asleep.

This week on The Clientele Podcast, host Robin Allender talks to the American writer Audrey Golden. Audrey is a longtime fan of The Clientele and talks about hearing Suburban Light for the first time, seeing them live in a small venue, and interviewing Alasdair recently about the new album. Audrey has recently published her first book I Thought I Heard You Speak: Women at Factory Records, an oral history of the legendary label.Audrey Golden's website, from which you can order I Thought I Heard You Speak:https://www.audreyjgolden.com/Audrey's interview with Alasdair on Louder Than War:https://louderthanwar.com/the-clientele-interview-with-alasdair-maclean/This is the first of three episodes in which Robin speaks to fans of the band. Next week's episode will be a discussion with the Australian writer Anwen Crawford.

This week on The Clientele Podcast, Robin Allender talks to the band's bass player James Hornsey. James talks about the history of the band and gives a guided tour to The Clientele discography. As well as discussing the band's seven studio albums, Robin and James mention It's Art, Dad (demo recordings from the band's early years), the 2010 mini-album Minotaur, and the 2003 album Tomorrow is Again by The Relict, a beautiful collection of songs by founding member Innes Phillips. We also hear about James's alter ego Barry Lasagne and a close encounter with Dolly Parton.