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Secret Life of Books
The Tortured Poets Department: Emily Dickinson, the Transcendentalists and, yes, Taylor Swift
Emily Dickinson is probably the most famous female poet in the world. And yet – at least according to Dickinson mythology – her work could easily have gone unpublished. She wrote 1800 poems but published only 10 in her lifetime. Instead, she bound them into little bundles of paper, tied with kitchen string. These were found after her death by her sister Lavinia and after many stops and starts the first collection was published in 1890 by her friend and mentor, the critic and abolitionist Thomas Wentworth Higginson. It was an instant hit with 11 editions in less than 2 years.
The spontaneity and freshness of the poems appealed to readers, as well as their fragmentary, transient, unfinished quality, as though they were moments of thought or feeling, grabbed out of thin air.
She wrote about death and life, ordinary objects, the natural world, light, air, love and god with a kind of improvisational vim that proved timeless.
The legend of Dickinson is more flamboyant than the writing, which is precise, miniaturist and modest. In this episode Sophie and Jonty talk about the relationship between Dickinson’s world in Amherst and her world on the scraps and fragments of paper she wrote on; the tensions between her reclusive persona and her prolific and highly professional writing life; her disdaining publication and her making sure that it would happen, and the ambiguities of her most intimate relationships. How has such a quiet and unforthcoming poet destined to become one of the most relatable, personal and confessional voices in the history of world poetry?
Books etc referred to in this episode:
Martha Ackmann These Fevered Days: Ten Pivotal Moments in the Making of Emily Dickinson
Cristanne Miller and Karen Sánchez-Eppler Oxford Handbook of Emily Dickinson
Diana Fuss The Sense of An Interior
Lisa Brooks The Common Pot: The Recovery of Native Space in the Northeast
Charlotte Bronte, Jane Eyre
Emily Bronte, “No Coward Soul Am I”
Elizabeth Barrett Browning, Sonnets from the Portuguese and Aurora Leigh
Thomas Carlyle, Sartor Resartus and On Heroes
Ralph Waldo Emerson, Essays
Henry David Thoreau, Walden, A Week on the Concord and Merrimack Rivers, Cape Cod
Isaac Watts, Hymns
Taylor Swift, The Tortured Poets Department.
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135. The Secret Life of (Literary) Honeymoons
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133. Beowulf: Inside the Anglo-Saxon mind
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39:55||Ep. 132To close out our popular series on the great American novelist Toni Morrison, SLOB brings listeners a wonderful discussion with the novelist and Harvard literature Professor Namwali Serpell. Namwali is in the middle of book tour, having just published her highly acclaimed book of essays, "On Morrison," which garnered national and international attention for offering new ways to read and appreciate one of America's most important writers."On Morrison" is based on a class Namwali has been teaching for several years to her undergraduates at Harvard, in which they read many of Morrison's novels over the course of a single semester. In this conversation we talk about why Toni Morrison's novels became instant classics, why it really matters that her writing is often so difficult, what Namwali's experiences teaching Morrison in the classroom shows us about how we can address the reading crisis around the world, and how (as ever) classic literature especially offers us crucial ways forward.Namwali Serpell, "On Morrison."
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128. Saved from Fire: the Toni Morrison Archives
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127. Toni Morrison 2: Song of Solomon
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125. The Other Bronte Girl: Anne Bronte's Tenant of Wildfell Hall
01:07:15||Ep. 125With all the fuss and fanfare around Wuthering Heights, we’re worried Emily Bronte is getting more than her fair share of attention. So today we shift the SLOB-light to her younger sister Anne, author of the remarkable The Tenant of Wildfell Hall, published in 1848. Anne wrote it in a whirlwind after the successes of Wuthering Heights and Jane Eyre, determined to prove herself a Bronte in talent and spirit.And though Anne is now the least celebrated of the Bronte trio, Tenant at the time of its publication it was considered the most shocking in the Bronte collective oevre. Anne had fearlessly pulled back the veil on marital infidelity, domestic violence, alcoholism, and the systemic torments of Victorian masculinity and marriage laws.Listeners will spot fascinating overlaps with many of the key scenes and motifs in Emily’s and Charlotte’s writing — like the fact Lord Huntingdon, the violent villain of Tenant, shares his initial with Heathcliff; that he sometimes bears an odd resemblance to Mr. Rochester, and that Wildfell Hall itself has the same initials as Wuthering Heights. But Tenant of Wildfell Hall is also uniquely its own creation, and today Sophie and Jonty get to work unpacking what makes it so extraordinary.To wrap this Bronte mini-series up we ask, should Tenant of Wildfell Hall be classed as peak Bronte, the equal of Wuthering Heights and Jane Eyre? And should Emerald Fennell be making Tenant the next stop on her raunchy, irreverent period adaptation-spree?Become a subscriber by signing up at Apple: http://apple.co/slobOr join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcastHosted on Acast. See acast.com/privacy for more information.