Space the Nation

Ana and Dan reintegrate to unpack the second half of Severance Season 2, from haunting standalone episodes to an action-packed finale. They explore the show's psychological and thematic depth: labor alienation, the inner child, and late-stage capitalism in a company town. We learn Harmony Cobel invented severance, Gemma was probably lured with a fake baby promise, and Cold Harbor might be killing innies one spreadsheet at a time. Also: Milchick dances, Gwendoline Christie fights, and the baby goat lives (for now). There's class war, metaphysical angst, and echoes of The Graduate, The Matrix, and every emotionally constipated Apple product demo. There’s IR in this episode, and a critique of capitalism bosses hate more than big words.

Ana and Dan would not volunteer for a road trip across a ruined America, even if it involved Gen-X micro-targeted mid-90s nostalgia. We break down The Electric State, a film that raises big questions about AI labor and passive entertainment but then does nothing interesting or coherent with them. The most expensive film Netflix has ever made (no, seriously), yet everything looks like a student film shot in the mustard aisle. The Tuch Tuches it up! Giancarlo Esposito does chillingly casual menace! All in vain. There’s class war, robot angst, and echoes of Terminator, The Road, and that Fallout series I forgot to finish. There’s some IR in this episode, and a critique of capitalism that feels like a drone strike from above.

Ana and Dan would not volunteer to die over and over again, even to be a working-class counterpoint to an obvious Trump parody. We explore the existential horror of being a disposable clone in a world that treats human life like office supplies. There’s class war, clone angst, and echoes of Moon, The Prestige, and Severance. Also: One of us finds the romance compelling, the other is skeptical. There's some IR in this episode and a critique of capitalism that will hit you like a giant pill bug.

Ana and Dan's outies prefer two scoops of ice cream in a serving, but they (the ice cream scoops) must be the same flavor. Our return to Lumon coincides with our own intense interest in being able to disassociate from the real world! But trauma will reveal itself with or without you remembering it specifically. There is a critique of capitalism and some IR in this TV show.

Ana and Dan didn't realize their "palate cleansing" entry into Nuclear Winter would be about the heroism of civil servants and fighting against a racist autocracy founded by businessman-turned-despot. There is IR in this movie.

Ana and Dan hang onto their shopping bags for this slog through one of the most downbeat takes on the apocalypse that is not actively promoting a cult. CONTENT WARNING: For people who watch the news.