Remnants : An Audio Drama

'You have taken the job. That is why you are here.'The fIrst episode of Part Two of Remnant's debut season lends a fresH perspective on Sir, the Apprentice, and the First and Last Place they exist in. Is it enlightening? That really depends on your defInition of the word.Transcript, here: https://hangingslothstudios.com/remnants-transcripts/1-16/Also here: https://docs.google.com/document/d/1NHP6HRw-NeFV4CdXsRs2QdlleWR2rpFFAtXfn9U2Kdw/edit?usp=sharingSupport the show on Ko-Fi: https://ko-fi.com/hangingslothsSupport the show on Patreon: https://www.patreon.com/hangingslothstudiosLeave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315Leave a review on ListenNotes: https://www.listennotes.com/podcasts/remnants-an-audio-drama-eira-major-qxCsBXeOtzK/Follow the show on Tumblr: https://remnantspod.tumblr.com/Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.social

Have this little teaser, featuring Sir reading 'Death be not proud' by John Donne.Find the poem here: https://www.poetryfoundation.org/poems/44107/holy-sonnets-death-be-not-proudSupport the show on Ko-Fi: https://ko-fi.com/hangingslothsSupport the show on Patreon: https://www.patreon.com/hangingslothstudiosLeave a review on Podchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315Leave a review on ListenNotes: https://www.listennotes.com/podcasts/remnants-an-audio-drama-eira-major-qxCsBXeOtzK/Follow the show on Tumblr: https://remnantspod.tumblr.com/Follow Eira on Bsky: https://bsky.app/profile/hangingsloths.bsky.socialAsk & ReceiveLetters

Things reach breaking poinT as the Apprentice pusHes Sir a step too far, and Sir rEsponds extRemEly poorly to this aggravation.Very TWFW! Lots of very common triggers in this episode also, so please be canny about the content warnings. They're listed below.Here: https://hangingslothstudios.com/remnants-transcripts/1-15/Or here: https://docs.google.com/document/d/187Mfpd1BNcyjrui5GymKuwQA-dUkthT4gjXReX2LDYQ/edit?usp=sharingTo get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudiosYou can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains: Violence and coercion Recovering from serious injuriesMemory loss - retrograde amnesia Depictions of dissociationDescriptions of PTSD symptoms: panic attacks; dissociation; catatonia Implications of financial abuse and exploitationDiscussions of use of sex as a coping mechanismMentions of use of alcohol as a coping mechanismMentions of other drug abuse (opium)Violent murderMentions of bloodExistential suicidal ideationThis show is created, performed and produced by Eira Major.

The Apprentice questiOns Sir’s motivations, anD his own, bUt his questioning is cut short when Sir insiSts on him reading yet another remnant.As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.Here: https://hangingslothstudios.com/remnants-transcripts/1-14/Or here: https://docs.google.com/document/d/17iD4a-ttzPJg2lrFivpzSYdyGH2xALrnpO273XrY76Y/edit?usp=sharingTo get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudiosYou can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains: Ableism and specifically discrimination against d/Deaf and HoH people, and people with epilepsyMid-century medical and and religious interventions for people with epilepsyMentions of fascismImplications of sex Descriptions of life at the edge of an active warzone, including lack of resources, displacement, and distant observations of bombingsDepiction of a secondary character with PTSDMedical neglect resulting in deathThis show is created, performed and produced by Eira Major.

Tensions mouNt in the First and Last Place as the Apprentice's new perspEctive brings new challeNges in his relationship with Sir and the remnanTs themselves.As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.Here: https://hangingslothstudios.com/remnants-transcripts/1-13/Or here: https://docs.google.com/document/d/1Wq-EqEZ7_D6nFEaztw5WB2ZrFpqJTZpuWk-SXrms49c/edit?usp=sharingTo get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudiosYou can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains: Sounds of fireworksImplications of racism, specifically against Indian people through the framework of ‘the British Raj’ Mentions of extreme sickness and vomitingDeath and corpsesA teenager (not the main character of the remnant) is sexually abused by a teacher. This is not described in detail or named explicitly for what it is, but there are several references to it throughout the episode, and the main character has witnessed an incident of this happeningReferences to sexReferences to excessive alcohol useSuicide attempt of another character, interruptedInfidelityImplications of homophobiaBrief mention of hard drugs (cocaine)This show is created, performed and produced by Eira Major.

Look alive, would You? It seems Sir is feeLing even less generous than usual thIs time, hastily shovinG the remnant of a jeweller living in Paris during WW2 ontO the Apprentice with no explanation whatsoever.As well as regular TWFW warnings, this episode has some extremely bad vibes. Please do check the content warnings! They're listed below.Here: https://hangingslothstudios.com/remnants-transcripts/1-12/Or here: https://docs.google.com/document/d/1x7shhtMFYqSLU9NRZyFTesK2zTARndOaC12HdFsYivw/edit?usp=sharingTo get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudiosYou can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains: References to war and living in occupied territory (France, WW2) with reference to property destroyed by bombsClassism Collaboration with NazisMentions of gunsObjectification of womenDerogatory reference to sex workers (calling someone one of them with the intent to insult)References to implied sexual assaultEmotional harassmentObsessive, unhealthy behaviour towards an object of affectionRecollection of a sexual assault with no detail, by the perpetratorDeathThis show is created, performed and produced by Eira Major.

Want to help me keep making Remnants?Patreon: https://www.patreon.com/hangingslothstudiosKo-Fi: https://ko-fi.com/hangingslothsPodchaser: https://www.podchaser.com/podcasts/remnants-an-audio-drama-5722315Tumblr: https://www.tumblr.com/remnantspodTwitter: https://x.com/hangingslothsHello Remnants listeners! I hope you’re enjoying the show. I'm Eira, creator of the show, and voice of the Apprentice and Sir! Today, supporters on Patreon got some Bonus Content for the show which is exclusive to my supporters over there! If you’re interested in getting more insight into the show, I also make a set of Creator’s Notes which comes out every five episodes, and goes into detail about my writing and character decisions. I’m an indie creator and all of my income is from my creative work, so I really depend on my audience to make ends meet. I love that this is my job and I’d like to keep doing it, but to do that, I need your help!Membership starts from just £2, and you can even get discounts if you decide to choose an annual membership where you pay for 12 months in advance. If you’re not in a position to support the show financially, don’t worry! There’s stuff you can do to support the show totally for free. Listening to episodes helps me earn ad revenue, and though it amounts to a tiny amount of money, it still helps! You can also share the show with your friends and talk about it on social media. Posting your fan art and head-canons isn’t just good fun, it lets me know my work is resonating with you, and you never know; maybe your fanfic is the thing which gets someone else interested in the show you love! The best absolutely free thing you can do is to rate and review the show. You might be able to do that wherever you’re listening right now, but you can also leave reviews on sites like Podchaser and Listen Notes.I’ve put all the links and the good stuff in the notes for this episode! (see above)Thanks so much for listening, and with that, here is a supercut of… hmm? What was that?(Need help? Look for 'a sign': https://hangingslothstudios.com/remnants/ )

Sir mAkes a mistake which inadvertentLy reveals something which probabLy ought not to have been seen.Remember this show is often TWFW (too weepy for work). Do check the content warnings if you're someone who often finds that helps. They're listed below.Transcript: https://hangingslothstudios.com/remnants-transcripts/1-11/Or: https://docs.google.com/document/d/1yi_YXzwOwUkQ-ePRqCu877bxbtvH-mLhSBHYU88vzUM/edit?usp=sharingTo get early access to new episodes, notes on the show, and a ton of bonus content support the show on Patreon: https://www.patreon.com/hangingslothstudiosYou can also leave a tip in our jar on Ko-Fi: https://ko-fi.com/hangingsloths Please bear in mind that this work has content some listeners may find distressing, including themes of war, violence, and grief. This episode contains: ShoutingSounds of emotional distressImplied magical abuses of power, in a waySounds of physical pain being experiencedThis show is created, performed and produced by Eira Major.