Podcast Like It's ...

Phil and Emily are joined by writer and podcaster Katharine LaRonde to dig into Joe Roth's America's Sweethearts (2001). Julia Roberts plays the overlooked assistant stuck managing the press junket for her superstar sister (Catherine Zeta-Jones) and her sister's washed-up, soon-to-be-ex-husband (John Cusack), whose divorce turns out to be the only story the reporters actually want. It spirals into a movie that can't decide if it's mocking the junket circus or just running one.The three dig into the film's Hollywood-satire instincts that never quite land a punch, John Cusack playing a guy who's spent a year and a half hiding from his own life at Alan Arkin's wellness retreat, and Roger Ebert's read on the movie as a watered-down Singin' in the Rain. There's a real case here for reading America's Sweethearts as the movie that wanted to skewer Hollywood but fell in love with it instead. Promising, self-conscious, and never quite committed, same as the movie.Follow the show & guest:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsKatharine LaRonde - https://www.instagram.com/katlaronde/💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits

Phil and Emily are joined by writer and critic April Wolfe for Sam Raimi's The Gift (2000). Cate Blanchett plays a widowed Georgia fortune teller who reads cards to keep her family afloat and gets pulled into a murder when a local woman (Katie Holmes) goes missing. Giovanni Ribisi, Keanu Reeves, Hilary Swank, and Greg Kinnear round out a stacked Southern-gothic ensemble.The three dig into Raimi working in a minor key between the Evil Dead films and Spider-Man, Blanchett anchoring a lurid pulp thriller with total conviction, the movie's very year-2000 ideas about class and the South, and the simple pleasure of a mid-budget, star-packed genre picture that basically nobody makes anymore. April brings a horror writer's eye to what works, what's silly, and what quietly holds up.Follow the show & guest:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsApril Wolfe - https://www.instagram.com/awolfeful💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits

Phil and Emily are joined by comedian Carson Olshansky for Mimi Leder's Pay It Forward (2000). Haley Joel Osment plays a seventh-grader who answers a social-studies assignment think of a way to change the world by inventing a simple chain reaction: do a big favor for three people, and ask each of them to "pay it forward." Kevin Spacey and Helen Hunt orbit as the scarred teacher and the struggling single mom the plan quietly sets out to fix.The three get into how a movie this earnest slowly curdles into something else, the infamous ending and whether it earns a single second of it, Spacey and Hunt doing an enormous amount of Very Serious Acting, and what it's like to revisit a turn-of-the-millennium prestige weepie with fresh, unsentimental eyes. Affectionate and merciless in roughly equal measure.Follow the show & guest:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsCarson Olshansky - https://www.instagram.com/carsonolshansky💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits

Phil and Emily are joined by writer Jude Ellison Doyle to open up Richard Kelly's The Box (2009). Cameron Diaz and James Marsden play a cash-strapped 1976 couple handed a simple, horrible deal by a scarred stranger (Frank Langella): press the button on the box, collect a million dollars, and somebody you don't know dies. What starts as a Twilight Zone morality test (via Richard Matheson's "Button, Button") spirals into NASA, Mars, and a very literary sense of damnation.The three dig into Kelly's whole deranged sensibility after Donnie Darko and Southland Tales, whether he's fully in on his own material, how he writes women, and why a studio thriller this strange even got made. There's a real case here for reading The Box as a big, glossy panic attack about being broke in America. Heady, funny, and a little unhinged same as the movie.Follow the show & guest:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsJude Ellison Doyle - https://www.instagram.com/byjudedoyle💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits

Phil and Emily are joined by Mitchell Beaupre, editor and podcast host at Letterboxd, to dig into Kelly Reichardt's Wendy and Lucy (2008). Michelle Williams stars as a woman driving to Alaska for work who gets stranded in a small Oregon town when her car dies and she loses her dog, and the film turns that small catastrophe into one of the quietest, most devastating portraits of American poverty the 2000s gave us.The three of them get into why Reichardt is so good at trapping her characters, and us, in situations that tighten without anyone noticing, how the movie looks at the unhoused with a clear eye instead of pity, and where it lands in the show's Reichardt run. There's a detour into Richard Kelly and The Box, a bit on how Williams does more with a single look than most actors manage with a monologue, and Mitchell's case for why this one stays with you long after the credits.Follow the show & guests:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsMitchell Beaupre - https://www.instagram.com/mitchellbeaupre💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits

Phil and Emily are joined by journalist and author Josephine Riesman to continue their Richard Kelly Reichardt mini-series with the magnificent disaster that is Southland Tales (2006). And there is no better guest for it: Josie wrote the definitive deep-dive on this movie and once spent three hours walking Venice Beach interviewing Richard Kelly himself.Set in an alternate 2008 where nuclear attacks on Texas have tipped America into a surveillance-state apocalypse, Southland Tales unleashes Dwayne Johnson, Sarah Michelle Gellar, Justin Timberlake, and a cast of SNL alumni across a sprawling, end-of-days Los Angeles on the Fourth of July. It premiered at Cannes as an unfinished cut on DVD, got booed into oblivion, made a legendary $374,000 against a $17 million budget, and then quietly became the cult object that fans swear is more true than the reality we actually got..The gang digs into why a movie this incoherent is also this irresistible. Emily makes her case that it is what you would get if Philip K. Dick novelized Robert Altman's Nashville, while Phil counters with "Magnolia with a head injury." Josie reveals what Kelly told her about that surreal Justin Timberlake lip-sync to The Killers, the tie-in graphic novels, the Cannes catastrophe, and why he has a reason for every baffling choice, even the ones that never made the final cut. Plus its eerie kinship with Children of Men and The Handmaid's Tale, and the thin line between satire and prophecy.Misunderstood masterpiece or beautiful trainwreck? On America's 250th birthday, it might be the only movie that fits. This is the way the world ends.Follow the show & guests:Podcast Like It's... - https://www.instagram.com/podcastlikeitsPhil Iscove - https://www.instagram.com/pmiscoveEmily St. James - https://www.instagram.com/emilystjamsJosephine Riesman - https://www.instagram.com/josie.zone💜 Patreon (bonus episodes & video): http://patreon.com/Podcastlikeits