Share
Talk Art
Peter Halley
We meet leading artist Peter Halley from his studio in NYC!
Throughout the 1980s and 1990s, Peter Halley’s paintings and extensive writings about the ever-growing digitisation of cultural, artistic, and social life established him as a leading figure of the Neo-Conceptualist movement in New York City. In his paintings and writings, Halley described the increasingly isolated built environment through his uniquely invented language of ‘cells’, ‘prisons’ and ‘conduits’. These central motifs were a means of thinking through the French Post-Structuralist ideas of Michel Foucault and Jean Baudrillard – among others – in relation to digital technology and capitalism. The gridded forms of Halley’s paintings reference not only the societal structures of the urban grid and the expansion of its underlying network of information technologies, but also the legacies of minimalist painting with which Halley grew up. It was during this period of the 1980s, while re-evaluating some of the inherited traditions of modernism, that Halley began to use synthetic colours and materials such as Day-Glo paint and Roll-a-Tex, which continue to characterise his work to this day. Alongside his teaching, painting and writing, in 1996, Halley founded index magazine, which was a further locus of his contribution to critical discourse around contemporary culture.
Halley’s exhibition at Modern Art comprises a group of new shaped-canvas paintings that Halley has been evolving over the past several years. Building on his well-developed language of cells, prisons and conduits, these new shaped-canvas paintings further elaborate a relationship between two-dimensional and three-dimensional space in relation to the built environment. While remaining faithful to his painterly vocabulary and chosen materials: acrylic, Roll-a-Tex, and fluorescent Roll-a-Tex on canvas, Halley’s new works mark a departure from his paintings from the 1980s which assumed rectangular forms. The shapes of Halley’s new canvas surfaces are defined through the painted geometric compositions, associative of another dimension – perhaps an architectural plan, or a circuitry board – while the works continue to inhabit a point of contradiction between pure, rationalist geometry and playful, irreverent colour and texture.
Peter Halley was born in 1953 in New York City, where he continues to live and work. He received his ba from Yale University in 1975 and his mfa from the University of New Orleans in 1978, remaining in New Orleans until 1980.
Follow @PeterHalleyStudio on Instagram and https://www.peterhalley.com/
View his works at his gallery Stuart Shave/Modern Art: https://modernart.net/artists/peter-halley
More episodes
View all episodes
1. Introducing Talk Art
39:25||Season 1, Ep. 1Welcome to Talk Art! Actor Russell Tovey and gallerist Robert Diament discuss how they first became friends a decade ago, plus more recent adventures at Frieze Art Fair, the Turner Prize, South London Gallery and other exhibition highlights in London, as well as Robert's gallery relocating to the seaside town of Margate, Kent.2. Sir Michael Craig-Martin CBE
01:05:51||Season 1, Ep. 2Russell & Robert talk with leading artist Sir Michael Craig-Martin CBE exploring 50 years of art-making. From his early 1960s work as a conceptual artist culminating in the seminal ‘An Oak Tree’ (1973) through to more recent decades as an internationally-renowned painter, sculptor and printmaker as well as his influential role as a teacher to two generations of Young British Artists at Goldsmiths.3. Pedro Pascal
01:00:02||Season 1, Ep. 3Russell & Robert talk with leading actor Pedro Pascal, star of Narcos, Game of Thrones and forthcoming Star Wars 'The Mandalorian'. They discuss his favourite artist, a classic painting on display at Museum of Modern Art that offered Pedro comfort when he moved to New York in the mid 1990s, as well as his more recent art experiences at Tate Modern and Frieze Art Fair whilst filming in London for his latest movie Wonder Woman 1984.4. Sarah Hadland and Laura Aikman
53:37||Season 1, Ep. 4We celebrate the holidays with two dear friends, the actresses Sarah Hadland and Laura Aikman (both stars of The Job Lot comedy sitcom with Russell). Topics include Olafur Eliasson’s melting ice installation highlighting climate change, Yayoi Kusama’s infinity mirrored room, the paintings of LS Lowry, Beryl Cook, Picasso and Ed Ruscha. Plus we discover which guest once pole danced for Madonna! Happy Christmas everyone. We will return in Spring 2019 with a weekly season. Love Russell and Robert X5. Louisa Buck
50:02||Season 1, Ep. 5Robert & Russell chat with leading British art critic and author Louisa Buck, columnist for the Art Newspaper and a judge of the Turner Prize in 2005. They explore how the art world has evolved since the 1980s and 90s, discover which artwork Grayson Perry made as a commission to commemorate the birth of Louisa's daughter as well as revealing the best, and very worst, interviews she's conducted. Happy International Women's Day!6. Martin Creed
01:00:57||Season 1, Ep. 6Robert & Russell meet legendary artist and ‘poet of the everyday’ Martin Creed (and his dog Jimmy). Find out why this Turner Prize winner doesn’t read reviews of his own work, who his favourite comedians are and how music has informed his art. We delve deep into Creed’s creative output spanning more than 30 years. From a giant kinetic sculpture with the word MOTHERS lit up in neon, a live performance where athletes run through the Tate as fast as they can, to a more recent handmade textile work: a multicoloured neck-warmer (worn by the artist during this very interview).7. Sadie Coles
46:12||Season 1, Ep. 7Robert & Russell meet gallerist Sadie Coles, one of the world’s most respected and successful art dealers. Discover why she set up her gallery in London after managing Jeff Koons’ studio in New York in the mid 1990s; how she first discovered the work of Sarah Lucas and John Currin; the skill of representing new artists on the primary market and the importance of taking a longterm view. We discuss feminism and equality in the workplace and why it's good to be collegiate. Finally we explore childhood trips to visit Tutankhamun at the British Museum, a memorable performance by mime artist/choreographer Lindsay Kemp and a pivotal Nancy Grossman exhibition.8. Tracey Emin CBE
01:07:57||Season 1, Ep. 8Robert & Russell meet Tracey Emin CBE, one of the world’s most respected, successful and controversial artists. During an hour-long private tour of her current solo exhibition ‘A Fortnight of Tears’, we explore her mother’s recent death, grief, everlasting love, the supernatural, insomnia and abortion. Tracey reveals that nature is one of her biggest influences and how working in a small South of France studio enabled the artist to wholeheartedly and triumphantly return to painting. Learn more about her longterm connection to the work of Edvard Munch, her return to her childhood hometown of Margate and why, surprisingly, she doesn’t keep a diary. For images of all works discussed in this episode, visit our Instagram @TalkArt Please leave us a review and rating if you’ve enjoyed this episode!9. Ryan Gander OBE
56:50||Season 1, Ep. 9Russell & Robert chat to leading conceptual artist Ryan Gander OBE. We explore artist persona, designing a kitchen sink, family ties, the soul of objects and why his art has been so commercially successful in Japan. Ryan reveals how a limited edition Rolex watch transformed into an artwork, why he worked with glow-in-the-dark concrete, the importance of empathy and why we should all ‘let the world take a turn'. For images of works discussed in this episode, visit our Instagram @TalkArt. Ryan’s new BBC Four documentary ‘Me, My Selfie and I’ is available to view on iPlayer until mid April 2019. Please leave us a review and rating if you’ve enjoyed this episode!