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Showbiz: Amateur Adventures in Film Studies
Learning about film through the Criterion Collection
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29. 80: SciFi AND French
41:08This week we do a bit of noticing about representations of childhood, building fantasy into your story, and how refreshing a simple film can be.
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28. 79: Let Me Finish (Je, tu, il, elle)
39:49This week we notice ambiguous sex scenes, chemistry, and something the internet seemed to miss in Je, tu, il, elle.27. 78: Bonerparte (Napoleon 1927)
41:30This week we do a bit of noticing about cool camera techniques, Robespierre revisionism, and that everyone agrees Napoleon and Josephine were wack (not wiggity wack... just regular) in Napoleon (1927).26. 77: You Are a FATHER, Sir! (The Crowd)
40:50This week we do a bit of noticing of visual motifs and lateral career moves in the brilliant The Crowd (1928).25. 76: Set Fire to Him... (Europa '51)
45:13This week we do a bit of noticing about social commentary in film, the trouble with satire, and that Wolverine and Sabre-tooth really, really need to just bone down...24. 75: Madonna Played Evita, Right? (The Hour of the Furnaces)
36:26We do a bit of noticing of bias, propaganda, and interrupted sleep in The Hour of the Furnaces.23. 74: Puppy Pouch (Intolerance)
51:47We do a bit of noticing about the famously racist director of Birth of a Nation making a movie about intolerance in a movie that was seemingly a million dollar attempt to take his ball and go home. Also, the Oscars were a thing.