Space the Nation

Ana and Dan pause to commune with the horses just as dawn breaks. How is 2007's "Michael Clayton" related to science fiction? 1) Only alien technology explains how someone with Clooney's looks and charm is the office henchman and not running the place 2) It's the creation of Andor showrunner Tony Gilroy. This is good enough. Highly quotable, gorgeous, perhaps (in Ana's opinion) a perfect film in the vein of Alien: not a single shot or line of dialogue wasted, everyone in the movie performing at the same high level, endlessly re-watchable, satisfying without being trite. Enjoy!

Ana and Dan reintegrate to unpack the second half of Severance Season 2, from haunting standalone episodes to an action-packed finale. They explore the show's psychological and thematic depth: labor alienation, the inner child, and late-stage capitalism in a company town. We learn Harmony Cobel invented severance, Gemma was probably lured with a fake baby promise, and Cold Harbor might be killing innies one spreadsheet at a time. Also: Milchick dances, Gwendoline Christie fights, and the baby goat lives (for now). There's class war, metaphysical angst, and echoes of The Graduate, The Matrix, and every emotionally constipated Apple product demo. There’s IR in this episode, and a critique of capitalism bosses hate more than big words.

Ana and Dan would not volunteer to die over and over again, even to be a working-class counterpoint to an obvious Trump parody. We explore the existential horror of being a disposable clone in a world that treats human life like office supplies. There’s class war, clone angst, and echoes of Moon, The Prestige, and Severance. Also: One of us finds the romance compelling, the other is skeptical. There's some IR in this episode and a critique of capitalism that will hit you like a giant pill bug.

Ana and Dan's outies prefer two scoops of ice cream in a serving, but they (the ice cream scoops) must be the same flavor. Our return to Lumon coincides with our own intense interest in being able to disassociate from the real world! But trauma will reveal itself with or without you remembering it specifically. There is a critique of capitalism and some IR in this TV show.

Ana and Dan didn't realize their "palate cleansing" entry into Nuclear Winter would be about the heroism of civil servants and fighting against a racist autocracy founded by businessman-turned-despot. There is IR in this movie.

Ana and Dan hang onto their shopping bags for this slog through one of the most downbeat takes on the apocalypse that is not actively promoting a cult. CONTENT WARNING: For people who watch the news.

Ana and Dan would never leave Rusty outside the fallout shelter. We discuss the movie that made Gen X the nihilist losers we are—and find more humanity than we remembered. This is the first of three in our Nuclear Winter 2025 series (Threads and The Postman are dropping soon).CONTENT WARNING: Not intended as commentary on current events, but you may find yourself reminded. Also, there's some IR in this episode.

Ana and Dan wish you a happy Valentine's Day, this podcast will erase itself as it plays. Revisiting this scifi art-house classic after 20 years reveals some of its deep flaws and something about Young Dan's wistful notions about bookish young men and Manic Pixie Dream Girls. If you loved this episode's saltiness about saccharine tales, perhaps it would make a good gift for the sober sweetheart of your dreams?