RiYL

Comics and animation can both be grueling -- especially drawing a 400 page comic or animated a hand-drawn, feature length film. As such, one must be discriminating in choosing such projects. For Dash Shaw, the choice comes down to two principles: 1. It has to seem like he's the only one who can create it and 2. It needs to contain an element of "why would anyone do that." Both can be seen in his most recent, deeply idiosyncratic works in comics ("Blurry") and film ("Cryptozoo").

While their music owes debts to the towering giants of rock, soul and the Mexican and Brazilian music before them, no one sounds like Chicano Batman. Formed in Los Angeles in 2008, the group released its self-titled debut two years later. But it was 2020's Invisible People and its infectious lead track, "Color My Life" that cemented the group's place in the indie universe. Released at the end of March, Notebook Fantasy sees the band continuing to grow, exploring new sounds while staying loyal to the elements that have helped the group stand out from the pack.

In 2020, Joe Gatto struck out on his own. It was surprising turn, as the Impractical Joker left a beloved and lucrative TV series that found him performing alongside a trio of lifelong friends. The move, Gatto says, was about prioritizing what matter -- namely, his wife and children. Of course, a resume like his means starting over doesn't require a clean slate. Gatto has since launched a successful standup career with multiple tours culminating in his first special, September's "Messing With People."

Jet lag is a drag, leaving Sean "Grasshopper" Mackowiak at a decided disadvantage during our conversation. Mercury Rev just got back from Australia, but the veteran guitarist happily powers through. It's just one of those annoying things that one grapples with, being one of two consistent members of a globe trotting band for the last 35 years. Grasshopper's answers are thoughtful and engaged, as we wade through Mercury Rev's celebrated history.

Her coauthor and husband, Scott Marvel Cassidy, is at the dentist for an emergency root canal, so Maria Bamford and I push ahead. Decades after establishing herself as one of standup's sharpest -- and funniest minds -- she's trying her hand at yet another medium. In June, Fantagraphics released Hogbook and Laser Eyes, a collaboration between Bamford and Marvel Cassidy that recounts their meeting, marriage and lives through the eyes of their beloved elderly rescue pugs. Transcript available here.

A-Side Graffiti includes, among other things, a surprisingly faithful cover of Dr. Frank N. Furter's "Sweet Transvestite." The song finds Jack Grisham dueting with fellow So. Cal. punk legend, Keith Morris. TSOL's career has been surprising, above all. Ever the consummate showman and raconteur, Grisham presided over the group's initial shift from hardcore to gothic rock, before exiting the band in 1983. By the turn of the millennium, he had returned to the fold. Outside the band, Grisham has maintained several other fascinating careers, as a writer, filmmaker and 2003 California gubernatorial candidate. Transcript available here.

[Apologies for poor audio quality on my end. Technical difficulties suck]Hate returns. So, too, does Peter Bagge. The cartoonist has joined us several times over the years. This time he's back to talk Hate Revisited, a return to form that reunites him with Buddy Bradley, Lisa and the rest of the crew in the modern day -- save for Stinky, that is. Poor, poor Stinky. Transcript available here.

A new album on a new label, The Well I Fell Into is a chance to consider and process the old and – hopefully – move on. A breakup album of sorts, Why’s eighth finds frontman Yoni Wolf processing the end of a years-long relationship. As relationships go, however, Why has been remarkably long lived and fruitful. After beginning life as a solo act in the mid-90s, Why became a full-fledged group in 2004, whose core remains 20 years later. Transcript available here.