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The Shakespeare and Company Interview
Bloomcast Holiday Special: Watt by Samuel Beckett, Episode 1
Happy Joycension Day!
For this year’s Bloomcast Holiday Special, Alice, Lex, and Adam reunited for a lively discussion of Watt by Samuel Beckett, asking: How does Beckett’s minimalist, disintegrative style compare to James Joyce’s expansive, celebratory storytelling? What makes this novel so uniquely absurd and profound? And why does Watt feel both so playful and deeply unsettling? Is Watt a meticulously structured puzzle or an exercise in unraveling structure itself? What does Watt tell us about Beckett’s influence on modern literature?
Setting this enigmatic work against the context of Beckett’s wartime experiences, they also explore how it challenges conventional ideas of narrative, language, and meaning. What is Watt’s lasting impact on readers and thinkers alike? As always, our Bloomcasters invite listeners into a spirited and thought-provoking conversation that bridges literary analysis, philosophical inquiry, and personal reflections…before topping of the conversation with a game so contrived it would make Blazes Boylan blush.
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Alice McCrum is a Ph.D. student in the Department of History at Princeton University. Before starting her graduate work, Alice lived in Paris, where she taught at the Sorbonne, studied public policy at Sciences Po-Paris, and directed cultural programming at the American Library in Paris.
Lex Paulson is Director of Executive Programs at the UM6P School of Collective Intelligence (Morocco) and lectures in advocacy and human rights at Sciences Po-Paris. Trained in classics and community organizing, he served as mobilization strategist for the campaigns of Barack Obama in 2008 and Emmanuel Macron in 2017. He served as legislative counsel in the 111th U.S. Congress (2009-2011), organized on six U.S. presidential campaigns, and has worked to advance democratic innovation at the European Commission and in India, Tunisia, Egypt, Uganda, Senegal, Czech Republic and Ukraine. He is author of Cicero and the People’s Will: Philosophy and Power at the End of the Roman Republic, from Cambridge University Press, and is co-editor of the Routledge Handbook of Collective Intelligence for Democracy and Governance.
Adam Biles is an English writer and translator based in Paris. He is Literary Director at Shakespeare and Company. In 2022, he conceived and presented Friends of Shakespeare and Company read Ulysses—an epic, polyphonic celebration of James Joyce’s masterwork. Feeding Time, his first novel, was published by Galley Beggar Press in 2016. It was published by Editions Grasset in France in 2018 to great critical acclaim. His second novel, Beasts of England, was published in September 2023 by Galley Beggar Press, and will be published in 2025 by Editions Grasset. It was selected as a "2023 highlight" by The Guardian. A collection of his conversations with writers, The Shakespeare and Company Book of Interviews, was published by Canongate in October 2023
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Claire-Louise Bennett returns to the Pond
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01:11:01|In a world overwhelmed by complex political challenges and endless commentary, where can we turn for insight into how we got here—and where we might go next? From the survival of democracy to the rise of AI, from confronting inequality to resisting surveillance, today's problems demand deep thinking.In his latest book The History of Ideas, David Runciman explores how the rich history of political thought offers fresh perspectives on contemporary issues. What can the creator of the Panopticon teach us about resisting surveillance? How do the ideas of a former slave and a French Existentialist redefine liberation? And could a utopian novel from 1872 illuminate our understanding of artificial intelligence?David Runciman joined Adam Biles for a spirited journey through radical thinkers and ideas of the past 250 years. Discover how their questions and insights remain strikingly relevant today, and why embracing diverse perspectives is key to understanding our world—and ourselves.Buy The History of Ideas: https://www.shakespeareandcompany.com/books/confronting-leviathan-ii*David Runciman is Professor of Politics at the University of Cambridge and the former Head of the Department of Politics and International Studies.His previous books for Profile include The Handover, Confronting Leviathan, Where Power Stops and How Democracy Ends. He writes regularly about politics for the London Review of Books, created the widely acclaimed weekly podcast Talking Politics and is host of the new podcast Past Present Future.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3wDorian Lynskey on the Stories We Tell About the End of the World…
01:08:58|Why are we so obsessed with the apocalypse? Is it a reaction to the state of the world—climate catastrophe, regional wars threatening global conflict, pandemic scares, and the unsettling rise of AI—or does it run deeper? Is it inherent to the modern world or, perhaps, the human condition? And why are we so captivated by apocalyptic stories in books, films, TV shows, video games, and art—sometimes improbable, sometimes terrifyingly possible?Dorian Lynskey explores these questions in Everything Must Go. He starts in ancient times, with a detour through the Book of Revelation, before focusing on the 19th century, when humanity began to grasp that scientific advances could both transform and destroy the world. The 20th century brings the bomb, robots, and intelligent machines—the seeds of a potential end. Like the best non-fiction, Lynskey’s focus on a specific subject—armageddon—offers deeper insights into how we view ourselves, interact with others, and perceive our world.Buy Everything Must Go: https://www.shakespeareandcompany.com/books/everything-must-go-5*Dorian Lynskey writes about music, film, books and politics for publications including The Guardian, The Observer, the New Statesman, GQ, Billboard, Empire, and Mojo. His first book was 33 Revolutions Per Minute: A History of Protest Songs. A study of thirty-three pivotal songs with a political message, it was NME's Book of the Year and a 'Music Book of the Year' in The Daily Telegraph. His second book, The Ministry of Truth: A Biography of George Orwell's 1984, was longlisted for both the Baillie Gifford Prize and the Orwell Prize. He hosts the podcasts 'Origin Story' and 'Oh God, What Now?'.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3wEmmanuel Carrère on V13: “A unique experience of horror, pity, proximity and presence…”
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57:41|Denis Hirson’s My Thirty Minute Bar Mitzvah can be read as many different books. It can be read as a new, deeply personal, take on a pivotal episode in the history of South Africa. It can be read as a tender reflection on the mind of the author as he teetered on the cusp of adulthood. It can be read as a portrait of one particular wing of the Jewish diaspora, at one very particular moment in time. And it can be read as an account of how trauma is passed from one generation to the next, but also how with every new generation we are offered the opportunity of recovery…if only we will grasp it.My Thirty Minute Bar Mitzvah focuses primarily on the life of the author in the early 1960s, when he was between the age of nine and thirteen, and when the politics of his homeland was in turmoil after the brutal Sharpeville Massacre, carried out by the apartheid regime. Indeed, it’s these very politics that are going to impose themselves in a real and immediate fashion on the author’s world, not only shattering his idea of family, of community, of home, but also setting his life on a course that will ultimately see him pitch up in Paris.Buy My Thirty Minute Bar Mitzvah: https://www.shakespeareandcompany.com/books/my-thirty-minute-bar-mitzvah*Denis Hirson has lived in France since 1975, yet has remained true to the title of one of his prose poems, ‘The long-distance South African’. Most of his nine books, both poetry and prose, are concerned with the memory of the apartheid years in South Africa. Two of his previous titles, The House Next Door to Africa and I Remember King Kong (the Boxer) were South African bestsellers. His most recent books are Ma langue au chat, sub-titled ‘tortures and delights of an English-speaker in Paris’, and a book of conversations with William Kentridge, Footnotes for the Panther.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3wBONUS: Lauren Elkin on Scaffolding (in conversation with Amanda Dennis)
59:56|In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clémentine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn’t sure he’s ready for fatherhood… Both sets of couples face the challenges of marriage, fidelity, and pregnancy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space.A novel in the key of Éric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we’ve known live on in us; and about the way that the homes we make hold communal memories of the people who’ve lived in them and the stories that have been told there.*Lauren Elkin is the author of several books, including Flâneuse: Women Walk the City, a Radio 4 Book of the Week, a New York Times Notable Book of 2017, and a finalist for the PEN/Diamonstein-Spielvogel award for the art of the essay. Her essays on art, literature, and culture have appeared in the London Review of Books, the New York Times, Granta, Harper's, Le Monde, Les Inrockuptibles, and Frieze, among others. She is also an award-winning translator, most recently of Simone de Beauvoir's previously unpublished novel The Inseparables. After twenty years in Paris, she now lives in London.Born in Philadelphia, Amanda Dennis studied modern languages at Princeton and Cambridge Universities before earning her PhD from the University of California, Berkeley and her MFA from the Iowa Writers’ Workshop, where she was awarded a Whited Fellowship in creative writing. An avid traveler, she has lived in six countries, including Thailand, where she spent a year as a Princeton in Asia fellow. She has written about literature for the Los Angeles Review of Books and Guernica, and she is assistant professor of comparative literature and creative writing at the American University of Paris, where she is researching the influence of 20th-century French philosophy on the work of Samuel Beckett. Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3wColombe Schneck on The Paris Trilogy (with Translator Natasha Lehrer)
55:35|Colombe Schneck’s THE PARIS TRILOGY is a book—or rather three books, first published separately in French—about growing up, about friendship, about love, about family, about class, about womanhood and the patriarchy…and about swimming. In short, about every side of a life, as it just happens to take place in Paris. Rendered in crisp, fluid English by translators Lauren Elkin and Natasha Lehrer—who joins the conversation— THE PARIS TRILOGY begins with SEVENTEEN, a searingly frank account of the abortion the writer had as a teenager, passes through FRIENDSHIP, the devastating record of a childhood bond cut brutally short, and concludes with SWIMMING: A LOVE STORY, the chronicle of how this particular sport helped her build, and then grieve, a relationship.Buy The Paris Trilogy: https://www.shakespeareandcompany.com/books/the-paris-trilogy*Colombe Schneck is the author of eleven books of fiction and non-fiction, she has received prizes from the Académie Française, Madame Figaro and the Society of French Writers. The recipient of scholarships from the Villa Medicis in Rome and the Institut Français, as well as a Stendhal grant which allows French writers to do research and write abroad, she also spent fifteen years as a broadcaster for Canal Plus, France TV and Radio France. She was born in Paris in 1966 where she still lives, is a graduate of Sciences Po and Université de Paris II with a degree in Public Law.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w