RiYL

When I Get Through follows Breymer's (Sarah Walk) journey up to the day of their top surgery. It's a candid account of the conversations and emotions that precede such a life alternating moment. The musician joins us to discuss the journey and the decision recount the events on their new LP.

Halloween comes early this year, as Matt Wagner and Kelley Jones join us to discuss the final days of their Kickstarter campaign for Dracula Book II: The Brides. The comics veterans talk about their planned four volume series and the lasting legacy of Bram Stoker's monster.

New Yorker cartoonist Shannon Wheeler returns to the show. The artist recently launched a Kickstarter campaign to release a new book collecting minicomics and other appearances by his best-known creation, Too Much Coffee Man.

Band People is part music writing and part business book, rounded out by academic research and a host of footnotes. It's a pragmatic look at the life of road warriors in an increasingly untenable industry. More than anything, however, it's a labor of love from lifelong touring musician, Franz Nicolay. Transcript available here.

He's quick to laugh with a twang that betrays his Southern Missouri origin. Steve Cropper discusses his accomplishments with modesty, rarely offering a glimpse into a career that profoundly impacted the course of 20th century popular music. As a core, founding member of Booker T & the MGs, the guitars helped form the backbone of the Stax Record sound. Cropper cowrote some of the era's most iconic songs, including "Knock on Wood," "In the Midnight Hour" and "(Sittin' On) The Dock of the Bay, the latter of which he almost mixed following Otis Redding's untimely passing. The MGs made their own mark with the massive success of "Green Onions," before Cropper transitioned into a successful producing career and served as the longstanding guitarist for comedy duo, The Blues Brothers.

In November, Tokyo Police Club will play its final show. Saying goodbye is never easy, but the Ontario-based band's members seem surprisingly okay with the whole thing. At the end of the day, very few of us manage to eke out a 20-year career playing with high school friends. Graham Wright acknowledges that, perhaps, the reality of the situation hasn't entirely set in, but for now, the band is enjoying what's left of the ride.

Comics and animation can both be grueling -- especially drawing a 400 page comic or animated a hand-drawn, feature length film. As such, one must be discriminating in choosing such projects. For Dash Shaw, the choice comes down to two principles: 1. It has to seem like he's the only one who can create it and 2. It needs to contain an element of "why would anyone do that." Both can be seen in his most recent, deeply idiosyncratic works in comics ("Blurry") and film ("Cryptozoo").

While their music owes debts to the towering giants of rock, soul and the Mexican and Brazilian music before them, no one sounds like Chicano Batman. Formed in Los Angeles in 2008, the group released its self-titled debut two years later. But it was 2020's Invisible People and its infectious lead track, "Color My Life" that cemented the group's place in the indie universe. Released at the end of March, Notebook Fantasy sees the band continuing to grow, exploring new sounds while staying loyal to the elements that have helped the group stand out from the pack.

In 2020, Joe Gatto struck out on his own. It was surprising turn, as the Impractical Joker left a beloved and lucrative TV series that found him performing alongside a trio of lifelong friends. The move, Gatto says, was about prioritizing what matter -- namely, his wife and children. Of course, a resume like his means starting over doesn't require a clean slate. Gatto has since launched a successful standup career with multiple tours culminating in his first special, September's "Messing With People."