Sound Without Sight podcast

So you’ve written something cool and you have a great sounding master … what next? How do you get your music out into the world and what are the different ways you can earn money from your recordings?This episode features a panel discussion about releasing and monetising music! Prolific musician Andre Louis shares his experiences of using music distribution services to get his music onto streaming platforms, as well as releasing through a record label. Sync agent and music rights administrator Eliana Sanchez-Magner presents an introduction to music royalties and sync - the industry term for placing music in film and TV. Eli also shares her thoughts on how she would pitch some of Andre’s tracks to production companies. Linn Davies joins me to co-host the discussion.

This bonus episode features an interview with young composer and performer Precious Akindele. Precious shares her experiences of studying at the prestigious BRIT School in the UK, as well as tips for succeeding in the application and audition process. We hope this episode will be especially valuable for young people who are considering studying music at college and beyond.

In this episode, we share the recoding from one of our first ever Monthly Meet-up Sessions, in which welcomed Ben Price as the headline guest. Ben is a prominent advocate for accessibility, in the music industry and an established Artist Manager. His company, Harbourside Management, focuses on working with disabled artists. Ben shares his thoughts on a range of topics, including:How he adapted his career in response his own journey with sight loss.The role of an Artist Manager, and what he looks for in aspiring artists to work with.And tips for disclosing disability within the music industry.

This episode features presentation and Q&A hosted by James Risdon! James is a professional recorder player and a founder member of Paraorchestra. He is also the Access Lead at ABRSM, and previously worked as the Music Officer at RNIB. As part of the celebration of 200 years of braille, James takes a holistic look at how braille music fits into the practices of a modern-day classical musician.He covers a range of topics, including:• Sources of braille music around the world.• Ways of getting music transcribed into braille.• Tips for making braille music files as useful as possible.You can access the handout here: https://soundwithoutsight.org/presentation-joining-the-dots-braille-music-in-the-21st-century/

In this episode, we share updates from the Audio Developer Conference, ADC, 24. Community member Trahern Culver reported live from the event, and later in this podcast, you will hear the interviews he captured with heritage audio company SSL, musician Andre Louis, and software instrument company Spitfire Audio. Trey used a Zoom H4 essential recorder, with its built in accessibility voice guidance, to capture these.But first, Guillem Leon shares his thoughts about ADC24’s Inclusive Design within Audio Products workshop, which I was honoured to chair.

In this episode, we host a panel discussion, curated by Zenny Jabeera, exploring the different approaches that blind musicians might take to learning music and communicating musical ideas. We welcome three very special guests onto the panel: Kevin Satizabal, a composer and music journalist, currently working for the BBC;Andre Louis, a jazz composer and music technology accessibility consultant; and Clare Gailans, a braille music teacher and transcriber, and advocate for accessible formats for music notation.The panel compare and contrast their approaches, such as using braille music notation, learning by ear, and using notation software to explore digital scores. This episode was recorded live, as part of the Sound Without Sight Monthly Meet-up Session for June 2024, featuring questions submitted by our community.