Radio Woodfordia

"A song is sort of like a flower coming out of a compost heap." — Charlie McGee, Formidable VegetableCharlie McGee once turned down $120,000 a year cutting carrots for a fossil fuel company. His finger wouldn't send the email. Instead, he took $2,000 and spent a year volunteering at festivals around the country — ending up at Woodford, where the seed of Formidable Vegetable was planted in a permaculture talk at the Greenhouse.More than 20 years later, he's built a straw house in Denmark, WA with 40 friends. For a while, he could buy a croissant from the local bakery made from the same wheat crop as his walls. He's played Glastonbury five times, quit flying for seven years, and written a viral song from a hotel room in Slovakia that got shared by Reggie Watts and contributed — he'll take it — to a wobble in a certain streaming giant's share price..Harley Breen sits down with Charlie for a conversation that covers an almost unreasonable amount of ground. They talk about what permaculture actually is once you get past the composting dunny of Charlie's childhood and into the systems thinking, the indigenous knowledge frameworks, and the radical idea that self-sufficiency is a myth — community is the point. About the impossible balance of being a touring musician who believes in living locally. About a major streaming platform investing artist royalties in AI killer drone technology, and the song Charlie wrote about it in a hotel room in Slovakia. About what it means to be a Luddite in 2025 as an act of resistance. And about active hope — the Joanna Macy framework that keeps Charlie going on the days when nihilism starts winning.Also: garden snails purged with flour, eaten like salami bites, and treated as pets first. You've been warned.This episode is for:Anyone who has ever wondered if the small ethical choices they make actually add up to anythingPeople who believe music can change the world — and want to hear from someone who has spent 20 years testing that theoryAnyone who has looked at the state of the world and needed someone to give them a framework for not losing their mindDive in to hear about:The $120,000 fossil fuel job Charlie's finger wouldn't let him accept — and the year of festival volunteering that followedHow a permaculture talk at Woodford's Greenhouse stage became the origin story of Formidable VegetableThe viral song recorded in a hotel room in Slovakia, Reggie Watts, and what it means to chip away at a giantWhy Charlie quit flying for seven years, what it cost him, and why he started againActive hope — Joanna Macy's framework for staying functional in the face of the world's problemsWhy AI music is the next frontier and Charlie's plan to troll it backKey topics: Formidable Vegetable, Charlie McGee, permaculture, regenerative living, music activism, Woodford Folk Festival, sustainable building, Glastonbury, AI music, active hopeTo come to the Woodford Folk Festival this year visit: https://woodfordfolkfestival.com/FOR MORE:Harley Breen: https://www.harleybreen.com.auFormidable Vegetable:Socials: https://www.instagram.com/formidableveg/https://www.instagram.com/not_just_charlieWeb: https://formidablevegetable.com.au/https://formidablevegetable.bandcamp.com/ Joanna Macy and the Work That Reconnects: https://workthatreconnects.orgCREDITS: Host: Harley Breen | Guest: Charlie McGee of Formidable Vegetable | Executive Producer: Benny Wallington, Bree Hickson-Jamieson | Producers: Cameron Scurrah, Georgia Shaw, Amelie Barham, Benjamin 'Tofty' Toft | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara Country Recorded December 2025#RadioWoodfordia #FormidableVegetable #CharlieMcGee #HarleyBreen #WoodfordFolkFestival #Woodfordia #Permaculture #Sustainability #MusicActivism #AIMusic #RegenerativeLiving #ActiveHope #Podcast #LiveMusic

"I started doing piano lessons and I started getting better at maths." — Grace AlexandraGrace Alexandra came to Woodford on a pay-it-forward ticket. The next year, she was performing at it.Grace is 16, Darug, and already the kind of artist who makes you lean forward. She first came to Woodfordia as a child, dancing with the Jinibara Dance Troupe in 2018. She came back in 2024 as a punter — watched Jaguar Jones, Yothu Yindi, and Caravana Sun — and left knowing she wanted to be on those stages. Twelve months later, here she is.Harley Breen sits down with Grace — and, delightfully, her mum, just off camera — for a conversation that's warm, unhurried, and quietly remarkable. They talk about the unlikely chain of events that led Grace to music: failing maths, choosing piano lessons over a tutor, and discovering, almost by accident, that she could sing. About growing up Darug , travelling to Sydney to connect with the Gadigal community, and writing a song about a place that moved her so deeply at age ten that she couldn't not write about it. About what it means to be a young Indigenous artist right now, and why the community of peers she needs doesn't quite exist yet in her area.What she's already done is not nothing. One of 15 First Nations artists nationally, Grace was selected for the First Sounds National Album, funded by AMRAP. She's played Bluesfest and the Gympie Muster. And now, Woodford.This episode is for:Anyone who believes the best origin stories start with failing mathsPeople who want to hear what the next generation of Indigenous Australian music sounds likeAnyone who needs a reminder of what it looks like when a young person is completely, quietly sure of themselvesDive in to hear about:How failing maths led Grace to piano lessons — and how piano lessons fixed the mathsThe pay-it-forward ticket that brought her to Woodford as a punter, and the moment she decided she'd be back as a performerThe place Grace visited at age ten that became the heart of an original songBeing selected for the First Sounds National Album out of 15 First Nations artists nationallyWhy there's a gap in peer community for young musicians in her area — and why Woodford helps fill itKey topics: Grace Alexandra, First Nations music, young Australian artists, Woodford Folk Festival, singer-songwriter, Indigenous storytelling, Sunshine Coast music sceneTo come to the Woodford Folk Festival this year visit: https://woodfordfolkfestival.com/FOR MORE: Harley Breen: https://www.harleybreen.com.auGrace Alexandra: https://linktr.ee/grace_alexandra_music CREDITS: Host: Harley Breen | Guest: Grace Alexandra | Executive Producer: Benny Wallington, Bree Hickson-Jamieson | Producers: Cameron Scurrah, Georgia Shaw, Amelie Barham, Benjamin 'Tofty' Toft | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara CountryRecorded December 2025#RadioWoodfordia #GraceAlexandra #HarleyBreen #WoodfordFolkFestival #Woodfordia #FirstNationsMusic #IndigenousAustralian #SingerSongwriter #AustralianMusic #NewMusic #Podcast #LiveMusic

"It's a concentrated fantasy, this whole place." — Large MirageThey'd never been to Woodford Folk Festival before. You wouldn't have known it.AJ, Bailey and Blake of Large Mirage arrived at their first Woodford — first time as a band, first time as human beings — and immediately looked like they belonged. Within five minutes of their first set, the Pineapple Lounge was heaving. The second night was better still. And somehow, between all of it, they still had time to pull up chairs at a campsite bluegrass session and call it a private gig.Harley Breen sits down with three quarters of Large Mirage for a conversation that moves at the pace of one of their extended instrumental jams — warm, a little unpredictable, and genuinely fun. They talk about what psych rock actually means when you're the one playing it, why the genre label is both accurate and completely insufficient, and how AJ ended up in the band after being spotted at a lawn bowls club gig by a man in double denim. They talk about the band name — born from two bandmates both seeing the same thing on an airport tarmac, and a rhyme that only works in an Australian accent. And they talk about what it means to fly to New South Wales on New Year's Eve afternoon to play a show, then fly back to Woodford to play Bluestown stage at 1am.Stretching. Eating well. Drinking water before the set. Rock and roll has changed.This episode is for:Anyone who has walked into a tent at Woodford not knowing what was playing and ended up having the best timePeople who believe the best bands are the ones that can't quite be contained by their own genre labelAnyone who has ever dramatically underestimated how heavy a Hammond organ isDive in to hear about:What psych rock actually sounds like from the inside — extended jams, organ solos, Texas shuffles, and a sound that wears many hatsThe lawn bowls club gig, the double denim, and the very random encounter that brought AJ into the bandWhy "Large Mirage" only rhymes if you're Australian — and the airport tarmac moment that started it allThe New Year's Eve schedule that has them flying to a Central Coast show and back to a 1am Bluestown set at WoodfordKey topics: Large Mirage, psychedelic rock, Woodford Folk Festival, live music, Australian independent music, Hammond organ, festival cultureTo come to the Woodford Folk Festival this year visit: https://woodfordfolkfestival.com/FOR MORE: Harley Breen: https://www.harleybreen.com.auLarge Mirage: https://largemirage.com/ https://www.instagram.com/largemirage/ https://www.tiktok.com/@largemirage CREDITS: Host: Harley Breen | Guests: AJ Stanton, Blake Rochester and Bailey Brown of Large Mirage | Executive Producer: Benny Wallington | Producers: Georgia Shaw, Amelie Barham, Benjamin ‘Tofty’ Toft, Bree Hickson-Jamieson | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara Country Recorded December 2025#RadioWoodfordia #LargeMirage #HarleyBreen #WoodfordFolkFestival #Woodfordia #PsychRock #AustralianMusic #IndieMusic #LiveMusic #FolkFestival #Podcast #RockAndRoll

"For us being at Woodford from an early age, seeing so many shows — you walk into a tent and you just start dancing. That's the feeling we try to put into our shows, because we know how great that feels." — TjakaGeoff, Jake and Felix of Tjaka know exactly what a Woodford crowd feels like. They've been standing in one since they were kids. In 2024, they found out what it looks like from the other side.They are, in the truest sense, Woodford babies — kids who watched their dad perform on the Grande and the Amphitheatre stages, who spent years in the crowd absorbing everything from eight-piece jazz funk bands to carrot flutes before they ever set foot on a Woodford stage themselves. In 2024, that changed. Tjaka played four shows, including New Year's Eve just after the countdown, and the crowd went exactly as wild as they always knew it would.Harley Breen sits down with the three of them for a conversation that's as warm and chaotic as a Tjaka set. They talk about how a dislocated elbow, a radio show, and a very long friendship between families became a band. About touring Taiwan, playing The Great Escape in the UK, and still stacking yoghurt in the dairy aisle twenty-four hours after a sold-out show. About the Didjeribone — Charlie McMahon's slide didgeridoo invention, made from PVC pipe, capable of ten keys in one, and apparently a serious conversation starter with airport security.And they talk about what Woodford actually does to musicians who've grown up inside it: how the diversity, the energy, and the sheer what-the-hell-is-this-and-why-do-I-love-it magic of the festival becomes a philosophy of performance.This episode is for:Anyone who has stood in a tent at Woodford and had their mind completely changed by something they never would have chosenPeople who believe the best artists are the ones who grew up loving live music firstAnyone who wants to hear a slide didgeridoo improvised live in a podcast studioDive in to hear about:The Didjeribone — Charlie McMahon's slide didgeridoo invention, how it works, why it's perfect carry-on luggage, and the airport security performances it keeps generatingWhat happens when your own band is recommended to you by a stranger in a beer queueThe gap between "we're going on a national tour" and "I am stacking yoghurt in a supermarket right now" — and why Felix thinks he's already won anywayHow a dislocated elbow, a missed psychology exam, and a lifelong friendship became the origin story of TjakaWhy Woodford crowds hit differently when you've spent your whole life in themTo come to the Woodford Folk Festival this year visit: https://woodfordfolkfestival.com/FOR MORE: Harley Breen: https://www.harleybreen.com.auTjaka: https://tjaka.bandcamp.com/music Charlie McMahon, and the Didjeribone: https://www.charliemcmahon.com/ https://didjeribone.com/ CREDITS: Host: Harley Breen | Guests: Geoff Fabila, Jake Fabila and Felix Fogarty of Tjaka | Executive Producer: Benny Wallington | Producers: Cameron Scurrah, Georgia Shaw, Amelie Barham, Bree Hickson-Jamieson | Sound Editing: Keiron Atkinson | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara CountryKey topics: Tjaka band, Woodford Folk Festival performers, Didjeribone, Charlie McMahon, contemporary First Nations music, independent music careers, live performance culture#RadioWoodfordia #Tjaka #HarleyBreen #WoodfordFolkFestival #Woodfordia #Didjeribone #CharlieMcMahon #FirstNationsMusic #AustralianMusic #IndieMusic #FolkFestival #LiveMusic #Podcast #WoodfordBabies

"The wastewater doesn't lie."You've walked past it a hundred times without knowing it's there. Beneath the stages, the food stalls, and the dusty paths of Woodford Folk Festival runs more than 50 kilometres of sewers — and a treatment system so sophisticated it's now a cover story in American engineering magazines and a blueprint for festivals around the world.Harley Breen sits down with Ben Kele, the quietly hilarious wastewater engineer who has been running Woodfordia's decentralised water system for the past 16 years. What begins as a conversation about poo quickly becomes something much bigger: a story about world-leading science, practical environmentalism, and what it looks like when a festival takes its responsibilities to the land seriously.Ben explains how Woodford processes up to a million litres of wastewater a day during the festival — every drop treated on site, with not a single litre trucked in or out. He talks about the unique challenge of a system that swings from 15,000 litres on a quiet construction day to a million litres on the 27th of December, what the water chemistry reveals about who's on site and what they've been drinking, and how a small research project that started right here at Woodford became the foundation for Australia's national pharmaceutical wastewater tracking program — now used by public health agencies and federal law enforcement nationwide. He also tells the story of his brother Andrew, a flannel dressing gown, a dozen flushed bras, and a very unfortunate encounter with Chris Martin.This episode is for:Anyone who's ever wondered what actually happens when 130,000 people flushPeople who believe the most interesting infrastructure is the kind you never seeAnyone who finds genuine joy in a person who is brilliant at something the rest of us would rather not think aboutDive in to hear about:How Woodfordia became the unlikely birthplace of Australia's national drug-detection-via-wastewater program — and the AFP funding that got it startedWhat the water chemistry difference is between a Woodford Folk Festival crowd and other music festival crowds — and what it says about what people choose to drinkWhy composting toilets work brilliantly in Tasmania and terribly in a Queensland summer, and the fly hatching cycle that explains everythingThe story of Andrew the bog monster, a flannel dressing gown, a dozen flushed bras, and a very famous rock star who witnessed the whole thing from a stretch limousineTo come to the Woodford Folk Festival this year visit: https://woodfordfolkfestival.com/FOR MORE: Harley Breen: https://www.harleybreen.com.au Ben Kele and Arris Water:Woodford Folk Festival Water System — Arris Water Case Study: https://www.arris.com.au/water/water-projects/queensland-folk-federation-qld/Woodford Folk Festival feature — The Onsite Journal, Summer 2024: https://www.nowra.org/Customer-Content/www/news/PDFs/Onsite_Journal_Summer_2024_Online.pdfCREDITS: Host: Harley Breen | Guest: Ben Kele | Executive Producer: Benny Wallington | Producers: Cameron Scurrah, Bree Hickson-Jamieson | Sound Editing: Keiron Atkinson | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara Country#RadioWoodfordia #BenKeele #HarleyBreen #WoodfordFolkFestival #Woodfordia #WastewaterManagement #Sustainability #Environment #MusicFestivals #FestivalLife #Podcast #WaterScienceKey topics:Decentralized water systems for festivalsInnovative wastewater treatment techniquesResearch and monitoring of pharmaceuticals and illicit drugs in wastewater

Aboriginal and Torres Strait Islander listeners please be aware this episode contains references to a deceased person."The spirit of the old storytellers and the people who were protesters is not dead. It's alive and well in the next generation."Recorded ahead of his appearance at The Planting Festival in May, this conversation between Harley Breen and Troy Cassar-Daley is exactly the kind of yarn Radio Woodfordia was made for. Troy is calling in from his childhood home on Gumbaynggirr Country near Coffs Harbour, where he's been on a quiet sabbatical — renovating sheds, working with reclaimed timber, reconnecting with family, and slowly starting to write songs again.What unfolds is a wide-ranging, deeply warm conversation about what it means to come home — to country, to community, to the things that restore you. Troy talks about the campfire tradition he and his cousins hold each year on country, the song Shadows on the Hill and the story behind it, his daughter Jem's first year on the road, and why he thinks the kids from Tamworth he visits each December need to come to Woodford. He also has something to say to the person who wondered why a country music artist would be booked at a folk festival.This episode is for:Anyone who finds peace working with their handsPeople who believe storytelling isn't a genre — it's a way of beingAnyone who has ever felt restored by going back to the place that made themDive in to hear about:The campfire tradition that started with grief and became something vitalWhy Troy thinks telling stories and singing songs has nothing to do with genreJem Cassar-Daley's first year on the road with Troy — 82 shows, one red eye flight, and a moment that made Troy certain she was built for itTo come to The Planting Festival visit: https://theplanting.com.au/ To come to the Woodford Folk Festival and FWOD next year visit: https://woodfordfolkfestival.com/FOR MORE:Troy Cassar-Daley: https://www.troycassardaley.com.auHarley Breen: https://www.harleybreen.com.auCREDITS:Host: Harley BreenGuest: Troy Cassar-DaleyExecutive Producer: Bree Hickson-JamiesonProducers: Josh Weier, Bree Hickson-JamiesonMusic by: The East PointersRecorded on Jinibara Country#RadioWoodfordia #TroyCassarDaley #HarleyBreen #WoodfordFolkFestival #ThePlanting #Woodfordia #Storytelling #FolkMusic #CountryMusic #Podcast #FirstNations #FirstNationsMusic

"It's either your first Woodford or your hundredth Woodford. I think that’s how it works."This episode was recorded live from the Woodford Folk Festival as part of First Wine of the Day. It's New Year's Day, the final show, and the ironed-on Woodfordians are the only ones left standing. Harley missed the three minutes of silence after “overestimating his New Year’s Eve resilience.” Nikki spent hers at the pond thinking about her dog. Bars manager Linus turns up running on fumes but still manages to school everyone on Sauvignon Blanc. Business as usual.The astrologer said we're heading into seven of the greatest years ever to unfold on planet Earth. The Forest of Goodwill campaign is well underway, with the community steadily working toward its 5.7 million dollar goal. And somewhere under the AmphiGrande sign, there may or may not be buried treasure — courtesy of comedian Shad Wicka, who also reads the most heartfelt, hilarious love letter to Woodford you'll hear all year. Thea Newton pulls back the curtain on the Great Band Competition — 68 musicians, 15 randomly assembled bands, 24 hours to make something extraordinary. Holly Austin makes a live pitch for Kite Choir, an international peace project involving 200 kites, children's voices from around the world, and a sky full of sound. And Sunshine Coast brothers Frank and Louis, aged 17 and 19, close out the entire series with a song that makes Harley wish his kids were watching.This episode is for:Anyone who's ever been converted to something they didn't think they wanted to go toPeople who believe the world is about to get a lot better — cosmically speakingAnyone who knows that the last day of a festival belongs to a very special kind of humanDive in to hear about:Shad Wicka's letter to Woodford — from cult sceptic to true believer in five daysWhat Puglia, Italy has in common with the whole of Australia — a wine fact that will surprise youHow 68 strangers became 15 bands in 24 hours at the Great Band CompetitionTo come to the Woodford Folk Festival and FWOD next year visit: https://woodfordfolkfestival.com/FOR MORE:Frank & Louis: https://www.instagram.com/frankandlouismusicHolly Austin: https://www.hollyaustin.netShad Wicka: https://www.instagram.com/wickedshadHarley Breen: https://www.harleybreen.com.auNikki Britton: https://www.instagram.com/thenikkibrittonA Forest of Goodwill: https://aforestofgoodwill.woodfordia.comCREDITS:Hosts: Harley Breen, Nikki BrittonGuests: Shad Wicka, Thea Newton, Holly Austin, Frank & Louis, Linus WilsonProducer: Bree Hickson-JamiesonExecutive Producers: Benny Wallington, Georgia ShawArtwork: Hannah RoseSocial Media: Eliza CowanAssistant: Madeline CorcoranCamera Operators: Amelie Barham, Ben 'Tofty' ToftEditing: Amelie BarhamMusic by: The East PointersRecorded on Jinibara Country#RadioWoodfordia #FrankAndLouie #ShadWicka #HollyAustin #WoodfordFolkFestival #HarleyBreen #NikkiBritton #LivePodcast #Woodfordia #NewYearsDay #FolkMusic #LiveMusic #Comedy

One of the best descriptions of Woodford Folk Festival you'll ever hear comes from a friend experiencing it for the very first time: “Oh my god, it’s utopia.”"I think it is a place that brings out the best in people."-- Kate Miller-HeidkeThis episode was recorded live from the Woodford Folk Festival as part of First Wine of the Day. It's New Year's Eve, day five, Harley's voice is nearly gone, and Nikki Britton almost missed the show after getting stuck in her swimmers in a festival bathroom. Business as usual.Bar manager and sommelier Linus Wilson breaks down aromatic grapes, orange wine, and the one food and wine pairing you should never attempt. Harley's eldest son Leonard drops in as surprise co-host and promptly roasts his father in front of a live audience. Kate Miller-Heidke and Keir Nuttall play a brand new song born out of Melbourne's COVID lockdown — a darkly funny apocalypse plan about the people you'd actually want in your corner when the ship goes down. And the Mast Gully Fellers close out day five with two songs about pubs, gold miners, and the eternal Australian pursuit of a cold drink after six o'clock.This episode is for:Anyone who's ever loved a place so much it changes the way they move through the worldPeople who spent COVID lockdown making questionable plans and even more questionable decisionsAnyone knows someone who’s been kicked out of a pub and still thinks they were in the rightDive in to hear about:Why Kate Miller-Heidke and Keir Nuttall have been coming to Woodford since they were teenagers — and why they met here, fell for each other here, and keep coming backThe apocalypse survival song Kate and Keir wrote during Melbourne's 100-day lockdown — and the people they'd need in their cornerLeonard Breen's New Year's resolution: less girlfriends, more dirt bikesTo come to the Woodford Folk Festival and FWOD next year visit: https://woodfordfolkfestival.com/FOR MORE: Kate Miller-Heidke: https://www.katemillerheidke.com Keir Nuttall: https://www.keirnuttall.com Mast Gully Fellas: https://www.instagram.com/mastgullyfellers Harley Breen: https://www.harleybreen.com.au Nikki Britton: https://www.instagram.com/thenikkibrittonCREDITS: Hosts: Harley Breen, Nikki Britton Guests: Kate Miller-Heidke, Keir Nuttall, Mast Gully Fellers, Linus Wilson, Leonard Breen Producer: Bree Hickson-Jamieson Executive Producers: Benny Wallington, Georgia Shaw Artwork: Hannah Rose Social Media: Eliza Cowan Assistant: Madeline Corcoran Camera Operators: Amelie Barham, Ben 'Tofty' Toft Editing: Amelie Barham Music by: The East Pointers Recorded on Jinibara Country#RadioWoodfordia #KateMiller-Heidke #KeirNuttall #MastGullyFellers #WoodfordFolkFestival #HarleyBreen #NikkiBritton #LivePodcast #Woodfordia #NewYearsEve #FolkMusic #LiveMusic #Comedy #OrangeWine

"We might not have achieved what we wanted to, but by Jesus we tried."This episode was recorded live from the Woodford Folk Festival as part of First Wine of the Day. Day four, and Harley Breen and Nikki Britton are running on fumes, festival feeling, and a very good chilled red. They'd already cried before the show started — two men had just got married on the hill, and their friends sang to them. That's Woodford.Bar manager and sommelier Linus Wilson opens with a lesson in Beaujolais-style winemaking, Professor Ian Lowe delivers one of the most quietly galvanising conversations about our relationship with the natural world you'll hear anywhere, The Cartridge Family play two songs about tolerance and mismatched love, and Katie Noonan — in her 30th year at Woodford — closes the show with a performance dedicated to Quandamooka Country.This episode is for:Anyone who needs a reminder that the natural world is worth fighting for — and that the fight is winnableAnyone who loves a love story between two people who probably shouldn't work — but absolutely doAnyone who's ever cried at a Folk Festival and didn't even try to stopDive in to hear about:The hoop pine Ian Lowe planted at the first Woodford Folk Festival — now standing 20 metres tallWhy Professor Ian Lowe believes we're pulling random bricks out of the wall of life — and what we owe the generations coming after usKatie Noonan's 30th Woodford, her 30th album, and a song performed on the 30th of December — some things are just meant to happenTo come to the Woodford Folk Festival and FWOD next year visit: https://woodfordfolkfestival.com/FOR MORE:Katie Noonan: https://www.katienoonan.com.auThe Cartridge Family: https://www.instagram.com/the_cartridge_family_bandProfessor Ian Lowe: https://experts.griffith.edu.au/9862-ian-lowe Harley Breen: https://www.harleybreen.com.auNikki Britton: https://www.instagram.com/thenikkibrittonCREDITS:Hosts: Harley Breen, Nikki BrittonGuests: Professor Ian Lowe, Rusty Berther & The Cartridge Family, Katie Noonan, Linus WilsonProducer: Bree Hickson-JamiesonExecutive Producers: Benny Wallington, Georgia ShawArtwork: Hannah RoseSocial Media: Eliza CowanAssistant: Madeline CorcoranCamera Operators: Amelie Barham, Ben 'Tofty' ToftEditing: Amelie BarhamMusic by: The East PointersRecorded on Jinibara Country#RadioWoodfordia #KatieNoonan #IanLowe #TheCartridgeFamily #WoodfordFolkFestival #HarleyBreen #NikkiBritton #LivePodcast #Woodfordia #Biodiversity #FolkMusic #Conservation #Comedy #LiveMusic