Paul Weller Fan Podcast

A journalist since 1988, Keith Cameron is currently a contributing editor at MOJO, with a career that’s taken him from Sounds and NME to bylines in the Guardian, The Times, Kerrang! and Q. In this episode, Keith talks about discovering The Jam in the punk era, growing up in the Highlands, and the lengths he went to just to get to gigs - finally seeing The Style Council at university. He gives an honest glimpse into interviewing Paul Weller, from nerve-racking moments on tour buses to frank discussions about Heavy Soul, along with stories of superfans, music press dramas, and the behind-the-scenes world of MOJO. Keith also reflects on the changing landscape of music journalism, why our adolescent music memories stick with us, and what makes Paul Weller’s creative drive so enduring.

For this special episode, I bring you a conversation with Dee C. Lee - singer, songwriter and essential member of The Style Council.This chat was recorded in a riverside pub back in January 2025 for my book Paul Weller: Dancing Through The Fire and Dee has been kind enough to let me share this as a podcast episode. What better timing than the release week for the new Café Bleu Deluxe Edition boxset!From her early breakthrough as a backing singer with Wham! to Paul Weller inviting her to Solid Bond Studios, Dee recalls how she became part of a new band without fully realising the shadow The Jam cast - and how quickly she found her place at the heart of it.She reflects on life inside The Style Council: the collaborative atmosphere at Solid Bond, the camaraderie and chaos of touring, muddy misadventures at Glastonbury, nerves at Live Aid, and the confidence she developed performing her own material alongside the band.She also speaks candidly about creativity, motherhood, stepping away from the spotlight, and finding her way back to music on her own terms. 

In this episode of the Paul Weller Fan Podcast, I talk to composer and arranger John Mealing, whose work helped define The Style Council’s orchestral and cinematic edge. John shares how he first connected with Paul Weller, starting with 'Shout To The Top', and goes deep into the making of Our Favourite Shop, The Cost of Loving and Confessions of a Pop Group - including strings, horns, live performances and studio experiments.Along the way, John reflects on his jazz roots, his unlikely journey into arranging, and a parallel career creating some of British television’s most memorable theme tunes. He also offers a warm, revealing portrait of Paul Weller as a collaborator - meticulous, open-eared, and deeply committed to the music - and explains why, decades on, The Style Council’s boldest work is finally getting its due.

My guest on this episode is Jon 'Mojo' Mills - founder and editor-in-chief of Shindig! magazine, lifelong mod, and someone whose life has been shaped, in very real ways, by the music of Paul Weller.Jon discovered The Jam at the age of ten, too young to see them live but old enough for the music, the look, and the ethos to completely take hold. From The Jam to The Style Council, through the solo years, right up to the present day, Paul’s work has been a constant presence in Jon’s life - not just as a fan, but eventually as a journalist, collaborator, and trusted voice within Weller’s world.In this conversation, originally recorded for my book, we talk about childhood fandom, mod identity, tribalism, music discovery, and what it’s like when your teenage hero becomes someone you share playlists, texts, and cups of tea with...

On this episode, I’m joined by the visionary Belfast musician, composer, producer, and DJ, David Holmes. From soundtracking iconic films to collaborating with giants of UK music, David’s career is one of creative restlessness and fearless activism... The biggest surprise is that it's taken this long for him to collaborate with Paul Weller!We’ll dive into his formative years discovering Paul Weller through the music of The Jam, his journey through club culture, and how those bonds came full circle - culminating in a collaboration with Paul Weller on the song 'Resistance in the Dark' and the creation of The Five Techniques collective, a movement rooted in humanity and protest. Together we explore the intertwining of music and activism, Paul Weller’s legacy of speaking truth to power, and why artists can’t afford to stay silent in the face of global injustice. A candid, passionate conversation on what happens when creativity meets conscience, and the ongoing power of resistance in both art and life.

On this episode, I am joined by a true musician’s musician whose artistry crosses borders and genres. Sheema Mukherjee is a sitar prodigy, composer, and band member with Transglobal Underground and The Imagined Village (where she first played with Paul Weller) - fusing her deep-rooted Indian classical tradition with cutting-edge British musical innovation. We talk about her family musical heritage, her powerful approach to emotion and improvisation, and how she developed her unique language on the sitar. We’ll explore Sheema’s session at Paul Weller’s Black Barn studio, where she not only played on the song 'Books' for the True Meanings LP, but also contributed a Sanskrit prayer, lending both authenticity and spiritual resonance to the record and Paul's Other Aspects Royal Festival Hall concerts.

When I started on the extra interviews for my book, Paul Weller: Dancing Through the Fire, back in July 2024, Journalist and author, Peter Watts was one of the first people that I chatted to. He has written for Uncut, the Guardian and Sunday Times, and has also written a book about the history of Denmark Street: London’s Street Of Sound. He has done some superb interviews with Paul Weller on many occasions including on tour in the US so it was a real delight to capture his memories.For fans of Paul Weller and those fascinated by the inner workings of music journalism, this episode provides a lovely insight into the connection between journalist and artist. Peter discusses his journey from discovering The Jam and The Style Council as a latecomer in the '90s, to interviewing Paul Weller for major publications like Uncut. With stories that span meeting the band in San Francisco, sitting backstage at legendary venues, and exploring Paul’s ongoing search for artistic independence, Peter reveals the human side of a musical icon who’s far more interested in what's next than what's just been released.We also explore the challenges of modern music writing - how the craft has shifted from acerbic reviews to celebrating artistic achievement, and why Paul Weller’s willingness to share his personal battles and musical passions make him such a compelling subject. Listening to Peter’s stories, you'll get a sense of Paul’s enduring restlessness, his aversion to nostalgia, and the realities of the creative life in an age where albums can peak and then vanish in an instant...

On this episode of The Paul Weller Fan Podcast, I’m joined by someone whose impact on British music and activism can’t be overstated - Tom Robinson.This conversation was originally recorded for my upcoming book, Paul Weller: Dancing Through the Fire – The Authorised Oral History, and I’m delighted to share it with you now as a podcast episode.Tom first exploded onto the UK music scene with the Tom Robinson Band in the late ‘70s, breaking new ground as a musician and as an outspoken advocate for LGBT rights, anti-racism and political activism. Hits like “2-4-6-8 Motorway” and “Glad To Be Gay” made him a central figure in the punk and post-punk years - the very years that saw The Jam and Paul Weller coming up in parallel. We dive into those formative years, Tom’s memories of the punk scene, what set Weller and The Jam apart, and later, the Red Wedge tour, where Tom truly got to know Paul as both a bandleader and a person.This is a conversation about music as rebellion, about the importance of remaining grounded, about using a platform for collective good.