Shows that Go On

This is an Ictus Media production, edited by Leo Hornak

Malika Browne talks to James Birch about Francis Bacon's exhibition at the Union of Artists in Moscow in 1988, the first by a foreign artist in the USSR since 1917. Why did Francis Bacon agree to it? How hard was it to organise a Western art show in the USSR in 1988? Find out by listening!Further reading:Bacon in Moscow by James Birch, Cheerio 2022With Gilbert and George in Moscow by Dan Farson, Bloomsbury 1991This is an Ictus Media production, edited by Leo Hornak

In this episode, guest Sir Simon Jenkins explains how a simple yet powerful exhibition of black and white photographs shamed and shocked the government and the public, and brought about a change in policy towards country houses.Further Reading: England's 1000 best Houses (2003) by Simon Jenkins Life in the English Country House: A Social and Architectural History (1978) by Marc GirouardThis is an Ictus Media production, edited by Leo HornakThe Destruction of The Country House 1875-1975 by Roy Strong, Marcus Binney and John HarrisEngland's Lost Houses: From the Archives of Country Life (2002) Aurum Press by Giles Worsley

In this episode, guest Susanna Brown explains why the Cecil Beaton show of 1968 was groundbreaking, both for photography as an art, as well as for the National Portrait Gallery. Both its content and its design changed the museum, exhibitions, and photograph in Britain forever.Further Reading: Cecil Beaton's diaries in 6 parts in particular The Parting Years: 1963-74, Sapere Books, 2018The Roy Strong Diaries 1967-1987, Weidenfeld & Nicholson 1997Beaton's Bright Young Things, Robin Muir, National Portrait Gallery, 2020Beaton by Bailey - watch on YoutubeThis is an Ictus Media production, edited by Leo Hornak

In this episode, guest Dr Xavier Bray, director of the Wallace Collection, describes the surprise hit exhibition in London in 2000: Seeing Salvation, Image of Christ, at the National Gallery. He shares his memories of being an assistant (and very junior) curator of the show and explains why images of Christ still resonate and matter. He talks about the impact of art on us and suggests what sort of exhibition the world perhaps needs at this troubled time.Further Reading:The Image of Christ: The Catalogue of the Exhibition "Seeing Salvation" (National Gallery of London) by Gabriele Finaldi (2000-11-10)Seeing Salvation by Neil MacGregor and Erika Langmuir (2000)This is an Ictus Media production, edited by Leo Hornak

In this episode, art historian Irene Walsh describes the now legendary Armory Show of 1913 in New York City. Irene wrote her PhD on art collector Lillie P Bliss, and she tells us about the groundbreaking show's shock value, the mockery that surrounded some of the paintings in it, and their unexpected effects on the American public and the art market. She tells us how the show led to the founding of New York's MoMa in 1929.Further Reading:The Story of the Armory Show by Milton W Brown, Abbeville Press Inc.,U.S. 1988The Armory Show at 100: Modernism and Revolution by Kushner, Orcutt and Blake, 2013The chapter on the Armory show in The Shock of the New: Seven Historic Exhibitions of Modern Art by Ian Dunlop, 1972This is an Ictus Media production, edited by Leo Hornak