RiYL

Magick Show bills itself as a “masterclass in modern occultism.” It’s hard to argue with the tagline. Richard Metzger is in his element interviewing dozens of experts on different aspects of the occult, in a bid to contextualize the centuries-old phenomenon for the modern moment. Metzger is the man for the job. At the turn of the century, he served as the host of UK interview show, Disinformation. The series gave rise to his first book, Disinformation: The Interviews, followed soon after by The Book of Lies: The Disinformation Guide to Magick and the Occult. For the past decade-and-a-half, Metzger has served as the cofounder and editor-in-chief of culture blog, Dangerous Minds. Transcript available here.

Dreamers On The Run marks BMX Bandits' 12th LP since the group was founded in the mid-80s. The record finds Duglas Stewart expanding his musical ambitions a 10 years after he began work on the project. The intervening decade was difficult on both Stewart and the world at large, making this latest release a true triumph for one of Scotland's most enduring indie pop acts.

During our conversation, Brendan Canty makes it clear that he has no interest in revisiting the past. It's not bad blood. If anything, it's his continued relationship with his former Fugazi bandmates that keeps the band from doing the reunion thing. They simply like each other too much. Case in point, the The Messthetics, which reunites the drummer with bassist Joe Lally. The group's latest finds the trio joining forces with saxophonist James Brandon Lewis for a fantastic new LP that wholly embraces jazz.

What's a dozen or so years between friends? 2012's Tarnished Gold found Beachwood Sparks in fine form. Eleven years had passed since the band's first two records were released within a year of each other. It was a reunion of sorts, though this time 12 years would pass before the Los Angeles group reunited. Released earlier this month, Across the River of Stars marks another dreamy return to the band's alt-country ways.

At 12, Joe Bonamassa was opening for the BB King. Twelve years later, his career was a at a crossroads. He's been through a pair of major label deals and suddenly found himself tasked with releasing his third album on his own. "There was no plan B," the guitarist says. Blues Deluxe, which celebrated its 20th anniversary last year, was precisely the shot to the arm his career needed.

The Ukulele was a gimmick, as Dent May is the first to admit. It did the trick on the Mississippi-born musician's second album, The Good Feeling Music of Dent May & His Magnificent Ukulele. The LP -- his first for the Animal Collective-run Paw Tracks -- established May as a musical force. These days he continues his hunt for the perfect pop song. Nowhere has he come closer than on this year's What's for Breakfast? Transcript available here.

Prior to Beat the Champ, Leela Corman hadn’t drawn much wrestling. The 2015 record would be the first two Mountain Goats covers drawn by the cartoonist. Corman’s passion for bodies in motion would resurface in this April’s Victory Parade, as wrestling plays a key role in the World War II era graphic novel. The book tells the story of personal and societal trauma of the era. It’s an important reminder of lessons our world is doomed to relearn. Transcript available here.

It’s not easy being a pioneer, but Jim Skafish came out of the gate swinging. In the late-70s, the Chicago musician became the first American signed to Miles Copeland’s hugely influential IRS records. His band’s first LP, 1980’s self-titled Skafish, failed to catch fire, owing to delays and poor production. Three years later, Conversations, was met with its own pushback, as it marked a major sonic departure. Skafish, a classically trained pianist whose current work is more easily classified as jazz, is long overdue for a reexamination and a pioneering force in musical, political and non-conforming.